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Available for Pre-order: The Creation of Wing Chun – A Social History of the Southern Chinese Martial Arts

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The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts by Benjamin Judkins and Jon Nielson.  State University of New York Press, 2015.  August 1.

The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts by Benjamin Judkins and Jon Nielson. State University of New York Press, 2015.  This work looks at southern Chinese martial arts traditions and how they have become important to local identity and narratives of resistance.

 

Last week I noticed that Kung Fu Tea had attracted over half a million views since its launch in 2012.  That seemed like a significant milestone and I wanted to do something to mark the occasion, but I wasn’t sure what.  Luckily the State University of New York Press mailed out their fall catalog resolving my dilemma.  While flipping through its pages I discovered (much to my surprise) that my volume on the social history of the southern Chinese martial arts is now available for pre-order.  A quick chat with the editor confirmed that the books are leaving the print shop now and everything is expected to be in the warehouse by July 1.    As such we will be celebrating the half-million visit threshold with a book launch!

We are very pleased that this project found a home with SUNY Press.  They have published some great works on the martial arts over the years including both Douglas Wile’s Lost Tai-Chi Classics from the Late Ching Dynasty (1996) and Farrer and Whalen-Bridge’s edited volume Martial Arts as Embodied Knowledge: Asian Traditions in a Transnational World (2011).  Jon Nielson and I are so honored that SUNY decided to continue the line with our volume.  I will be discussing this project more over the next few months, but for now I would like to start with the announcement from the publisher’s catalog:

 

The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts

This book explores the social history of the southern Chinese martial arts and their contemporary importance to local narratives of resistance.  Hong Kong’s Bruce Lee ushered the Chinese martial arts onto an international stage in the 1970s. Lee’s teacher, Ip Man, master of Wing Chun Kung Fu, has recently emerged as a visible symbol of southern Chinese identity and pride.

Benjamin N. Judkins and Jon Nielson examine the emergence of Wing Chun to reveal how this body of social practices developed and why individuals continue to to turn to the martial arts as they navigate the challenges of a rapidly evolving global environment.  After surveying the development of hand combat in Guangdong Province from roughly the start of the nineteenth century until 1949, the authors turn to Wing Chun, noting its development, the changing social attitudes towards this practice over time, and its ultimate emergence as a global art form.

 

Benjamin N. Judkins holds a doctoral degree in political science from Columbia University.  Jon Nielson is chief instructor at Wing Chun Hall in Salt Lake City.

August 1. 362 Pages. 4 Maps, 1 Table

$90 Hardcover ISBN 978-1-4384-5693-5

Click here to order directly from the publisher.



Chinese Martial Arts in the News: May 26th 2015: Assassins, Book Launches and Stories from Around the Globe

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A martial artist on Songshan Mountain.  Source: CNN

A martial artist on Songshan Mountain. Source: CNN

Introduction

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Lets get to the news!

Hing Chao at the famous

Hing Chao at the famous “Blue House” in Hong Kong. Source: the International Guoshu Association Facebook Group.

Chinese Martial Arts in the News

Our very first story for this week can be found in the South China Morning Post (which, incidentally, runs more stories on the martial arts than one might expect).  It describes Hing Chao’s recent efforts to secure a UNESCO listing for a Hakka style of hand combat as well as his ongoing efforts to use motion capture technology to document southern China’s various Kung Fu styles.  Hing Chao has also been active in some architectural preservation efforts that will be of interest to Kung Fu students.  Take a look at this article (in Chinese with an English gloss) to read more.  Its hard to understate how much the physical landscape of the entire Pearl River Delta region has been transformed in the last two or three decades, making these sorts of efforts particularly useful.

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A “Kung Fu” nun demonstrates a pole form at a Tibetan Temple in Nepal. Nuns from this order have been in the news following the devastating earthquake in Nepal.

In previous news features we have followed the progress of Nepal’s increasingly high profile “Kung Fu Nuns.”  This Buddhist monastic community is centered in Ramkot in the Western portion of the Katmandu Valley.  Like everyone else in Nepal they were affected by the devastating earthquake that hit the area exactly one month ago.  Since then the nuns have become a fixture providing relief and labor in neighboring communities, helping those affected in the area to rebuild.  I noticed a few stories about this in the week following the earthquake, but the topic has continued to be reported in the press, both in South and East  Asia as well as the West.  If anything these sad events have helped to further increase this community’s media profile.  The Washington Post ran a story about their efforts that touched on the gendered aspect of their situation.   Readers may also want to check out the reporting in India Today.

The Pagoda Temple at the Shaolin Temple in Henan Province.  Source: cnn.com

The Pagoda Temple at the Shaolin Temple in Henan Province. Source: cnn.com

On a lighter note, the growing market for martial arts tourism is another topic that we have previously discussed.  This was the subject of perhaps the single most widely read story to appear in this weeks news update. Zoe Li, writing for CNN, published a piece called “Kung Fu Hustle: How to Master Martial Arts in China.”  This article interviewed Sascha Matuszak, the editor of The Last Masters blog as well as an occasional guest author here at Kung Fu Tea.  He drew on his experience living, researching and traveling in China to advise her and other Kung Fu pilgrims on some possible destinations to consider. The post gives brief discussions of Shaolin, Wudang, Chen Village, Emei Shan and Hong Kong.  I thought that it was interesting that when discussing Wing Chun in Hong Kong Master Sam Lau got a shout out.  That seemed like a strong choice, especially for people who wanted to study the system in Hong Kong but who only had a limited amount of time to do so.  Hopefully some aspiring Kung Fu students will take the advice to heart.

Kung Fu Tai Chi magazine recently ran a slightly different sort of article on their webpage.  It was titled “Yang Jun on the Cultural Revolution and Taiji Today.”  One suspects that it will not reach nearly as large an audience as the cnn piece, but readers of Kung Fu Tea may find it to be even more important.  For all of our discussion of the ancient (and basically unknowable) origins of the traditional martial arts, I am often struck at how little interest there is in their more recent history.  This is a shame as it was these events that have most directly shaped our experience of these practices.

Additionally, some of the event of the middle and later decades of the 20th century reveal much about the essential nature of these institutions.  Obviously the Chinese Cultural Revolution is one of those critical events that had a profound impact on the martial arts in mainland China.  Many of the Masters and Grand Masters of the current generation were directly affected by these events, yet we do not hear nearly as much of them (at least not in the west) as one might expect.  Hopefully we will see more attempts to record and consider the impact of this episode in the near future.

Taiji being demonstrated at the famous Wudang Temple, spiritual home of the Taoist arts.  Notice they wear the long hair of Taoist Adepts. Source: Wikimedia.

Taiji being demonstrated at the famous Wudang Temple, spiritual home of the Taoist arts. Notice they wear the long hair of Taoist Adepts. Source: Wikimedia.

The last three weeks or so have seen a number of other stories examining the growth or significance of the Chinese martial arts in a “global” context.  The recent diplomatic meetings between India and China included public demonstrations of both Yoga and the traditional martial arts (Taijiquan).  One of the things that emerged from this discussion of national physical culture was the announcement that China would be pushing for greater UN recognition for Taijiquan.  I am a little unclear as to what exact form this would take, but it seems to be another indication of the importance of the traditional martial arts to the government’s public diplomacy strategy.

Speaking of public diplomacy, the last month has also seen a steady stream of announcements and news articles coming out of various African countries regarding efforts to educate individuals about Chinese culture through the language classes, paper cutting demonstrations and (of course) martial arts training.  For some samples of what has been going on out there you might want to see the following article in the Shanghai Daily about the attraction of Kung Fu for youths in Nigeria.  Alternatively this account looks at the progress of a cultural tour (including the martial arts) in Botswana.

Taiji classes will no longer held at this Central Southland Presbyterian Church hall.  Source: The Southland Times

Taiji classes will no longer held at this Central Southland Presbyterian Church hall. Source: The Southland Times

The news on the globalization front is not always universally positive.  Quickly spreading practices, especially when they are perceived as being rooted in a foreign culture, can also cause friction.   I noted with some interest the following news account of a dispute that led to a Taijiquan class being booted out of its training space in a church in Central Southland New Zealand.  While the group had practiced in the space for at least five years without incident, for some reason the Presbyterian Parish Council recently decided that the classes were a threat to their community’s “spiritual wellbeing.”  When asked to explain their reasoning the group cited the supposed Daoist religious origins of the art.  Maybe someone should send them a copy of something by Tang Hao or Douglas Wile? Just a thought.

The growing popularity of the Chinese martial arts also leads to them occasionally popping up where you least expect them.  Consider the following wedding announcement of Lowena Tam and Raymond Lee in the New York Times.  What is the significance of this happy occasion?  Lee is the son of Lee Moy Shan, who was a student of Moy Yat, who was (of course) a student of Ip Man.  Like I said, Kung Fu lineages appearing where you least expect to see them.  Still, congratulations are clearly in order!

The Kung Fu Fruit Vendor.  Source: the Shanghaiist.

The Kung Fu Fruit Vendor. Source: the Shanghaiist.

So did you hear the one about the Kung Fu fruit vendor?  Nope, its not pitch for a throwback Kung Fu film.  Rather one enterprising merchant in Hangzhou has found a creative way to keep his Qigong skills sharp while attracting new customers.  His method, issuing open challenges to the crowd.  In historical discussions we often come across accounts of various sorts of “marketplace performers” during the Late Imperial or Republic periods.  It would seem that the tradition is not yet dead (at least not in Hangzhou) and a free Kung Fu demonstration can still draw a crowd.

Qi Shu plays the title role, a young girl who is kidnapped by a nun and trained to become a killer.  Source: New York Times.

Qi Shu plays the title role, a young girl who is kidnapped by a nun and trained to become a killer. Source: New York Times.

Kung Fu in the Entertainment Industry

The Cannes Film Festival has recently wrapped up.  Among the big winners this year was Hou Hsiao-Hsien’s artistic martial arts tale “The Assassin.”  The film, which follows the story of a young girl kidnapped by a nun, taken to the mountains and trained to be a deadly assassin, has been getting a lot of attention, such as the following review in the New York Times.  And it looks like this early buzz was well supported.  While a costume drama set in the Tang dynasty, Hou’s film is also said to be minimalist and highly artistic in its aesthetic vision.  Apparently the Powers That Be agreed with this assessment and Huo took home the “Best Director” award for his efforts.  This win has also made in splash in Taiwan’s press.  Clearly this is a film that is going on my “to watch” list.

Jackie Chan lead a martial arts demonstration outside of Dili in 2008.  Source: www.china.org.cn

Jackie Chan lead a martial arts demonstration outside of Dili in 2008. Source: http://www.china.org.cn

Not every martial arts film is going to be an artistic triumph.  Some of them are not even destined to be very good.  Nor are we seeing as many elaborate and technically difficult fight sequences.  Jackie Chan thinks he know why it is that Hollywood is not producing good martial arts films anymore.   Click the link to see what he has to say.  I realize that not everyone is a Jackie Chan fan, but there is some interesting stuff in this interview.

While we are on the subject of Americans, action films and doing your own stunts, it sounds like Mike Tyson had a mishap on the set of Ip Man 3.  His fist met another actor’s elbow and the result was a painfully (as a number of us can personally attest) fractured finger.  But apparently he was a pro and they just kept right on filming.

Robert Downey Jr. sporting a Bruce Lee T-shirt.  Source: Business Insider.

Robert Downey Jr. sporting a Bruce Lee T-shirt. Source: Business Insider.

Bruce Lee has also been in the news over the last few weeks.  He even made a fascinating cameo appearance in the recent summer block-buster “Avengers: Age of Ultron.”  Did you catch it?  This was not the first time that Robert Downey Jr has made a public appearance while sporting a Bruce Lee shirt, but I was fascinated by the time of its appearance in the film.  It turns out that there is also a bit of a story behind this cameo, as told in the following article by Business Insider.

Bruce Lee fans may also want to note that Justin Lin is bringing a new series to Cinemax titled “Warrior.”  This new show is said to be based Lee’s original material for a project of the same name which later evolved into the “Kung Fu” TV series with David Carradine.  The article describes “Warrior” as “a visceral crime drama that traces the path of a gifted but morally corrupt fighter thrown into crisis after a lifelong quest for vengeance is undermined.” It’s based on handwritten notes from Bruce Lee that were brought to light by his daughter, Shannon Lee.”  Sounds like good stuff.

The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts by Benjamin Judkins and Jon Nielson.  State University of New York Press, 2015.  August 1.

The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts by Benjamin Judkins and Jon Nielson. State University of New York Press, 2015. August 1.

Martial Arts Studies

Jon Nielson and I are happy to announce that our book, The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts is now available for pre-order from both from Amazon and directly from the publisher, the State University of New York Press.  The hardback edition of the book is currently set to ship on August 1.    This is one of only a very few English language academic books looking at the history of the Chinese martial arts, and the only one (that I am aware of) to focus on events in southern China.  Wing Chun students may also be interested to note that it offers the most comprehensive treatment of Ip Man’s biography and career to date.  From the publisher:

This book explores the social history of southern Chinese martial arts and their contemporary importance to local identity and narratives of resistance. Hong Kong’s Bruce Lee ushered the Chinese martial arts onto an international stage in the 1970s. Lee’s teacher, Ip Man, master of Wing Chun Kung Fu, has recently emerged as a highly visible symbol of southern Chinese identity and pride. Benjamin N. Judkins and Jon Nielson examine the emergence of Wing Chun to reveal how this body of social practices developed and why individuals continue to turn to the martial arts as they navigate the challenges of a rapidly evolving environment. After surveying the development of hand combat traditions in Guangdong Province from roughly the start of the nineteenth century until 1949, the authors turn to Wing Chun, noting its development, the changing social attitudes towards this practice over time, and its ultimate emergence as a global art form.

I am very excited to see this project finally coming to fruition.  We will be covering news relating to the roll-out of this book both here and on the Kung Fu Tea Facebook group in the coming weeks.

Alex Channon and Christopher R. Matthews also have a new edited volume coming out.  (I would have included a cover image but it does not seem to have been released yet.) Global Perspectives on Women in Combat Sports: Women Warriors around the World in Palgrave’s “Global Culture and Sport Series” is due to be released at the end of August.

“This volume presents a wide-reaching overview of contemporary research and scholarship on women’s engagement in a range of combat sports across the world. Including chapters on boxing, wrestling, mixed martial arts, and various other fighting disciplines, the collection provides readers with a comprehensive analysis of the current significance of women’s involvement in these sports, as well as charting many of the problems and opportunities they face in establishing and developing careers within them.

With contributions drawing from anthropology, phenomenology, philosophy, sociology, and sport psychology, this book will appeal to readers interested in the development of women’s sport; the relationship between sport and gender; and the wider, contemporary social significance of combat sports around the world.”

fighting intellectualizing combat sports cover

Fighting: Intellectualising Combat Sports, Ed. Keith Gilbert (Common Ground Publishing, 2015).

Keith Gilbert also has a new book out that will be of interest to a number of Kung Fu Tea readers.  Fighting: Intellectualising Combat Sports is an edited volume currently available from Common Ground Publishing.  This book is unique in that its various chapters cover a range of both theoretical and practical topics related to the martial arts.

“This book is the first of its kind that relates specifically to the practical and theoretical aspects of martial arts in contemporary society. Within its covers are a collection of thirty-five cutting-edge chapters by leading practitioners and academics who raise questions and provide answers regarding the broad relationship between fighting and the intellectualisation of the sports that constitute the martial arts. In their writings they highlight the remarkable work being undertaken by coaches, practitioners and exponents of various martial arts and the benefits of martial arts to children and positive health of individuals in society. Individually, they clarify the meaning of their particular martial art and highlight some of the problems they have encountered throughout their career and in researching the area. However, this is a very positive book that is not just of an academic nature but a text that provides ideas and innovations that can be used by future researchers and aspirants and practitioners in the field.

The authors throughout the book largely agree in concluding that there are aspects of the relationship between the martial arts and general society which have largely gone unnoticed, and they tackle the difficult perspectives of injury, stress, coaching, lack of understanding, pain, and training within their particular martial art. Of importance are their comments relating to the mind–body dichotomy and the power of meditation and practice in their sport. In doing so, they provide examples of good practice and strong programmes and make suggestions as to where the status quo needs to be addressed in order for the field to go forward.

This volume will be of great interest and value to academics working in all fields of martial arts, as well as to undergraduate and graduate students researching different disciplines. More importantly, it will also be a crucial aid to researchers who are interested in developing their sport in universities and colleges across the world.”

Lastly, readers my recall my announcement for the 2014 SUNY Press Volume Warrior Women: Gender, Race, and the Transnational Chinese Action Star by Lisa Funnel.  Paul Bowman has recently published a review of this book for the Journal of Chinese OverseasCheck it out.  And don’t forget to take a look at his new volume, Martial Arts Studies: Disrupting Disciplinary Boundaries (Rowman & Littlefield, 2015) which is now shipping in paperback and is available for Kindle.

Also the 2015 Martial Arts Studied conference, to be held at Cardiff University from June 10-12, is fast approaching but there is still time to register.  Be sure to check out the the conference schedule to see what kind of papers will be presented.  I will be giving my keynote, “Imagining Ip Man: Globalization and Growth of Wing Chun Kung Fu,” on the 11th and look forward to meeting everyone who can make it.

Chinese tea set.  Source: Wikimedia.

Chinese tea set. Source: Wikimedia.


Kung Fu Tea on Facebook

As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We reviewed a Hung Gar book, discussed “5 Moments that transformed Kung Fu” and shared a moment with “Mrs. Judo,” among other things.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing!


Guest Post: Jose Figueroa: From Bronx B-boy to Chen Style Master

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Jose-VICE-650

 

Introduction
New York City is a place that gets under your skin.  Live there long enough and you will always be up for a good New York story.  I had a chance to explore the city while I was in graduate school at Columbia, but unfortunately I believed that I didn’t have the time to the study martial arts. (In my defense those courses did involve an ungodly amount of reading).  Now I view it as a missed opportunity.

If all has gone according to plan, I have just arrived back in the United State from the Martial Arts Studies conference at the University of Cardiff and am recovering from jet lag.  As such this will be the last guest post by Sascha Matuszak in his short series covering for me in my absence.  Keeping with the recent theme I thought that we would take another look at the many connections between the Chinese martial arts and popular culture, but this time Sascha will be exploring a story a little closer to home….

 

 

“Jose Figueroa: From Bronx B-boy to Chen Style Master” by Sascha Matuszak

 

I stumbled across Jose Figueroa’s studio while wandering around the old Schmidt Brewery and Artist Lofts in west St. Paul. The lofts hold seminars and events from time to time and Sundance was in town holding a filmmaking workshop. I left to catch some air and found myself at the end of a hallway, staring slack-jawed at a bunch of kung fu memorabilia taped up to the walls outside of one of the studios.

Photos and clippings from the 70s and 80s, a large poster of Sanshou champs Jason Yee vs. Cung Le from the 1997 Kungfu Championships, the first ever televised kung fu event. To one side movie posters for films I’d never heard of like “Final Weapon” with Lou Reed, “Hunting Buddies” and a documentary called “Urban Dragons,” all produced or choreographed by a Chen style Taiji master named Jose Figueroa. I looked at the pictures of a man with a ponytail in a “whip” pose sporting shiny white taiji robes and contemplated how the universe works in such mysterious ways. Did a quick search, sent a text, set up a meeting.

Jose was born and raised in Santurce, Puerto Rico, where he “grew up like Mowgli in the Jungle Book” with his three brothers. They moved with their parents to the Bronx when Jose was little, but he remained in Santurce with his grandmother for a few years (“It was a family thing, she said this one stays with me”), not joining up with the rest of the family till he was eight or nine years old. Growing up in the Bronx in the 70s meant you were probably at The Art movie theater watching old kung fu movies, at the jams dancing or fighting or deejaying, or on the streets bombing all night.

 

Click to read the rest of the story!

 


Chinese Martial Arts in the News: June 22, 2015: Swords, Combat Sports and Martial Arts Studies

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Liu Xio Yang.  Source: Yahoo Sports.

Liu Xio Yang. Source: Yahoo Sports.

 

Introduction

 

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Lets get to the news!

 

Jian found by farmer in Chongqing.  Source:  shanghaiist.com

Jian found by farmer in Chongqing. Source: shanghaiist.com

 

 

 

Chinese Martial Arts in the News
Readers of Kung Fu Tea will probably have noticed my interest in traditional Asian weaponry.  As such I am happy to start this round-up of events with an account of a recent “archeological” discovery.  It seems that a farmer in Chogqing found the remains of what was probably a (pretty nice) Qing era Jian while working on his property.  The blade had already lost its handle and tip.  Undisturbed the man polished and sharpened it (revealing both some carving and an inscription) and proceeded to use it as a vegetable knife in his kitchen for a couple of years.  You can read more about the case (and see a picture of the blade) here.  A slightly more extensive article that compares this case to another recent find (this time of a much older bronze blade) can be found here.

Over the last month a number of stories looking at the more competitive aspects of the Chinese martial arts have been published.  A few of these have focused on the effort to get Wushu adopted as an Olympic sport for the 2020 Tokyo games.  This article in Yibada is pretty typical of the preliminary sorts of discussions that are being reported.  Given that Judo, the first Asian martial art to be adopted as an Olympic event, was first introduced during the 1964 Tokyo games, such a development would be poetic.

 

Cung Le, whose knockout victory in Macau made him a favorite of Chinese MMA fans.  Source: http://www.sanjose.com/news/2012/11/07/cung_le_returns_to_the_octogon

Cung Le, whose knockout victory in Macau made him a favorite of Chinese MMA fans. Source: http://www.sanjose.com/news/2012/11/07/cung_le_returns_to_the_octogon

 

Nevertheless, most of the recent discussion of the traditional Chinese arts and modern combat sports has instead focused on the mixed martial arts.  The Yahoo Sports Blog recently ran a piece titled “5 MMA Fighters with Backgrounds in the Chinese Martial Arts.” Another article playing to similar themes promised readers “Three Reasons Mixed Martial Artists Should Study Gongfu.” Given the number of people who see Bruce Lee as a forefather of the MMA movement, its probably not a coincidence that this article adopted his preferred spelling of the term “Kung Fu.”  Readers might also want to take note of this short catalog of “Bruce Lee’s 5 Contributions to Modern MMA.”  And while we are on the subject, what is up with all of these lists posing as articles?

 

An image from the southern Chinese martial arts manuscript collection known in Japan and Okinawa as the Bubishi.

An image from the southern Chinese martial arts manuscript collection known in Japan and Okinawa as the Bubishi.

 

In more substantive terms, Jack Slack (who writes on MMA and occasionally martial arts history for the Fightland blog) wrote an article looking at the Bubishi.  He gives an overview of the text for readers who may be unfamiliar with it and then delves into reconstructions of a few specific techniques.  Better yet, he promises to return to the discussion of this late Qing southern Chinese martial arts manual in future posts.  Again, its always fascinating to see these more historically informed discussions working their way into contemporary treatments of the martial arts and combat sports.

 

A group of African disciples study the traditional arts at Shaolin.

A group of African disciples study the traditional arts at Shaolin.

Over the last couple of years we have seen a number of discussions of the ways in which the Chinese government has integrated the promotion and display of the traditional martial arts as one aspect of its larger public diplomacy strategy.  In a sense this is not surprising.  While China has faced some challenges in this area, its martial arts enjoy an immense amount of public recognition and popularity around the world.  Various government backed institutions have promoted demonstrations of traditional crafts, arts and performance disciplines (including both the martial arts and opera) in an effort to educate the public about Chinese culture and to promote the state’s “soft power.”  In fact, this recent reports (with some nice video) of a Beijing Opera performance that was hosted in South Africa as part of the ‘Year of China’ observance is a nice illustration of this trend.

Readers who are interested in the question of ‘Soft Power’ and how all of this relates to the state’s promotion of traditional practices, will probably want to check out a story titled “China’s Soft-Power: The Search for Respect” which recently ran in Foreign Affairs.  This article (like most of those published in Foreign Affairs) tends to be more of a policy piece than a theoretical exploration.  At the same time it does a nice job of introducing a basic discussion of the idea of “Soft-Power,” points readers to a couple of important theorists (hint: read Joseph Nye) and offers some conclusions about why Chinese public diplomacy efforts have struggled in the past.  More importantly, it provides one possible context for thinking about the many sorts of reports (such as the South African account above) that we are currently seeing in the news.  While not directly about the traditional martial arts (though they do get mentioned), its one of the more important things that seems to have come out in the last month for those of us interested in the international relations aspect of martial arts studies.

Also interesting is the following account of the growing popularity of martial arts among Hazara youth (a Persian speaking Shia minority community) in Quetta (Pakistan).  This article is a little more detailed than most of the pieces that we see on subjects like this.  It also delves a little bit deeper into the question of personal motivations and community impact.  Anyone interested in the role of the martial arts in the Middle East or South Asia may want to have a look at this one.

Kung Fu Panda 3 Movie
Kung Fu and Popular Culture

Dream Works has just released the trailer for the much anticipated third installment of the Kung Fu Panda franchise.  I have always enjoyed these films and the next installment promises to reveal important truths about Po’s past (specifically the identity of his biological father).  You can see the trailer here.  We have also seen an uptick in reporting on this project, including this article from the La Times exploring the implications of the film for Dream Works and some of the details of the joint partnership which is supporting its release directly into the Chinese film market.  Click to read more.

There are also some interesting developments afoot on the small screen.  The buzz surrounding AMC’s new series “Into the Badlands” sounds good with the network promising that their project is going to “bring the martial arts back to TV.”

And no discussion of the place of the Chinese martial arts in popular culture would be complete without taking a look at the viral videos making their way around the internet.  My particular favorite as been the music video by Gener8ion + M.I.A. for “The New International Sound Pt. II.”  It is basically a three minute remix of footage taken from Inigo Westmeier’s (excellent) 2012 documentary “Dragon Girls.”  If you haven’t seen this one yet be sure to check it out.

 

The Collected Works of Sun Lutang.

The Collected Works of Sun Lutang.

 

 

Martial Arts Studies

Earlier this month (June 10-12th) the first annual martial arts studies conference was held at the University of Cardiff.  I was very happy to have been able to attend this event and even had the opportunity to discuss some of my own research in a keynote address.  The quality of the work that I saw in the various panels was matched only by enthusiasm of the presenters.  In short, the conference exceeded my expectations and suggested that martial arts studies has a bright future ahead of it.  You can read some of my more detailed thoughts on the event and its significance here.  Also be sure to watch Academia.edu where a number of papers, abstracts and slide presentations from the conference are currently being posted.

The event was so successful that plans are already being made for next year!  As part of this initial planning process the conference organizers have announced something new.  In order to help offset the costs for students to attend the 2016 meetings, a short film contest is in the works.  Interested parties are being encouraged to make a five minute film on any aspect of the martial arts or martial arts studies.  These should be submitted to the conference organizers who will broadcast the entries on their various media channels and reward selected winners with free conference registrations, meals and possibly accommodations.  Head on over and take a look at the announcement for the details.

Are you interested in getting some of your research out there but you need to stick a little closer to home?  Don’t forget about the call for papers for inclusion in the upcoming volume the Invention of the Martial Arts.  You find the details on this project here.

 

 

leathal spots vital secrets

 

Two new books have also been announced that may be of interest to students of martial arts studies.  First, Oxford University Press has just released Lethal Spots, Vital Secrets: Medicine and Martial Arts in South India by Roman Sieler.  This work will discuss both esoteric medical and martial practices .  Sieler is an Assistant Professor of anthropology at the South Asia Institute and runs their Masters Degree program on “Health and Society in South Asia.”  This looks like an important text for anyone interested in the Indian martial arts.  Here is the publisher’s note:

 

Lethal Spots, Vital Secrets provides an ethnographic study of varmakkalai, or “the art of the vital spots,” a South Indian esoteric tradition that combines medical practice and martial arts. Although siddha medicine is officially part of the Indian Government’s medically pluralistic health-care system, very little of a reliable nature has been written about it.

Drawing on a diverse array of materials, including Tamil manuscripts, interviews with practitioners, and his own personal experience as an apprentice, Sieler traces the practices of varmakkalai both in different religious traditions–such as Yoga and Ayurveda–and within various combat practices. His argument is based on in-depth ethnographic research in the southernmost region of India, where hereditary medico-martial practitioners learn their occupation from relatives or skilled gurus through an esoteric, spiritual education system. Rituals of secrecy and apprenticeship in varmakkalai are among the important focal points of Sieler’s study. Practitioners protect their esoteric knowledge, but they also engage in a kind of “lure and withdrawal”—a performance of secrecy—because secrecy functions as what might be called “symbolic capital.” Sieler argues that varmakkalai is, above all, a matter of texts in practice; knowledge transmission between teacher and student conveys tacit, non-verbal knowledge, and constitutes a “moral economy.” It is not merely plain facts that are communicated, but also moral obligations, ethical conduct and tacit, bodily knowledge.

Lethal Spots, Vital Secrets is an insightful analysis of practices rarely discussed in scholarly circles. It will be a valuable resource to students of religion, medical anthropologists, historians of medicine, Indologists, and martial arts and performance studies.

 

Second, Lauren Miller Griffith has a forthcoming volume titled In Search of Legitimacy: How Outsiders Become Part of the Afro-brazilian Capoeira Tradition.  Obviously this book will be important for those who follow Capoeria, but beyond that it appears to touch on a number of questions that are central to current discussions martial arts studies. Unfortunately we will have to wait to until January of 2016 to get our hands on a copy.  Lauren Miller Griffith is an Assistant Professor of Anthropology at Hanover College. She studies performance, tourism, and education in Latin America.

 

Its facebook time!

Its facebook time!

 

Kung Fu Tea on Facebook


As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We explored Xingyi Quan, discussed the links between opera training and the wooden dummy, and looked at some cool swords.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing!


Chinese Martial Arts in the News: July 13, 2015: The Passing of Yu Chenghui and the Birth of a Chinese Jedi?

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Yu Chenghi, 1939-2015.

Yu Chenghui, 1939-2015.

 

 

 

Introduction

 

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Lets get to the news!

 

 

News from All Over

 

Our first story this week is a sad one.  The recent passing of the martial artists and noted film star Yu Chenghui has been widely reported and discussed in the last week, both in Chinese and English language outlets.  The Yahoo entertainment news ran a short piece on his life and career.  Chinatopix went with a different sort of article that focused on his early training in the martial arts and introduction to film.  As always, those sorts of biographical accounts are fascinating.  Gene Ching, the editor of Kung Fu Tai Chi Magazine offered the most detailed and heartfelt discussion of Yu which I saw.  His story included personal reminisces and some of his Yu Chenghui’s more memorable magazine cover appearances.  Be sure to check that one out.  It is clear that Yu’s many contributions to the Chinese martial arts and film will not soon be forgotten.

 

International Students Fall in Love With Wushu. Source: ECNS.CN

International Students Fall in Love With Wushu. Source: ECNS.CN

 

ECNS.CN recently ran a piece titled “International students fall in love with Wushu.”  Human interest articles in this genera are pretty common, but this one was certainly a cut above average.  It profiled three different international students at Chinese institutions of higher learning who had taken up Wushu training and briefly explored their motivations and experiences.  After reviewing their experiences the author concluded:

“Unfortunately few international students can endure the hard work and patience to really learn Wushu well, but their solitary accomplishments still make them feel connected to Chinese culture.”

One suspects that there is a lot to unpack in this sentence.

The same theme of identity moving (and even traveling) through the martial arts was also the subject of our next article.  The Global Post ran a piece looking at a public performance of Shaolin Kung Fu in Milan Italy.  Apparently the display was one aspect of a larger event attempting to promote Italian tourism within Henan province.  This is an interesting article as it points to a trend (seen in other places as well) of individual cities and provinces using the martial arts to promote their local image abroad separately from other state centered campaigns of public diplomacy.  This is an interesting issue for me as it brings to the surface certain tensions in how the martial arts will be understood in the future, as a national project or a product of local culture and history.

 

 

A Chinese martial arts and dragon dance display in Qatar.  Source: http://www.gulf-times.com

A Chinese martial arts and dragon dance display in Qatar. Source: http://www.gulf-times.com

 

 

The compliment of the previous story can be found here.  This short note discusses a “Chinese Kung Fu Show” held at “Dragon Mart” on Barwa Commercial Avenue in Doha, Qatar.  This display of traditional martial arts and dancing was part of the lead-up to the larger “Qatar-China, Year of Culture 2016” event.  This event was one of many organized by the Chinese Embassy in Qatar.  In it various performers displayed unique styles from China’s many martial arts schools and regions.  The goal of the year long event is to “strengthen the cultural ties” between Qatar and China.

Along similar lines I saw the following note in the Shanghai Daily.  Directors of “Confucius Institutes” from around the world recently arrived at East China Normal University for a nine day conference on the sharing of Chinese culture.  These Institutes are often involved with the promotion of events like martial arts demonstrations and traditional opera performances in local communities around the globe as part of their mission of promoting cultural exchange and understanding.

The Chinese community of Liverpool was also getting more press over the last few weeks than one might expect.  Much of this focused on the declining fortunes of the city’s Chinatown (one of the oldest in Europe.)  But the following story was more upbeat.  It profiled the career of Kwong Ngan (known locally as Kenny Tam) for his years of public service to the Liverpool Chinatown community.  In reconnection of his contributions he has been awarded the British Citizen Award.  It turns out that Kenny Tam is also responsible for the introduction and promotion of Taijiquan within his local community, and its interesting to think about how these two sides of career (community organizer and martial artists) may have intersected over the years.  Congratulations!

 

Donnie Yen, who is reported to have beat out Jet Li for the opportunity to appear in the new Star Wars franchise.  Source: http://www.ibtimes.com.au

Donnie Yen, who is reported to have beat out Jet Li for the opportunity to appear in the new Star Wars franchise. Source: http://www.ibtimes.com.au

 

Chinese Martial Arts in the Entertainment Industry

It looks like Donnie Yen has finally found a way to avoid being forever typecast as “Ip Man” in the minds of Western viewers.  Multiple sources are reporting that the well known actor beat out Jet Li in a competitive audition process to play the role of a Jedi who would befriend and appear with Han Solo in the upcoming Star Wars Episode VIII.

The Apple Daily is reporting that Yen’s price of a paltry $4 million USD per film (compared to Jet Li’s $10 million) may have helped to sway studio executives in his direction.  None of this has been confirmed by Disney or Lucasfilm, but casting an actor like either Li or Yen would certainly help to expand the films appeal in the lucrative Chinese market.  It should also be noted that fans have been actively discussing the lack of Asian characters (and Jedi) in the Star Wars Universe for at least the last decade.  Given the debt that this franchise owes to both the Asian martial arts and cinema, this seems like a remarkable oversight.  Even NPR got in on the act attempting to discover the fate of the first Asian actor in the series to have an (uncredited) speaking part.

I for one would very much like to see a lightsaber master who fights with a “Chinese accent,” so you can be sure that we will be following this story as it develops.  Maybe it will even inspire me to work on a couple of those Star Wars posts I have been kicking around…..

 

A still from the trailer for AMC's Into the Badlands presented at the 2015 Comicon.

A still from the trailer for AMC’s Into the Badlands presented at the 2015 San Diego Comicon.

 

 

AMC’s new martial arts/action series Into the Badlands has been getting a lot of press.  This series, based very loosely on the Chinese classic “Journey to the West” has been promising to bring martial arts excitement back to the small screen.  Yet until recently we had very few visual clues about what to expect.   All of that changed with the show’s recent Comicon presentation where fans got a lot of information and a lengthy, high detailed, trailer.  The aesthetic of the film appears to be based on a feudal post-apocalyptic world placed somewhere in the deep south.  And there are opium poppies.  Lots of opium poppies.

Check out this article for more, including links to both the trailer and another (to me more interesting) short film proving an inside look at the martial arts training camp that has been set up for the show’s cast and various stunt teams.

Are you more interested in Hong Kong Cinema?  Have you ever wondered about the evolution of the industry?  Do you only have five minutes to find answers to all of your questions?  If so, Timeout Hong Kong has an info-graphic for you.  This easy to follow chart will walk you through the evolution of the industry.  With these facts you are sure to amaze your friends at the next cocktail party where Kung Fu films come up (because don’t they always?)

 

Jim Kelly on the set of "Enter the Dragon."

Jim Kelly on the set of “Enter the Dragon.”

 

 

While on the subject of nostalgia, Black Belt Magazine recently published piece providing some personal reminisces of Jim Kelly.  Best known for his supporting role in Enter the Dragon opposite Bruce Lee, Kelly proved to be a highly charismatic and popular actor who went on to star in a number of martial arts films.  A nice piece for fans of the 1970s Kung Fu films.

Of course the entertainment industry’s fascination with the Chinese martial arts goes well beyond the world of film.  Many of my more historical posts have touched on the role of Wuxia novels in supporting and transmitting “martial culture.”  Nor is this all in the past.  These stories are still highly popular and exist in an reciprocal relationship with both the world of practicing martial artists as well as more visual mediums of story telling such as film and tv.

Beijing Today recently ran a piece that picks up on some of these themes.  It introduces a collection of Wuxia stories authored by Xu Haofeng.  At the moment Xu is probably best known as the screen writer for the Ip Man biopic “The Grandmaster,” but he is also a martial artist and writer in other genres.  But if you are in the market for summer reading, this might be it.

 

"Chinese Stage Shows" Cigarette Card.  Source: Digital Collections of the NY Public Library.

“Chinese Stage Shows” Cigarette Card. Source: Digital Collections of the NY Public Library.

 

 

Opera has always had an important relationship with the Chinese martial arts.  Indeed, one suspects that prior to WWII most individuals received their first exposure to these skills and the cultural complex that surrounds them through opera performances.  Unfortunately the popularity of traditional opera declined rapidly in recently years as fewer young people have taken up an interest in the art form.  But the Shanghai Daily recently ran an article detailing successful efforts to counter this trend.  A group of Beijing Opera performers have been holding workshops to introduce younger people to the traditional arts of singing, acting, and martial performance which comprise these shows.  Head on over to read more about these efforts to cultivate a more educated and enthusiastic audience.

 

 

 

Yuen Woo Ping's 1994 movie "Wing Chun" is notable for its comical, yet nuanced, discussion of the role of gender and social expectations in the Chinese martial arts.

Yuen Woo Ping’s 1994 movie “Wing Chun” is notable for its comical, yet nuanced, discussion of the role of gender and social expectations in the Chinese martial arts.

 

 

 

 Martial Arts Studies

 

 

First off, we are happy to announce that the interdisciplinary Journal Martial Arts Studies is now an imprint of Cardiff University Press.  Check out this post to learn more about this partnership.
At the recent martial arts studies conference held at Cardiff University I had an opportunity to see dozens of papers.  But perhaps the single most entertaining (and intriguing)  presentation I personally witnessed was given by Luke White and Susan Pui San Lok.  Their paper, titled “Exiting Through the Window: Wing Chun as Woman Warrior,” provided a finely grained examination of Yuen Woo Ping’s 1994 comedic masterpiece “Wing Chun.”  For my money this is still the best film that has ever been filmed on the system.  While over at Academia.edu I noticed that they had posted an abstract of their paper.  Head on over and check it out.  Hopefully the full version will be out soon.

Also new at Academia.edu is Steven Trenson’s article “Cutting Serpents: Esoteric Buddhist Dimensions of the Classical Martial Art of Drawing the Sword.”  This paper on the history of Japanese swordsmanship was first published in a Polish journal in 2014, so I suspect that most of us are just becoming aware of it now (the piece itself is in English).

On a related note readers should remember that we are only weeks away from the release of Alexander C. Bennett’s new book Kendo: Culture of the Sword.  Published by the University of California Press this new addition to the Martial Arts Studies literature should hit the shelves on July 31st.   The publisher’s note reads as follows:

Kendo is the first in-depth historical, cultural, and political account in English of the Japanese martial art of swordsmanship, from its beginnings in military training and arcane medieval schools to its widespread practice as a global sport today. Alexander Bennett shows how kendo evolved through a recurring process of “inventing tradition,” which served the changing ideologies and needs of Japanese warriors and governments over the course of history. Kendo follows the development of Japanese swordsmanship from the aristocratic-aesthetic pretensions of medieval warriors in the Muromachi period, to the samurai elitism of the Edo regime, and then to the nostalgic patriotism of the Meiji state. Kendo was later influenced in the 1930s and 1940s by ultranationalist militarists and ultimately by the postwar government, which sought a gentler form of nationalism to rekindle appreciation of traditional culture among Japan’s youth and to garner international prestige as an instrument of “soft power.” Today kendo is becoming increasingly popular internationally. But even as new organizations and clubs form around the world, cultural exclusiveness continues to play a role in kendo’s ongoing evolution, as the sport remains closely linked to Japan’s sense of collective identity.

 

Military Accomplishments of Japan, slide 2.  Photo by Tamamura.  Source: Author's Personal Collection.

Military Accomplishments of Japan, slide 2. Source: Author’s Personal Collection.

 

Readers may also recall our extensive three part discussion of Denis Gainty’s book Martial Arts and the Body Politic in Meiji Japan.  While making an important contribution to the Martial Arts Studies literature, the heft price tag of this book (originally over a hundred dollars) probably restricted it sales to university libraries.  But it looks like it is now due for a paper back release!  That should knock about $50 off the price tag and get this work some of the discussion that it deserves.

If you are looking for a more popular (though still informative) bit of “beach reading?”  If so why not try Tuttle’s new release Samurai and Ninja: The Real Story Behind the Japanese Warrior Myth that Shatters the Bushido Mystique. 

 

The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts by Benjamin Judkins and Jon Nielson.  State University of New York Press, 2015.  August 1.

The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts by Benjamin Judkins and Jon Nielson. State University of New York Press, 2015. August 1.

 

Recently I have been working on a couple of projects to prepare for the August 1st release of my own book The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts (State University of New York Press).  One of these was an interview with the University of Rochester’s magazine, the Rochester Review.  It proved to be an interesting discussion as I was given an opportunity to frame my project and explain its theoretical significance to a much more general audience than the one that I normally write for.  I like the way the interview came out, and now that it has been released you can read it here.

 

An assortment of Chinese teas.  Source: Wikimedia.

An assortment of Chinese teas. Source: Wikimedia.

 

 

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We explored the martial arts of various Chinese ethnic minorities, saw a 19th century military training manual, and learned about upcoming Martial Arts Studies conferences.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing!

 

 

 

 

 

 

 


Kung Fu Tea Turns Three! A Quick Look Back

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Birthday Cake. Source: Wikimedia (CC).

Birthday Cake. Source: Wikimedia (CC).

 

Happy Birthday!

Earlier this week (on July 27th) I got a prompt from WordPress reminding me that it was a special day.  Kung Fu Tea first said “Hello World” three years ago to the day.  This anniversary is something of a milestone for me.  When I first started this project I was not sure how successful it would be.  I knew that I wanted to build a community of like minded researchers, scholars and martial artists, and I suspected that this would not be a quick or easy process.  So I promised myself I would give it three years and try to post regularly.  At that point I would sit back and see whether it had been worth it.

Needless to say the last three years have exceeded my expectations, and I owe all of that to you, the readers.  I have ended up dedicating vastly more time and energy to this blog than I thought I would.  But I now have the distinct privilege of spending part of each day emailing and talking with students of various aspects of the martial arts who I never would have had an opportunity to meet otherwise.  It has also been exciting to have a front row seat to the birth and development of Martial Arts Studies as an area of scholarly study.  More material keeps coming out every month and I cannot wait to see what the next few years will bring.

Birthdays are also an ideal time for reflection, to consider the nature of the road that we have been on.  Readers who prefer a more quantitative approach to the past may want to stop by the “My Top Picks” tab at the top of the screen (or just follow the link).  Here you can find a list of those posts that have been the most popular with reader over the last three years as well as some of my favorites organized by subject matter.  Given that this blog has now hosted well over 300 unique posts and essays, this may be a good way to see what you have been missing.

If you instead favor a more qualitative mode of reflection simply read on.  As I looked back through my stats I was curious to see which of my posts had received the fewest page views.  Unsurprisingly it turned out to be the very first one that I wrote.  In retrospect this seems obvious as the blog had no readers at that point.  Still, its an interesting exercise as in it I outlined my goals for Kung Fu Tea as I understood them at the inception of this blog.  So lets take a moment to look back and see how well we have done, and the various ways that this project has evolved.  If the last three years have demonstrated anything, its that there is still a lot to say to Chinese Martial Studies.  But for now I am going to eat some cake.

 

 

Hello World!

Welcome to the Kung Fu Teahouse.  I hope that this will become a place where we can meet to reflect on and discuss the growing field of martial studies.  While most of my writing and thinking focuses on the area of Chinese Martial Studies in the late Qing and Republic periods, I have always believed in the power of the comparative case study to illuminate new and interesting facts.  As such I will also publish posts dealing with Japanese, Middle Eastern and traditional European martial arts and culture.

What is Martial Studies?

So, for non-specialists, what is “martial studies”?  Basically this blog focuses on the academic study of the martial arts.  More specifically, martial studies include the social, cultural, economic and historical study of a society’s fighting and military traditions at all levels of social organization.  By tradition “martial studies” seems to focus more on how society upholds these structures than a strict military historian might.

Martial studies is also radically interdisciplinary.  In its ranks you will find historians, hoplologists, political scientist, psychologists, anthropologists, economists and literature and film studies students.  It asks questions as diverse as “When was Taiji created?”, “How has globalization effected the development of southern Chinese martial arts?” and “How has Bruce Lee changed what it means to be a Chinese American?”  If you are interested in any of these questions than this blog is the place for you.

 

Who am I and why am I writing about this?

My name is Benjamin Judkins.  I have a Ph.D. in political science from Columbia University in New York City where I studied international relations and comparative Asian politics.  I taught international relations and international political economy (globalization) at the University of Utah and have recently moved back to you NY.  My research interests include international political economy, religion and politics, and of course Chinese Martial Studies.

This last subject really grew out of my interest in late 19th century globalization, Asia and religion and politics.  It occurred to me that southern China was understudied and a great test bed for many of our theories about social groups, civil society and globalization.  To that end I started educating myself about the development of southern Chinese martial culture more generally.

I should also note that I draw on my own background as a practicing martial artists when writing and thinking about the field of martial studies.  I practiced Tae Kwon Do on and off through college.  Later I discovered Wing Chun, a southern Chinese form of boxing propagated by Ip Man in Hong Kong in the 1950s and popularized in the west through Bruce Lee, his most famous student.  I study with Sifu Jon Nielson (a student of Ip Ching, son of Ip Man) and do a little teaching myself.

I say all of this not to display my credentials so much as to explain my unique research interests.  Most of the posts on this blog will focus on Chinese martial culture.  I am especially interested in Guangdong and Fujian provinces from about 1850 until today.  Wing Chun is my major case study so it is probably going to be a little over represented, but I will also post on a number of other local folk styles and even more modern topics regarding Chinese martial arts.

Of course not all of the posts will be equally weighty and academic.  Hopefully we will also have a chance to discuss martial arts in the news and popular culture.

 

oOo

Want to see the very first academically focused post here at Kung Fu Tea?  If so check this out:  A Really Short Reading List on Chinese Martial Studies

oOo


Chinese Martial Arts in the News: August 10 2015: Trouble at Shaolin, the Philosophy of the Martial Arts and Meeting the Real Mr. Miyagi

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Putin watches a Kung Fu exhibition with the Abbot at the Shaolin Temple in Henan.  Shaolin has become an important stop for visiting VIPs.  Source: People's Daily.

Vladimir Putin watches a Kung Fu exhibition with the Abbot Shi Yongxin at the Shaolin Temple in Henan. Shaolin has become an important stop for visiting VIPs. Source: People’s Daily.

 

Introduction

 

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

 

News on the Chinese Martial Arts

 

A single story has dominated the news coverage of the Chinese martial arts over the last few weeks.  Shi Yongxin, the Abbot of the Shaolin Temple in Henan (regarded by many as the spiritual home of the Chinese martial arts) has been no stranger to criticism.  Sometimes called the ‘CEO Monk,’ is both admired and faulted for his emphasis on modern methods and aggressive business strategy in building the Shaolin Temple’s brand.  Under his leadership the organization has expanded, built daughter temples and promoted its martial arts heritage through a variety of media projects and traveling shows.  Yet critics have questioned this emphasis on expansion at the expense of more traditional Buddhist values.

Some of the controversies that have swirled around Shi Yongxin have been of a decidedly more personal nature.  In addition to questions of financial impropriety he was accused of soliciting prostitutes in 2011.  In the last few weeks many of these same issues have erupted back into the public consciousness following the publication of a number of anonymous reports linking Shi Yongxin to the misappropriation of large sums of money, accusations that he was previously expelled from the temple and the revelation that he may have been living a double life which included the fathering of at least one child.

Whereas previous controversies had largely been tolerated, these new accusations come at a more sensitive time.   On the one hand the Chinese government is currently conducting a high profile anti-corruption campaign.  At the same time various religious organizations are coming under increased scrutiny.   Shi Yongxi has been questioned by state authorities about these charges and was recently forced to cancel a public appearance in Thailand because of the controversy.  At the same time there have been calls in the press for these charges to be dealt with seriously.

Chinese language social media services have provided the most detailed discussion and debate on this unfolding issue.  But it has been fascinating to note the number of major Western media outlets (including CNN, Fortune, the Guardian, the Economic Times and the New York Times) who have decided that this story has legs.  Given the amount of media attention these anonymous accusations have now garnered it will be interesting to watch both how the investigation progresses, and whether this has any long term impact on the image of the Shaolin temple in the West.

 

Wang Lin

Wang Lin

 

The charges against Shi Yongxin were not the only story competing for reader interest in China over the last month.   Even more sensational was the accusation that Wang Lin (a Qigong master who had built an extensive movement of followers) had murdered one of his own disciples on the heels of a falling out.   Zou Yong, a wealthy businessman, provincial legislator and associate of Wang had vanished earlier in the month.  The New York Times has an account of this case which you can see here, as well as this article by Sky News.   Sascha Matuszak has attempted to contextualize the story over at the Fightland blog.

Bruce Lee statue in Hong Kong.  Source: Wikimedia.

Bruce Lee statue in Hong Kong. Source: Wikimedia.

On a more positive note, the South China Morning Post has run a large number of stories relating to the martial arts over the last month.  Two of these focused on Bruce Lee’s place in global culture and his special significance as a son of Hong Kong.  The first (inspired by a collection of memorabilia) asked “How Bruce Lee made it ‘cool’ to be Chinese growing up in America.”  This was followed by a somewhat hyperbolically titled editorial asking “Why does Hong Kong treat Bruce Lee like an outcast and refuse to honour its greatest son?”  Bruce Lee fans will want to take a look at both of these pieces.

More interesting to me was this video profile of a Toyama-ryu Iaido (Japanese swordsmanship) school in Hong Kong.  You can read more about this group on their webpage.  It seems like an interesting group, and I was surprised to discover that the Toyama-ryu had such a well-organized presence in Hong Kong.  Their style is something that I have been meaning to check out for years but have never quite managed to get around to.

Yasuaki Kurata, in Hong Kong for a Kendo seminar.  Source: SCMP.

Yasuaki Kurata, in Hong Kong for a Kendo seminar. Source: SCMP.

 

Lastly, the SCMP had a very interesting piece on Yasuaki Kurata, a Japanese martial artist and actor who became an important fixture in the Hong Kong martial arts and cinema scene during the 1970s.  The article contains some nice reminisces as well the following quote which I think that every martial arts school should have hanging up somewhere:

“There are 24 hours in a day. Two should be used to train your willpower.”

 

A scene from Teddy Chen's Killer Kung Fu.  Source: Business World.

A scene from Teddy Chen’s Killer Kung Fu. Source: Business World.

 

Stories from all Over

 

First up, CCTV ran a short piece on a Taijiquan themed martial arts show which recently opened in Dalian (Liaoning Province).  As always the production values of performance looked great.  Equally interesting for those us following the issue of “Kung Fu Diplomacy” was the fact that this show is eventually slated to perform internationally with the stated aim of “promote[ing] public awareness of Chinese martial arts and to maintain traditional culture.”

Is kung fu dying?  Its a provocative question and one that we are forced to think about every so often.  The following editorial on the Business World webpage recently decided to take a stab at the topic.  Their answer?  Things are not looking great for kung fu (at least not in film) and we can probably blame “kids these days….”  But on the bright side things are looking good for the Filipino martial arts and Jay Ignacio’s documentary “The Bladed Hand” got a nod.

Jackie Chan.  Source: Wikimedia.

Jackie Chan. Source: Wikimedia.

 

If kung fu is dying Jackie Chan does not seem to have gotten the memo.  Forbes magazine recently released their list of the highest paid actors which has now been updated to include those working outside of the US film industry.  Chan surprised many by appearing in second place with a total take last year of approximately $50 million USD.  The only actor to make more than Chan was Robert Downey Jr. (also a student of the Chinese martial arts) who brought in a stunning $80 million.  Here is the money quote:

“Jackie Chan is basically the Mickey Mouse of Chinese culture, a celebrity who is so omnipresent that his name has become shorthand,” says Grady Hendrix, cofounder of the New York Asian Film Festival.

 

 

Finally, students of Karate (or fans of the Karate Kid) will want to check out the article titled “The Real Mr. Miyagi” over at the Daily Beast.  This piece discusses Kevin Derek’s documentary on Fumio Demura and his contributions to the Japanese martial arts in America.  It is a well done piece, and it even has the seemingly mandatory Bruce Lee tie-in.

 

 

The Creation of Wing Chun by Judkins and Nielson.

The Creation of Wing Chun by Judkins and Nielson.

 

 

Martial Arts Studies

 

First off, I am happy to announce that my book (with Sifu Jon Nielson) The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts, is now shipping from amazon and available to the public.  Here is the publisher’s statement on the book:

This book explores the social history of southern Chinese martial arts and their contemporary importance to local identity and narratives of resistance. Hong Kong’s Bruce Lee ushered the Chinese martial arts onto an international stage in the 1970s. Lee’s teacher, Ip Man, master of Wing Chun Kung Fu, has recently emerged as a highly visible symbol of southern Chinese identity and pride. Benjamin N. Judkins and Jon Nielson examine the emergence of Wing Chun to reveal how this body of social practices developed and why individuals continue to turn to the martial arts as they navigate the challenges of a rapidly evolving environment. After surveying the development of hand combat traditions in Guangdong Province from roughly the start of the nineteenth century until 1949, the authors turn to Wing Chun, noting its development, the changing social attitudes towards this practice over time, and its ultimate emergence as a global art form.

 

Striking Beauty by

Striking Beauty by Barry Allen

Students of martial arts studies should also note the release of Prof. Barry Allen’s (McMaster University, Hamilton Ontario) most recent volume, Striking Beauty: A Philosophical Look at the Asian Martial Arts (Columbia UP).  I noticed that Stanley Henning contributed a blurb for the back of this book as well.

The first book to focus on the intersection of Western philosophy and the Asian martial arts, Striking Beauty collapses the boundaries between Eastern and Western thought, comparatively studying the historical and philosophical traditions of martial arts practice and their ethical value in the modern world. Expanding Western philosophy’s global outlook, the book forces a theoretical reckoning with the concerns of Chinese philosophy and the aesthetic and technical dimensions of martial arts practice.

Striking Beauty explains the relationship between Asian martial arts and the Chinese philosophical traditions of Confucianism, Buddhism, and Daoism in addition to the strategic wisdom of Sunzi’s Art of War. It connects martial arts practice to the Western concepts of mind-body dualism and materialism, sports aesthetics, and the ethics of violence. Incorporating innovations in body phenomenology, somaesthetics, and embodied cognition, the work ameliorates Western philosophy’s hostility toward the body, emphasizing the pleasure of watching and engaging in martial arts, along with their beauty and the ethical problem of their violence.

 

Global Perspectives on Women in Combat Sports

Global Perspectives on Women in Combat Sports

Readers will also want to remember that Global Perspectives on Women in Combat Sports: Women Warriors around the World (Palgrave Macmillan) by Alex Channon (Editor), Christopher R. Matthews (Editor) is due to drop on August 26th

This volume presents a wide-reaching overview of contemporary research and scholarship on women’s engagement in a range of combat sports across the world. Including chapters on boxing, wrestling, mixed martial arts, and various other fighting disciplines, the collection provides readers with a comprehensive analysis of the current significance of women’s involvement in these sports, as well as charting many of the problems and opportunities they face in establishing and developing careers within them.

With contributions drawing from anthropology, phenomenology, philosophy, sociology, and sport psychology, this book will appeal to readers interested in the development of women’s sport; the relationship between sport and gender; and the wider, contemporary social significance of combat sports around the world.

Grappling with History – Martial Arts in Classical Hollywood Cinema by Kyle Barrowman

 

 

A number of shorter works have recently been posted online.  First, Wayne Wong has contributed an extensive and probing review of Sabrina Qiong Yu’s monograph Jet Li – Chinese Masculinity and Transnational Film Stardom (Edinburgh University Press) to the Martial Arts Studies webpage.  You can read an advance copy of his discussion here.  This discussion will be important for both students of film and cultural studies as well as Jet Li fans.

Bianca Miarka recently posted a copy of her paper “Reinterpreting the History of Women’s Judo in Japan” to Academia.edu.  Anyone interested in the role of gender in the modern martial arts will probably want to be familiar with this.  Likewise, Paul Bowman asks some provocative questions about the practice and portrayal of the martial arts in his latest essay titled “Mediatized Movements: Martial Artistry and Media Culture.”  Finally, film studies students and lovers of classic Hollywood movies will probably want to check out Kyle Barrowman’s guest post here at Kung Fu Tea examining the portrayal of the Asian martial arts in golden age American cinema.

 

Chinese Swords: An Ancient Tradition and Modern Training.

Chinese Swords: An Ancient Tradition and Modern Training.

 

 

On a more practical note there are two other recent publications that readers of Kung Fu Tea may find interesting.  The first is an electronic collection of articles from the Journal of Asian Martial Arts titled Chinese Swords: An Ancient Tradition and Modern Training.  While this is not new material it might be nice to have it all in one place.  Secondly, Chineselongsword.com has just released their latest translation.  This is a new edition of General Qi Jiguang’s “Essentials of the Fist.”  Obviously this is a work that has had a profound affect on the subsequent development of the Chinese martial arts.  Head on over and check it out.

 

Chinese_tea,_gancha

 

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We looked at vintage photographs of Chinese soldiers, discussed Tongbeiquan training techniques, and even celebrated a birthday!   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.

 

 


Can Donnie Yen Bring Kung Fu (Back) to the Star Wars Universe?

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A close up of Donnie Yen in a cast photo for Rogue One. Source: Starwars.com

A close up of Donnie Yen in a cast photo for Rogue One. Source: Starwars.com

 

1977 vs. 1978: A Banner Year for Martial Arts Films

 

Like all good blog posts dealing with popular culture and kung fu, this one starts by assuming the existence of time travel.

In a sense this is what the martial arts have always been about. It can be seen in your average kung fu school on any given Tuesday night as individuals turn to their practice in an attempt to feel what it would have been like to be a different kind of person in a very different place. This promise has always been part of the appeal of the traditional martial arts in the West. They are seen as an embodied avenue to a far off place.

But for now let us imagine that our newly gained powers over time and space are less metaphorical. And the subject of today’s research will be the effect of cinema on the modern appeal of the Asian martial arts in the West. Or put another way, what was the process by which we came to accept these images and stories as a normal part of western consumer culture?

The real dilemma arises when we try to decide on a year. My theory is that there are basically two sorts of martial arts studies scholars. Some would opt to visit the year 1978, and then there are those who would grab the control panel and launch us back to 1977 instead.

1978 would be an obvious choice for students interested in the history of the cultural appropriation of the martial arts in the West. Actually it would be a great year for anyone who just loves classic kung fu films. What will we find in the theaters? Perhaps the biggest titles of the year were The Five Deadly Venoms, The 36th Chamber of Shaolin, and the first installment of Jackie Chan’s iconic Drunken Master (my personal favorite). For those with more specific tastes there was also Heroes of the East and Warriors Two (a must for Wing Chun students). Even Bruce Lee makes his own time traveling appearance with the 1978 debut of Game of Death.

By comparison the pickings in 1977 appear to be slim. Executioners from Shaolin is certainly a “must see” film. But I suspect that most of us would skip Snake-Crane Secret or the 18 Weapons of Kung Fu.

Still, a number of Japanese titles debuted in 1977. This is somewhat ironic as the sword wielding monastic warriors, escaped from the wreckage of a burning temple, that the year is best remembered for are the now iconic Jedi Knights of the Star Wars franchise, not the samurai who inspired them. Indeed, it was George Lucas’ highly creative vision for a space opera combining elements of western serials and samurai theater that would ultimately introduce me, and most of my friends, to the outlines of the Shaolin mythos.

I have always found this to be a little surprising given the popularity of all of those kung fu films throughout the 1970s and 1980s. Still, nothing succeeds quite like success. And Star Wars proved to be an incredible vehicle for appropriating certain key elements of Japanese and Chinese martial arts culture (as well as the imagery of Western knighthood) and feeding it back to audiences in ways that were deemed to be inspirational rather than “highbrow” (e.g., a Kurosawa film) or sketchy and dangerous (let us remember for a moment the sorts of theaters that actually played kung fu films back in the day).

1978 was a year with some fantastic films, but I think that I would still choose to visit 1977. Star Wars hit exactly the right notes for its cultural moment, and in so doing it made critical aspects of the Asian martial arts (including cryptic masters, the nobility of the sword, Qi based mysticism and the promise of martial excellence through the quest for “lost lineages”) desirable to western consumers.

One might object that the original Star Wars films themselves did not feature “proper martial arts,” and instead focused only on fencing and mysticism rather than the kicks and acrobatics that were seen in other films. Of course China and Japan produced their own genres of “swordsmen” films.  And if one were to make an argument in the same vein as Krug (2001), it was Star Wars that did the heavy lifting of making these once esoteric aspects of the world of the Asian martial arts culturally and commercially available to suburban kids across the country.

From there it was an easy transition to the closest Tae Kwon Do, Karate or Kung Fu school. In that sense Star Wars functioned almost as a cultural enzyme driving forward a process of social transformation that was larger than anything that its creators envisioned.

And while “proper martial arts” may have been missing from the big screen, they would go on to play a prominent role in the “Expanded Universe” of comic books, video games and novels that were to follow. The Seven Lightsaber Forms of the Jedi Order, with their excruciatingly detailed in-universe history, would be only one of the many fictional and hyper-real martial arts systems to emerge from that far distant galaxy. Even the Wookies received their own, species specific, martial arts system.

Fans seem to be fully aware of the foundational role of the historic fighting systems in the creation of the mythic Jedi order. It is something that many embrace. In fact, more than one commentator has noted the irony that there are no leading Asian characters in a movie franchise which succeeded through its cultural appropriation of Eastern symbols and images. Of course Krug would remind us that this is exactly what successful instances of cultural appropriation usually look like.

 

 

Rouge one Cast

 

Rogue One: Donnie Yen

 

The many intersections between the development of the Star Wars mythos and the spread of the traditional Asian hand combat systems in the West is a fascinating topic and one that deserves a much more careful investigation. Unfortunately this is not the place for such an undertaking. The aim of the current post is more limited in scope.

In July of 2015 a number of Chinese tabloids began to publish rumors that Donnie Yen had been cast as a character to appear in two new Star Wars films. These were Episode VIII, in which it was reported that he might play a Chinese Jedi opposite Han Solo, and the standalone film Rogue One: A Star Wars Story (originally titled Star Wars Anthology: Rogue One). These reports were briefly discussed at Kung Fu Tea here, and were widely republished by various media outlets around the web.

The significance of this move was not lost on commentators. Reporters immediately noted that this choice was designed to broaden the appeal of this film within China’s huge cinema market. In fact, the film’s producers seem to have been determined to feature top shelf Chinese talent and Donnie Yen is rumored to have beat out six other possible contenders (including the noted martial artist Jet Li) for the spot.

Certain fans happily noted that the franchise would be correcting what many saw as an increasingly serious oversight in the exclusion of Asian actors from the world of the quasi-oriental Jedi. Better yet, they were turning to a noted martial arts performer to do so. One can almost sense the moment at which speculation erupted as to what color his lightsaber would be.

Much of this reporting was speculative and premature. Disney has been remarkably tight lipped about these projects, even managing to prevent the leak of the concept art for Rogue One that they presented to their investors or a teaser trailer that was shown at conferences. There was no immediate confirmation of Yen’s casting or what role, if any, he would play in the Star Wars universe.

The only formal confirmation of Yen’s involvement with this franchise that I am currently aware of happened rather recently at D23 where he was included in a cast list and photo that was released to the public.

It might be interesting to pause for a moment to speculate on what this all means. [Fair warning, things are about to get very speculative]. Rogue One is set just prior to the opening of Episode III (A New Hope, 1977) and is said to follow a group intent on stealing the plans for the Death Star (thus setting the stage for Luke Skywalker’s first adventure). As the cast picture indicates, this movie is meant to have a different feel from other installments in the Star Wars franchise.

Rogue One has been described as a heist film set in the “gritty reality” of a protracted ground war against the Empire. Nor will the Force will play much of a role in this storyline. When describing his film director Gareth Edwards stated “It comes down to a group of individuals that don’t have magic powers, that have to bring hope to the galaxy.”

It is hard to say that “magical powers” will play no role in any film in which Darth Vader is rumored to make an appearance. Still, Edward’s point seems obvious enough. This is not a storyline that will feature a Jedi. Donnie Yen’s character is almost certainly neither a Force user nor a Jedi. This seems to make it pretty unlikely that he would be tapped to play one in Episode VIII.

The theory that Yen was hired to broaden the international appeal of the project does have some support when we look at the other casting choices that were made. It is a pretty geographically diverse group and it even includes a second draw for Chinese audiences in the form of Jiang Wen. I suppose what all of this means is that I can now shelve my fantasies of seeing a lightsaber wielding Ip Man.

 

 

Probably not going to happen anytime soon. Source: http://www.nothinguncut.com

Probably not going to happen anytime soon. Source: http://www.nothinguncut.com

 

 

Midi-chlorians vs. The Martial Arts

 

 

I must admit that I was pretty disappointed to realize that the first Chinese actor to play a major role in this series (and a noted martial artist at that) would not be cast as a Jedi. After all, that has always been the part of the Star Wars franchise that owed the greatest debt of gratitude to Wuxia novels and the myth of the burning of the Shaolin temple. It just seems like a circle that needs to be closed.

If Donnie Yen is not going to be a Jedi, what sort of hero will he be? All we have to go on at this point is a single picture. Still, it is very suggestive.

The first thing to notice about his character’s design are the white and opaque eyes. It seems unlikely that Disney would have released a publicity photo in which one of their more expensive stars was blinking. As such it is interesting to speculate whether Yen is supposed to blind or visually impaired.

While he has a rifle of some sort slung across his back, our eyes are immediately drawn to the composite wood and metal staff that he holds in his hands. Featuring both free flowing organic lines and technical augmentation we are forced to wonder about its function. Is it a simple aid, or something more? A weapon befitting a renowned martial artist perhaps?

Of course the image of a blind warrior conjures the memory of the iconic figure Zatoichi (who was featured in 26 films from the early 1960s to the late 1980s and had his own hit television show in Japan between 1974 and 1979). China too had its tales of disabled swordsmen, and similar figures continue to be a stock character in popular culture treatments of the martial arts today.

The Star Wars universe already has a rich history of staff wielding warriors, from the Force Pikes of the Imperial Guard to the pole fighting Jedi Master and librarian extraordinaire Vodo-Siosk Baas. While the overall look of Rogue One is intended to be a departure from the expected, Donnie Yen’s character seems to retain a number of important points of connection with both the martial arts and Star Wars mythos.

After thinking more about this photo and the director’s various statements I am starting to become more excited about Yen’s involvement in this storyline. It is no doubt true that his involvement with the film (as well as that of Jiang Wen) will increase box office returns across China. Yet I think that there are a fair number of Western fans who will be just as excited to see Donnie Yen in this role. I for one cannot wait to see what contributions his background in the visual representation of the Chinese martial arts will make to the Star Wars universe.

It is also interesting to consider the more positive aspect of Yen appearing on screen as a martial artist rather than as a Jedi. While elements of martial arts culture (such as the Japanese cult of the sword and Daoist Qi mysticism) have certainly contributed to the creation of the Jedi ethos, they remain distinct concepts.

In the Star Wars Universe certain individuals are born strong in the Force, and others are not. The effect has been to create a caste system. Indeed, certain lines of storytelling in various novels and comic books have explicitly built off of this. While the controversial introduction of Midi-chlorians into the storyline in Episode I made this situation explicit, it is always something that seems to have hovered in the background of the mythos.

In contrast the martial arts also promise their students an avenue from which to step out onto the stage of history. They grant their own abilities and have their own philosophies. And even in the Star Wars universe they are seen as skills that are available to people as a result of their effort and hard work rather than as a fluke of their birth. Yen’s character design promises to deliver an interesting hero, but one who is self-made rather than the product of wizardry.

I find this deeply appealing, and I suspect that many martial artists of various styles will agree with me. The driving engine behind the remarkable growth of the martial arts in the post-WWII period has been the promise that through dedication and hard work anyone, regardless of their nationality, gender or social background, can forge a “new self.” This is a profoundly democratic and empowering vision.

I will be the first to admit that it is one which we often fall short of. There are still many factors which skew who will get access to quality training and whether they will have the basic resources that they need to succeed. Still, what an incredible aspiration! What a vision of human potential. This is a project worth dedicating a life to.

The story of Luke Skywalker, a young farm boy from nowhere in particular, had a profound impact on audiences precisely because it touched on these themes. Unencumbered by a galactic bureaucracy, fate-warping Midi-chlorians and the crushing weight of a universe worth of back-story, his journey to adulthood seemed universal. Indeed, it was the promise of self-actualization that made Star Wars a natural ally in the spread of the martial arts. Luke Skywalker and the characters of Bruce Lee were clearly distinct and they appealed to different audiences (those who would choose 1978 vs. 1977). Yet there were also distinct parallels in the promises that they offered. Together they opened the separate doors necessary to make the martial arts appealing to so many diverse groups in such a short period of time.

Bruce Lee has never lost his cool. Yet the constant embroidery of the Star Wars story, while creating a richer universe, has also served to distance us form some of these key promises. The Jedi no longer appear as an ideal to be aspired to, but as a privileged caste to be looked upon with awe and a little bit of distrust.

In being given an opportunity to refocus the narrative on the less mystical aspects of the martial arts, and by once more demonstrating self-actualization without magic, Donnie Yen has been put in a fascinating position. Rather than simply being a token casting choice to attract Chinese viewers, he may have a chance to renew the essential promise of one of the central stories of modern popular culture. Who better to do so than a Chinese martial artist?

oOo

If you enjoyed this you might also want to read: Spreading the Gospel of Kung Fu: Print Media and the Popularization of Wing Chun (Part I)

 

oOo



“The Professor in the Cage”: Can Gottschall Bring Science to the Study of Violence?

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Johnathan Gottschall's Professor in the Cage. 2015.

Jonathan Gottschall’s Professor in the Cage. 2015.

 

 

A Surprise at the Bookstore

 

A remarkable thing happened on the way to the airport. Knowing that I would be spending a disturbingly large amount of my summer on various airplanes, I decided to make the most of it by getting caught up on some light reading. This called for a visit to a local bookstore. Out of habit I found myself walking past the martial arts shelf on the way over to “New Science Fiction.” Needless to say, I did not really expect to find anything interesting.

I respect “how to books” more than most of the experienced martial artists that I know. For me they are an easily observed indicator of the economic strength of the martial arts marketplace and the fodder for future generations of historians and cultural studies students. Still, titles like 101 Warrior MMA Workouts or Tai Chi for Everyone are not exactly the sorts of books that were going to propel me across a couple of continents.

Yet as I passed by the section my eye was immediately caught by a crisp white human skull with a disjointed jaw set against a black background. I knew that this was the cover that Penguin had used for Jonathan Gottschall’s latest popular book The Professor in the Cage: Why Men Fight, and Why we Like to Watch (2015).

The volume had been languishing somewhere near the middle of my mental “to read” list for a couple of months. It seemed like the sort of thing that I should get to, even though it was not immediately relevant to my current research projects. What most outsiders do not realize is that academics is all about greed, and our most valuable commodity is time. So any book needs to promise quite a lot to get promoted to the top of the pile.

In this case what struck me was less the relevance of Gottschall’s project than what surrounded it on the nook sized shelf that had been carved out for martial arts books. The store had stocked at least eight copies of his book, each displaying a leering skull on its spine.

Nor were the self-help books and beginners guides nearly as numerous as I had remembered. Of the 30 or so titles that were being carried six were basically literary discussions of martial arts and biographies of important practitioners. Another four books were translations of ancient Chinese or Japanese military classics. Bruce Lee continued to be well represented with four titles of his own, and another three seemed to be dedicated to various meditation practices. Only four of the titles fell into the classic “how to genera” with another three books being dedicated to conditioning workouts. In short, the selection was skewing strongly towards books about the martial arts rather than of the martial arts.

This struck me as a potentially significant moment. Is it really true that the hunger for nuanced discussions of these fighting systems is expanding at a quick enough pace that it is displacing the more traditional “how to” genera which has dominated the page of Black Belt magazine’s advertising sections since the 1960s? Obviously we have seen a gratifying increase of interest in martial arts studies as an academic project. But is this mirroring a broader trend in the martial arts marketplace?

I was suddenly struck by the realization that if someone walked into a bookstore looking for a more intellectual (if not actually scholarly) discussion of the martial arts, there was at least a possibility that they would actually find something on the shelf. This particular store even carried a copy of Shahar’s Shaolin Monastery. This is vastly different from how things were when I was growing up.

And if they were to enter the store now, the book that they would find first would be Dr. Gottschall’s Professor in the Cage. So what would they learn? What sort of impression of the academic engagement with the martial arts would they walk away with?

Suddenly this volume vaulted to the top of my mental “to read” list. I grabbed a copy and walked towards the registers at the front of the store. As I waited in line I looked over only to be greeted by another stack of laughing skulls. Apparently someone had decided that a strangely confessional story of an adjunct English professor being repeatedly mauled after taking up MMA would qualify as an “impulse buy.” “Good clean fun” I thought to myself.

 

Jonathan Gottschall. Source: Chronicle of Higher Education.

Jonathan Gottschall. Photo by Gilberto Tadday.  Source: Chronicle of Higher Education.

 

 

Broken Promises

 

I was once asked by a reader why I review so many books that I dislike. I can understand where this question comes from, but it is not actually all that accurate. Generally when I really dislike a book I do not bother to write a review at all. In truth I only sit down and seriously engage with a text when I think that it will be worth my (and by extension your) time; again, greed and all of that. I may like a work, or see serious problems with it. But if I am talking about it on Kung Fu Tea, it is because I think that there is something really interesting that is worth pushing on a little harder.

In general that push takes the form of criticism as we probe to find the limits of an argument. Or to discover exactly how much work a theory can do for us. Perhaps to question the substantive significance of an author’s finding. Being criticized is not the worst thing that can happen to you in academics. It simply means you are part of the discussion. Being ignored, however, is a different matter. That is deadly.

Gottshall’s recent work was one that I was very tempted to ignore. As I talked with some of my friends and colleagues who also engage in the academic study of the martial arts, that was basically their thought as well. This is a work that is so profoundly flawed, both theoretically and empirically, that it is difficult to engage with. I thought very seriously about just taking their advice.

Still, something about it did not sit right with me. Once I decided to read this book I had approached it with rather high hopes. While a highly controversial figure in his field, Gottschall has graced the pages of the New York Times and other major publications, earning the status of a “public intellectual.” Coming out of graduate school he noted the declining fortunes of the humanities in comparison to the STEM fields and declared that it was time for a change of approach. Or more properly, a shift in both the fundamental questions that scholars of literature should be asking, as well as the methods that they must employ in investigating them.

Drawing on fields like sociobiology and evolutionary psychology Gottschall argued that human beings are first and foremost animals, and that the stories that they tell are often best understood as expressions of the evolutionary pressures that shaped us as a species. The best way to test this theory and to explore its implications was by dumping the bloated and increasingly unwieldly frameworks of critical theory, feminist theory and various sorts of social constructivism that dominate the study of literature in favor of actual science and math.

Needless to say, his approach found little support among the professors of literature that he was attempting to convince, and Gottschall has never managed to find a foothold in the academy. For a summary of his larger academic battles and a discussion of his current place in the field, check out this recent article in the chronicle of higher education.

Not that any of this is fatal to his current project. The American academic system produces vastly more PhDs than it does tenure-track teaching positions. It is not all that odd to find an adjunct somewhere doing really interesting and potentially important things, and it is likely to become increasingly common in the near future.

Nor is a shift towards quantitative methods and assumptions the worst thing in the world. My PhD is in political science, and while the humanities appear to have decisively rebuffed this trend, it has been very influential throughout the social sciences. Most young scholars of international relations graduating today spend more time studying matrix calculus, game theory and advanced statistics than they do on German or French. “Methodological triangulation” is the watch word of the day.

In fact, my first big article revolved around predicting when political conflicts might emerge over free trade by using data based on the careful coding of keywords in party platforms, and then running all of that through a complex statistical model to generate a very precise measurement of a party’s position on a theoretical left-right spectrum. In some ways this wasn’t really all that different from what Gottschall had attempted to do in one of his more controversial publications promoting the coding and analysis of literary works. He probably would have fit right in at a sociology or political science department. But he proved to be on the wrong side of his field’s own methodological divide.

Still, Gottschall cannot blame all of his problems on his ideological enemies. Part of this trouble has been convincing skeptical allies that he actually has something interesting to say which is not derivative or trivially true. And while some have welcomed the attempt to bring formal scientific methods into the world of literature, they have been less enthusiastic about what they see as Gottschall’s attempts to move scientific debates or establish fundamental “facts” though his reading of literature. And as any reader of the Professor in the Cage will already know, Gottschall can be a difficult person. That probably did not make it any easier for him to win the most favorable hearing for his ideas.

In the current volume Gottschall attempts to take a step away from these controversies to write a purely popular book, largely devoid of explicit or sustained theoretical discussions. Drawing on some of his prior interests, and what can only be described as a midlife-crisis MMA attack, he decided to embark on a wide-ranging study of violence in both history and literature.

To get a better handle on the reality of violence he began a program of regular training at a local mixed martial arts school, while desperately attempting to line up the big final cage fight which was apparently needed for his book contract. Unsurprisingly most of the local fight promoters seemed uninterested in having him on their cards.

Gottshcall’s book at first appears to fit squarely in the growing literature on “carnal sociology.” As is typical for the genera we see the author mixing ethnography and some larger set of questions about the structure of society. The difference in this case is that Gottschall stuck to his ideological and theoretical guns. Rather than following Wacquant’s famous advice about such research projects (“go native, but also go armed” with an appropriate body of theory to help one interpret and make sense of this overwhelming experience) Gottschall continued to believe that the meaning of most things (certainly anything worth writing a book about) can be found solely in the Darwinian struggle for survival.

I have nothing against sociobiology as a field. Certain international relations scholars have done some interesting things with it. But after reading Gottschall’s latest work, it is pretty clear that this background did not prepare him to speak to the vast variety of social violence seen throughout human history, or to make sense of his personal experiences while training in an MMA gym.

Gottshcall’s book is not frustrating because it fails. In truth most books do that to one degree or another. The real problem is that his project started with such promise.

The idea of tying a personal engagement with the martial arts to an exploration of the larger problems of violence is a fundamentally sound one. His various critics are absolutely incorrect to dismiss this move as “stunt journalism.” There is a long history of empirically driven scholars doing just this.

Unfortunately Gottschall does not seem to be any more aware of their work than are his critics. The contributions of Wacquant and those who came after him probably fall too far outside his disciplinary interest. The real problem seems to be that, not grasping the possibilities for serious academic discovery, Gottschall treats his own project as a self-indulgent stunt to attract a book contract rather than as a serious research strategy.

Likewise the idea of bringing some math and scientific rigor into the study of social violence (and even the literature surrounding it) is a potentially important one. Martial Arts Studies is an inherently interdisciplinary project. This is practically mandated by the nature of the problems that we face. In truth a combination of methods and approaches are going to be the best way to get at this set of questions neglected by the traditional disciplines.

But this neglect does not mean that the questions are unimportant. Perhaps the most disheartening thing about this book was that Gottschall turned to the study of the martial arts and violence at the same time that he was moving away from more rigorous academic inquiry. He even goes so far as to describe the project as a sort of career or intellectual suicide.

Again, this sells what could have been a very interesting project short. Specifically, the sort of work that we see in Martial Arts Studies not only pushes disciplines to consider the adoption of new methods and theories, but as it asks different questions it begins to challenge some of the more fundamental (and artificial) boundaries separating the disciplines to begin with. But rather than engaging with this larger trend Gottschall’s eyes remain firmly fixed on his opponents and oppressors in English departments around the country.

While Gottshcall talks a lot about science, and he has footnotes to a fair number of studies of one sort or another, another big problem with this volume is that it does not actually do anything “scientifically” at all. Rather than constructing a tightly focused theory and using it to derive a set of hypotheses, Gottschall instead employs a wide range of preexisting theories as “just so” stories to help explain away the various problems that emerge through the course of a rambling book. In short, what he offers his readers is basically science as a metaphor and an appeal to authority rather than as a method to be rigorously explored and tested.

Of course one must immediately wonder whether this is a fair criticism. As I mentioned, this is not an academic work. While it is a text that the author uses to attack his academic enemies and rail against the injustices of the academy, it is basically a popular book that was never intended to plow new ground or make any novel discoveries. Don’t all such popular works basically use science as a “just so” story, to explain something about the reader’s life or daily reality?

Possibly. Yet many of the problems with Gottschall’s arguments are so basic that I am not sure that they can be defended by claiming that the author does not have to show his math. His treatment of both gender and culture will no doubt stand out to most readers as the most disturbing aspect of this work. Gottschall himself has nothing but scorn for those who doubt the essential, and to his mind genetically given, nature of gender. (In point of fact most of his discussions of culture also seem to go back to a very simplistic reading of Darwinian pressure which, if you spend even a few moments considering that proposition, should strike you as very strange).

Rather than seriously engaging with these debates he magisterially explains to his readers (with a few highly selective endnotes thrown in for good measure), that men are brave and women are weak (at one point he even seems to imply emotionally unstable) because of our genes. The fact that men love to fight and women tend not to be “real sports fans” (no matter what they say on surveys) can be totally understood through genetics. The pressure for survival is used as an explanation for duels, as well as the existence of left handed individuals. Gottschall even evokes it as an explanation for the popularity of team sports.

One could write an entire review article just of the problems found in any one of his chapters. Yet we can pretty much sum up this sad situation with the following axiom, something that should be familiar to most students who have actually taken a statistics class. “A constant cannot explain a variable.”

The real problem with Gottschall’s book is that it attempts to move beyond autobiography and meditation on the dark side of human violence. These would be perfectly respectable things for an English professor to write a book about. One could even do so using nothing but the the critical theories and qualitative methods that Gottschall seems to have such trouble with.

Yet once you take a step into the world of “science,” and dedicate yourself to the use of quantitative and empirical methods, you are basically moving into the realm of causality. Your task, as a scientist, is to explain what causes variations in outcomes across time and space. And to explain these differing outcomes, you generally turn to a set of factors known in these sort of discussions as “variables.”

Gottschall’s entire problem is that all of the talk of science notwithstanding, he seems to have no motivation to actually explaining anything of interest. To begin with, he appears to be incapable of seeing all of the variation that his own case studies (as short and poorly developed as most of them are) actually reveal.

Human genetics are a constant. They do not change all that much over the short term. But in 1790 men in Europe fought duels and by 1890 they did not. The basic evolutionary situation did not change over the course of this period of time. So what did?

Practically everything else. Forms of social organization evolved, the strength of religion diminished, literacy levels went up, health was generally better, economic growth and trade expanded. And governments were vastly stronger in 1890 than they were in 1790. Gottshcall discusses dueling in terms of an honor system that was necessary to maintain one’s prospects for sexual reproduction in a lawless world. He basically dismisses culture as being epiphenomenal to people’s behavior in this case.

Yet when noting the very rapid decline of dueling, he blames the growth of strong states for this turn of events. Would that not then imply that rather than focusing on the question of Darwinian fitness in the first half of his chapter, something which does not change, we should have instead been looking at the interactions between the state and society? These structures change, sometimes quite rapidly. And they seem more than capable of explaining the periodic rise and fall of dueling in human societies without any need to pontificate about our most ancient ancestors and their disturbing excess of semen.

Gottshcall would likely retort that the genetic codes which we all carry are what makes it possible for behaviors such as dueling to arise in the first place. We are, after all, just animals. Hence his contention that violence is, and must, be universal. Yet in reality this position explains nothing while steadfastly refusing to acknowledge the existence of much more interesting questions.

My basic genetic code has also allowed me to develop an interest in classical Spanish guitar music. Why some societies give their 15 year old boys guitars while other give them dueling swords and pistols (and yet others give them both) is a genuinely interesting question. Gottschall’s razor focus on a narrow interpretation of evolutionary biology draws him to the “constant possibility” of violence while dismissing the much more interesting questions of its many forms (and even occasional absence) as unimportant. Yet real science involves the explanation of variance rather than its ad hoc dismissal at the end of every chapter.

Another clear example of this dilemma arises at the end of chapter 5, titled “Survival of the Sportiest.” After an long and involved discussion of why men are not only better at fighting than women, but that they also enjoy it more, Gottschall is forced to confront a disturbing trend within the modern combat sports. Simply put, the number of female kickboxers and MMA fighters is increasing rapidly, as is female audience engagement with these sports. He even has to acknowledge the reality of one such athlete when Jena “Jenacide” Baldwin spends some time at his gym as an instructor.

The weakness of the ethnographic component of this work is evident in the shallowness of his engagement with the sudden appearance of a high level female fighter. It doesn’t appear that this new and potentially important development had any shaping effect on Gottschall’s beliefs about gender and the roots of participation in combat sports.

So does this trend suggest that we will see more women entering spaces traditionally defined as male (such as team and combat sports) in the future? And will the acquisition of new skills in these areas have any impact on the ability of these women to navigate their way through other traditionally male dominated areas of society?

Gottschall is skeptical on all fronts. Rather than admitting that a future may exist in which we see greater female participation in the Mixed Martial Arts he instead opinions that we are entering a new feminized age in which traditionally “female” virtues, such as the ability to cooperate and avoid needless violent conflict, will “allow women to outcompete men, and to bring about a close to the ‘age of testosterone.’”

There are a number of problems with these pages, but at the most basic level, if the “close the age of testosterone” really is possible, and all of this can happen through purely social and economic shifts, than maybe we should have spent the last chapter discussing the economic and social underpinnings of MMA (and other violent sports) rather than evolution and sociobiology. By his own admission this prior set of variables are the ones that are actually defining how society works in the current age, and when you get right down to it there is no good reason to assume that they were somehow unimportant in even the very recent past. Gottschall’s inability to explain observed change using his primary theory, his constant reliance on exogenous variables, indeed his inability to recognize an interesting research puzzle when he sees one, seriously undercut this work.

It goes without saying that this is a work without academic merit. That was never the point of this book. Yet I doubt this work is really going to do much to advance the popular discussion of the martial arts either. Rather than bringing his readers into a richer and more interested world (something that the combat sports and traditional martial arts have generally done) Gottschall instead leaves them locked in a shadowy and narrow Hobbesian cell. Luckily, if one were to push back against the prison walls it would quickly be discovered that they are much less secure than they first appear. Of course the trick is first seeing through the illusion of compelling prose.

We currently sit at an interesting moment in time. Rarely in the past has there been enough interest in the martial arts for publishers to support and heavily promote a book such as this one. I personally am very excited to see some of the academic work on violence and the martial arts being brought together and made available to the broader reading public. And there are many things about the basic structure of this project that are admirable. Yet I am deeply disturbed by the idea that this book might be taken as the public face of martial arts studies.

While energetic and engaging, the ideas behind this book are problematic. Not only does this volume fail to give readers a systematic framework for understanding the changes that they are seeing in the world today, ironically, it turns its back on this most basic of “scientific” tasks.

 

Global Perspectives on Women in Combat Sports

Global Perspectives on Women in Combat Sports

 

 

Five other Books to Consider

 

Simply telling someone that you do not like a book is not really all that helpful, especially if they find themselves standing in a bookstore wondering what they can read to deepen their appreciation for the martial arts and social violence. As Lakatos reminds us in his discussions of the scientific method, we do not dismiss a theory simply because its flawed. All theories are born flawed as, by their very nature, they are simplifications of realty. This is the original sin of the scientific method. Rather, we only dismiss something once we have found a better alternative. Or to put it another way, what should we be reading instead?

 

Recommended Readings

 

1. Autobiography and the Martial Arts:

 

Matthew Polly. 2011. Tapped Out: Rear Naked Chokes, the Octagon, and the Last Emperor: An Odyssey in Mixed Martial Arts. Gotham.

Polly must be a bit of a headache for Gottchall and his marketing team. A very engaging writer he also had a similar idea for a book and he got his out first. Like Gottschall Polly had a background in the traditional martial arts, and then turned to MMA in his late 30s. He presents a more tightly focused (and nuanced) narrative about the development of this sport and the UFC. Readers who are primarily interested in martial arts biography or the current combat sports scene will probably enjoy this work.

Polly was not the first author to write something like this. As Gottschall points out, this is actually something of an established genre among sports writers. So if you are looking for some additional reading, one of my favorites has always been Robert Twigger’s Angry White Pajamas: A Scrawny Oxford Poet Takes Lessons from the Tokyo Riot Police, (IT Books, 2000).

 

2. Culture, the Martial Arts and Social Violence:

 

D. S. Farrer. 2009. Shadows of the Prophet: Martial Arts and Sufi Mysticism. Dordrecht: Springer, 2009.

In many ways D. S. Farrer presents a nice point of engagement for those interested in Gottschall’s work. Farrer understands anthropology as a social science and his work is rigorously empirical. This volume, stemming from his extensive ethnographic fieldwork on Malaysian Silat, will help to illustrate the many ways in which culture, rather than simply biology, has impacted the expression of social violence around the world.

My only hesitation about this monograph stems from its price, which is truly epic. It is definitely something you will want to order from the local library. But I have it on good authority that we can expect a second (more reasonably priced) edition sometime soon. If you are looking for some additional reading that you can actually afford to order from Amazon, consider Phillip B. Zarilli’s 2000 Oxford University Press monograph, When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art.

 

3. Reality, Violence and the Martial Arts:

 

Sgt. Rory Miller. Meditations on Violence: A Comparison of Martial Arts Training & Real World Violence. Ymma Publications Center, 2006.

This book is pretty well known in hand combat circles, and you will want to take a look at it if you have not already done so. It presents a number of comparisons between real world violence (which for Sgt. Miller does not mean a cage fight) and martial arts training.

Anyone interested in Gottschall’s extensive use of “the monkey dance” concept will be especially interested in this work. The term was actually coined by Miller, and one might as well go straight to the source to see what he actually had to say about it.

So how does culture interact with criminality? There are both universals and differences. For more on this topic see Boretz’s book Gods, Ghosts and Gangsters Ritual Violence, Martial Arts, and Masculinity on the Margins of Chinese Society (Hawaii UP, 2010) in which he looks at the life of petty thugs and toughs in Southern China and Taiwan. While an academic book this volume is pretty accessible. It is also a nice example of an important contribution being made by someone outside of the academic mainstream.

 

4. The Social Sciences, Violence and Quantitative Methods:

 

James W. Tong. Disorder Under Heaven: Collective Violence in the Ming Dynasty. Stanford UP, 1991.

One of the things that makes me uneasy about Gottschall’s work is that he tends to conflate his ontology (a sort of basic evolutionary reductionism) with his epistemology (scientific and quantitative methods). While often related, these are not the same thing. Specifically, social scientists have spent decades using formal methods to develop models of violence that do not boil down to genetics.

Students of martial arts studies may even find some of these to be quite interesting. Consider checking out James W. Tong’s Disorder Under Heaven. This book actually employs many of the methods that Gottschall has championed to investigate patterns of violence in Late Imperial China. Yet this author concludes that geographic and political variables are the most relevant.

This book is unapologetically academic in nature, but if you are actually interested in learning more about how quantitative methods have been used to investigate the causes of violence, that will probably not come as a surprise.

 

5. Gender, Combat Sports and the Martial Arts:

 

Alex Channon and Christopher R. Matthews. Global Perspectives on Women in Combat Sports: Women Warriors around the World. Palgrave Macmillan, 2015.

This is a topic that Gottschall has some strong opinions on. Obviously sex and reproduction are issues that are critical to sociobiology. Unfortunately it does not seem that the author spent much time dealing with female martial artists or attempting to understand their actual (rather than simply their theorized) experiences with violence and competition.

It might be wise to get a second opinion on these matters. Luckily there is a new book out this week to help you do just that. The authors of this edited volume consider many of the same questions that Gottschall does while making numerous contributions of their own.

Unfortunately as a new academic book, this one is also going to be pricey. Bug your university library to buy a copy. In the mean time you might also want to check out Stephanie T. Hoppe’s (now classic) volume Sharp Spear, Crystal Mirror (Park Street Press, 1998) While the articles in this book are autobiographical rather than social scientific, it might be a great way to get acquainted with the personal narratives of actual female martial artists. It is also possible to find used copies of this book floating around at great prices.

 

oOo

If you enjoyed this review and want to further explore “scientific” approaches to martial arts studies, you might also want to read:  Why do difficult and expensive martial arts thrive?

oOo

 


Chinese Martial Arts in the News: August 31, 2015: Masculinity, a Tiger General and the Forgotten Kung Fu Village

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Residents of Ganxi Dong village demonstrating their martial arts skills. Source: http://www.dailymail.co.uk

Residents of Ganxi Dong village demonstrating their martial arts skills. Source: http://www.dailymail.co.uk

 

 

Introduction

 

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

An older resident of the same village demonstrating a form with dual iron whips. Source: http://www.dailymail.co.uk

An older resident of the same village demonstrating a form with dual iron whips. Source: http://www.dailymail.co.uk

 

Chinese Martial Arts in the News

 

A number of news outlets in the West took notice of a story that was making the rounds in ChinaIts basically a photo essay shot in an ethnic minority Dong village in Tianzhu.    The upshot of the article is that the martial arts are very popular in this somewhat isolated agricultural community and a large number of styles seem to be practiced.  Recently the village has developed a reputation for its cultivation of the martial arts, but no one seems to clearly remember how this situation first came about.  The various versions of the article that I saw all relied on the sorts of Orientalist tropes that one tends to see in stories like this while resisting asking any of the more obvious questions such as the names of the style in question, or how their practice survived during the Cultural Revolution in this particular place.  Or maybe the real research question is why these romantic narratives surrounding the martial arts are so persistent in not only the Western but also Chinese accounts of these communities?  Interested readers can also see the South China Morning Post version of this story here.

 

 

Zhang Huoding rehearsing in Beijing. Source: New York Times.

Zhang Huoding rehearsing in Beijing. Source: New York Times.

The Chinese martial arts have also been making news a little closer to home.  Recently the New York Times ran a longer piece on Zhang Huoding, a famous Peking Opera star whose performance of the “Legend of White Snake” will be opening in Lincoln Center later this week.  Its an important article that touches of multiple aspects of her career and the current state of Chinese Opera.  I think that readers of Kung Fu Tea will probably be most interested by the accounts of her early training in both performance and martial arts.  It also looks like Wong Kar-wai, who produced the Ip Man bio-pic The Grandmaster, is currently working on a documentary of her life.  I really regret that I am going to miss her live performances in Manhattan, but at least we can look forward to a new documentary on a fascinating figure in the world of Chinese opera.  I also found it interesting that this article did not hesitate to tie her US performances to China’s current “soft power” diplomatic strategy.

 

Shi Yongxin, current Abbot of the Shaolin Temple.

Shi Yongxin, current, and somewhat embattled, Abbot of the Shaolin Temple.

Our main story in the last installment of “Chinese Martial Arts in the News” focused on the brewing controversy surrounding Shi Yongxin, the Shaolin Temple’s so called “CEO Monk.”  As the Abbot of the venerable monastery he has raised eyebrows in the past with has adoption of modern business strategies and corporate practices to both build Shaolin’s brand and to extend its reach (most recently by building a daughter temple on Australia’s Gold Coast, a major tourist destination).  Question’s of Buddhist propriety and temple management strategies notwithstanding, Shi Yongxin has also been dogged by more serious accusations surrounding his personal life.  Recently a new row erupted when an anonymous source claimed to have evidence that the Abbot had both been living a double life (which included the fathering of children in violation of his monastic vows) and had been involved in large scale financial improprieties.  As a result the Shi Yongxin was forced to cancel an appearance in Thailand and was reported to have been brought in for questioning.

Over the last few weeks there have been fewer stories about the abbot, and those that have emerged seem to have split into two camps regarding his likely fate.  On the one hand the South China Morning Post reported that Chinese prosecutors had accepted complaints about the Abbot’s behavior for investigation.  Given the dual crackdown on corruption and religious institutions that are currently underway, this is probably not a favorable turn of events.  On the other hand, the Want China Times has reported that some of the accusations against the Abbot may not be as strong as were first reported and as a result he may be in a better position to survive this latest round of controversy.    It looks like it may be a little while longer before we will know how this story ends.

 

Students practice the traditional Chinese Martial Arts in Qufu, Shandong Province.

Students practice the traditional Chinese Martial Arts in Qufu, Shandong Province.

 

 

The Indian press has carried a number of stories on the Chinese martial arts over the last few weeks.  First off, the Hindustan Times has a short article on “Kung Fu Tourism” in Shandong Province.  Of course this area has long been a stronghold of martial arts practice in Northern China.  The main thrust of the piece seems to be the diversity of the international students flocking to the region.  Next, the Times of India has a brief report on a couple setting up Wushu training opportunities in Gujarat.  While both athletics and martial arts are popular in the region, they note that the development of Wushu has lagged behind.  Their program intends to do something about that.

 

A photograph of Liu Yongfu as an older gentleman. Source: The Manilia Times

A photograph of Liu Yongfu as an older gentleman. Source: The Manila Times

 

 

Perhaps the most interesting article in today’s review was published by The Manila Times.  While the article starts off with the report of a new highway being completed in China, the author quickly veers into more interesting territory with a discussion of the life and career of General Liu Yongfu, the “Tiger of Qinzhou.”  Of course he is best known to Chinese martial artists for hiring Wong Fei Hung, the famous Hung Gar master, as a medical officer and military trainer for his troops.  Definitely check this piece out.  I learned a couple of new facts and will need to read up on Liu in the future.

Is the Kunlun Fighting Championships going to be next big thing in the Chinese Combat Sports media market?  Will they be able to advance MMA in a marketplace where some other larger companies have previously stumbled?  And how will Sanda fare in all of this?  Check out this post to read more.
While not directly related to the martial arts, I also thought that some of you might also find this article to be interesting.  It is an examination of the rising popularity of Qigong in the US, and its reception in Houston’s medical community.

 

 

A close up of Donnie Yen in a cast photo for Rogue One. Source: Starwars.com

A close up of Donnie Yen in a cast photo for Rogue One. Source: Starwars.com

 

Both Kung Fu movie and Star Wars fans received some great news recently.  Confirming the rumors that had been circulating for about a month, an official cast list and photograph were distributed for the upcoming Star Wars Rogue One film which included Donnie Yen.  You can read my more detailed breakdown of the story here.

The press has largely interpreted this move as an attempt to appeal to the increasingly important Chinese film market, and I am sure that there is a large element of truth to that.  But as I argue in my own piece, Donnie Yen could bring a lot to this project that would be of great interest to the average Star Wars fan in the West as well.

One of the still unresolved questions is what sort of character he will be playing.  The Chinese press initially reported that Yen would be cast as a Jedi, but the directors of Rogue One have been adamant that their film will focus on the ground war against the Empire and the efforts of normal, non-force using, individuals to bring hope to the galaxy.

Still, Yen may have muddied the water with a recent Facebook post.  In it he posted a image of three prop Storm Trooper helmets (two of which were a pretty new design) with the following note: “I am the force and I fear nothing… Going to put this in my company’s display room.” So maybe his character will have some connection to the Force after all?  Or maybe he was just calling on the Force to protect him from the folks at Lucas Film who tend to take a rather dim view of unauthorized set pictures and spoilers.  After a flurry of phone calls Yen was later forced to take the picture down.

And for those of you looking for an update on Ip Man 3 (also starring Donnie Yen) be sure to check out this article as well.

 

 

Boy Boxing Gloves

 

 

Martial Arts Studies

 

The end of August is typically a pretty quiet time in the world of academics.  First everyone disappears on vacation.  And then when you return its to the crush of a new semester with everything which that entails.  But things have a not been so quiet on the publication front.

Rowman and Littlefield has another Martial Arts Studies book due out, this one to be released through their Lexington Books imprint.  Unleashing Manhood in the Cage: Masculinity and Mixed Martial Arts by Christian A. Vaccaro and Melissa L. Swauger is currently expected to ship on November 6th, 2015 (unfortunately there cover art has not yet been released).  The authors are both members of the sociology department at Indiana University of Pennsylvania. The publisher’s blurb is as follows:

Unleashing Manhood in the Cage: Masculinity and Mixed Martial Arts addresses the question “Why do mixed martial arts participants endure grueling workouts and suffer through injury, with little or no pay, just to compete?” The answer is because the participants enjoy a form of idolization from their supporters, each other, and culture more generally, which is linked to masculinity. In fact, MMA organizers, from the very beginning, purposefully created elements of the sport that are linked to dominant narratives about manhood. In this context, men don thin open-fingered gloves, lock themselves in a caged enclosure, and slug it out in a fight with few rules to see who comes out on top. This all occurs while “ring girls” in high-heels and skin-tight shirts and shorts stride around outside the cage holding signs and peddling t-shirts. The sum of these elements is the creation of a type of a publicly accessible and consumable form of masculinity. The sport of mixed martial arts is a rich and intriguing space where the construction of gender can be explored through a sociological and ethnographic lens.

Readers interested in this project may also want to check out my recent review of Gottschall’s book, the Professor in the Cage.  Likewise, Alex Channon and Christopher R. Matthews’ edited volume, Global Perspectives on Women in Combat Sport, also promises to make important contributions to the discussion of gender in the martial arts.

Anthropologist and ethnographers interested in the martial arts will want to take note of a new edited volume by Kalpana Ram, Christopher Houston and Michael Jackson.  Titled Phenomenology in Anthropology: A Sense of Perspective, this edited volume is due out on October 19, 2015 from Indiana University Press.

This volume explores what phenomenology adds to the enterprise of anthropology, drawing on and contributing to a burgeoning field of social science research inspired by the phenomenological tradition in philosophy. Essays by leading scholars ground their discussions of theory and method in richly detailed ethnographic case studies. The contributors broaden the application of phenomenology in anthropology beyond the areas in which it has been most influential―studies of sensory perception, emotion, bodiliness, and intersubjectivity―into new areas of inquiry such as martial arts, sports, dance, music, and political discourse.

Of particular interest is the chapter by Greg Downey (a well known scholar to students of Martial Arts Studies) titled “Beneath the Horizon: The Organic Body’s Role in Athletic Experience.”  This will certainly be something to look forward to.

 

Striking Beauty by

Striking Beauty by

Those more interested in philosophy will also want to remember that Barry Allen’s latest book, Striking Beauty: A Philosophical Look at the Asian Martial Arts (Columbia University Press) is now shipping with a truly impressive list of endorsements on the back and a very reasonable price tag (always a pleasant surprise when dealing with academic books).

The first book to focus on the intersection of Western philosophy and the Asian martial arts, Striking Beauty comparatively studies the historical and philosophical traditions of martial arts practice and their ethical value in the modern world. Expanding Western philosophy’s global outlook, the book forces a theoretical reckoning with the concerns of Chinese philosophy and the aesthetic and technical dimensions of martial arts practice.

Striking Beauty explains the relationship between Asian martial arts and the Chinese philosophical traditions of Confucianism, Buddhism, and Daoism, in addition to Sunzi’s Art of War. It connects martial arts practice to the Western concepts of mind-body dualism and materialism, sports aesthetics, and the ethics of violence. The work ameliorates Western philosophy’s hostility toward the body, emphasizing the pleasure of watching and engaging in martial arts, along with their beauty and the ethical problem of their violence.

Paul Bowman has announced some detailes about his forthcoming volume titled Mythologies of Martial Arts.  It will be of importance to those who follow Critical Theory as well as global popular culture.

Explicitly inspired by Roland Barthes’ enormously influential Mythologies (1957), Mythologies of Martial Arts carries the spirit of Barthes’ incisive and engaging cultural and ideological criticism into the blossoming field of Martial Arts Studies.

Writing at the cutting edge of the emergence of both semiotics and deconstruction, in 1957 Mythologies pioneered an innovative and dynamic cultural criticism for the emerging post-war consumer culture. Six decades later, Mythologies of Martial Arts writes in its wake, long after semiotics and deconstruction have become ingrained in academic and intellectual discourses of all kinds, yet long before their questions and problems have become any less current. For, the questions and issues that Mythologies raised for a very diverse readership remain compelling today: what does this mean; how does this work on us; why do we desire this but not that; what effects do these images and practices have on us, and on others; where do these ideas, discourses and values come from, where do they take us, and where are they going?

Mythologies of Martial Arts focuses the key dimensions of the internationally circulating signs, signifiers and practices of martial arts in global popular culture. Informed by the author’s longstanding practical and professional experience in both martial arts (in which he has wide ranging experience) and academia (where he teaches, researches and publishes in cultural studies, film studies, media studies, postcolonial studies and martial arts studies), Mythologies of Martial Arts deploys the full range of resources that this personal and professional experience has afforded. It takes the form of short, engaging, accessible, yet fully referenced and academically informed essays on an extremely wide variety of subjects related to martial arts and the media cultures in which martial arts have always been steeped.

 

Cheng Man-ching.echoes.cover

Cheng Man-ch’ing and T’ai Chi: Echoes in the Hall of Happiness. Via Media. Source: Amazon.com

Lastly, students of Taijiquan will be happy to see that Via Media is releasing a collected edition titled Cheng Man-ch’ing and T’ai Chi: Echoes in the Hall of HappinessThis volume contains a number of articles first published in the Journal of Martial Arts Studies which approach the life, practices and legacy of Cheng Man-ch’ing from a variety of perspectives.  Authors include Barbara Davis, Benjamin Lo, Russ Mason, Robert W. Smith, Nigel Sutton, Yizhong Xi and others.  Obviously Cheng Man-ch’ing was also of more general interest as a critical figure in the spread of the Chinese martial arts in North America.

 

 

 


Chinese Martial Arts in the News: September 21, 2015: Culture Festivals, Kung Fu Abroad and Reading Along with the Little Dragon

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Bruce Lee sketching on the set for Game of Death. Photograph: Bruce Lee Estate. Source: The Guardian.

Bruce Lee sketching on the set for Game of Death. Photograph: Bruce Lee Estate. Source: The Guardian.

 

Introduction

 

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

Annotated pages from a martial arts manual once owned by Bruce Lee and recently sold at auction.

Annotated pages from a martial arts manual once owned by Bruce Lee and recently sold at auction.  Source: bloomsburyauctions.com.

 

 

News and Events from all Over

 

Our leading story today will be of special interest to Bruce Lee fans and collectors.  In fact, its really remarkable how many news items he managed to show up in over the last few weeks.  We are quickly approaching his 75th birthday and the cultural relevance of the Little Dragon shows no sign of diminishing any time soon.

The Daily Mail recently reported that an important book from Lee’s private collection was auctioned earlier this month by Bloomsbury in London.  The text appears to be a 1950s-1960s era Kung Fu manual that Lee studied and made extensive notations in, outlining the evolution of some of his various theories and ideas.  He then gave the book to his close friend and student Taky Kimura.  The book recently sold at auction for an eye watering 52,000 British Pounds (roughly 80,800 USD) including fees.  The Daily Mail erroneously identifies the text as a Wing Chun book that he learned his art from.  But the few pictures provided indicate that Wing Chun was not the subject of this manual.  (Nor have I come across any Chinese language manuals on Wing Chun from the late 1950s or early 1960s.  If any readers know of one please let me know).

This points to what I find to be the most remarkable aspect of this story.  In all of the reporting there doesn’t seem to be much interest in the actual title, author or content of the manual itself, let alone how it may have substantively influenced Lee’s thinking.  The original entry in the auction catalog is slightly more helpful.  It dates the book to the early 1960s and identifies it as a “Mantis Kung Fu” manual, but it also provides no information on its actual title or author.  And somewhat inexplicably the catalog even managed to flip the cover of the book upside down?  So while the results of this auction and the subsequent reporting indicated a continued interest in Lee as a cultural phenomenon, they also point to a shallow appreciation of his role as a martial artist.  Could we even imagine a similar case in which a large auction house sold a heavily annotated volume from Einstein’s library and subsequent reports totally neglected to mention what the title of the book was, or why its owner might have found the volume to be so interesting?  Still, this might be a fantastic resource for those interested in the evolution of JKD.

 

Three Qilin heads, at a 2006 Monkey God festival in Hong Kong. Dr. APhoto credit: Sam Judkins.

Three Qilin heads, at a 2006 Monkey God festival in Hong Kong. Dr. APhoto credit: Sam Judkins.

 

Anyone who is going to be in Hong Kong between now and the middle of October will want to be sure to take some time to visit the first Hong Kong Culture Festival.  This is especially true for individuals who are interested in the Hakka fighting styles or Qilin dancing.  The event is being supported by Hing Chao’s International Guoshu Association (you can find periodic updates on their Facebook group) among others and a wide variety of venues will be hosting events across the city.  Some of the most interesting items on the itinerary include a public Kung Fu performance to be held at Victoria and Qingyin Park on September 26-27, a meeting of the Kung Fu and creative/fashion industries at the Full Moon Party on the 25th (at HK Polytechnic University), and a Hakka Unicorn Dance and Kung Fu Carnival at the HK Cultural Center on October 18th.

If you have a chance to attend any of these events I would love to hear how they went!

 

A group of African disciples study the traditional arts at Shaolin.

A group of African disciples study the traditional arts at Shaolin.

 

There were a couple of interesting stories touching on the topic of Kung Fu diplomacy making the rounds over the last few weeks.  As regular readers will already know, various Chinese media outlets tend to produce quite a few of these stories both as reflections of China’s growing cultural influence abroad and as part of its public diplomacy strategy.  Usually these stories are short and unremarkable, which is what makes today’s entries so valuable.  They are much more detailed and tend to be explicit about the cultural values that these programs are hoping to promote.  They also tend to be a little more transparent about the actual actors promoting these efforts.

The first of these stories looks at the growth of a successful Chinese martial arts program at a high-school in Kenya.  These particular classes are run by the local Confucius Institute (which is coordinating an ever greater number of martial arts classes around the globe).  Its also interesting as it speaks to some of the anxieties that both Kenyan and Chinese parents might share when deciding to allow their children to enroll in Wushu classes.  This one is definitely worth the read for anyone interested in how China is using the martial arts to promote its public image abroad.

If anything the second Kung Fu Diplomacy story is even more interesting.  This reports focuses on a one day conference held in Helsinki between various Finnish officials and individuals from the tourism industry and a team from Zhenzhou (a city about 50 miles away from the Shaolin Temple in Henan).  The actual article itself is little more than a note, but it includes a link to a five minute video discussion of the conference which is well worth watching.  In addition to a peak at the sleek promotional materials that Zhenzhou has put together (unsurprisingly they are interested in promoting themselves as a gateway to northern China’s various martial arts destinations), we are treated to the rare spectacle of actual diplomats holding forth on the success and broader importance of Kung Fu diplomacy.

One of the issues that this report does not bring up, but may nevertheless be important to contemplate, is the long term effect of individual cities or regions conducting their own public diplomacy campaigns.  Will this diversity of approaches ultimately strengthen the appeal of Kung Fu diplomacy?  Or will it further erode the central government’s  ability to promote a single, carefully crafted, image of the martial arts?  These will be critical issues to watch in the coming years.

Not everyone is equally happy with this ever tightening association between Kung Fu and Chinese culture.  This particular blogger from Montreal would like to remind you that the vast majority of Chinese people don’t study the martial arts, and that formal Kung Fu training is totally unnecessary to smack you upside the head the next time you ask them about it.  One suspects that not everyone will find these sorts of  self-Orientalizing exercises to be equally charming.

 

A new student being accepted as a disciple in Chengdu. Source: http://www.ecns.cn

A new student being accepted as a disciple in Chengdu. Source: http://www.ecns.cn

 

Another tried and true genera of martial arts reporting is the photo essay.  In a sense this is very understandable given the visually spectacular (or sometimes odd) nature of the many of the traditional martial arts.  This week’s update has one entry for both of these categories.  The first of these essays focuses on elegant images of a Shaolin performance team rehearsing on a beach in Bognor Regis one week ahead of their appearance on stage in the UK.  These are the sorts of pictures that everyone has seen before….and they are spectacular.

The other photo essay was shot in Chengdu.  It focuses on a local school with an interesting tradition.  Kung Fu lore is rife with tales of students being forced to endure countless hours in the horse stance, or some other sadistic ritual, before being accepted as full students in their school of choice.  Not to be outdone this local teacher requires his students to hang from trees for an hour, to prove their dedication, before being accepted.  So I guess we can file these photos under “odd things that martial artists do.”

 

John Tsang. Source: SCMP

John Tsang. Source: SCMP

 

Which is not say that Kung Fu is all hanging from trees and having fun.  In a recent blog post reported in the South China Morning Post John Tsang (HK’s Finance Secretary), who apparently studied Kung Fu as a youth, warned that the martial arts were on the verge of being reduced to just another fashionable hobby.  He lamented the fact that in the past individuals studied Kung Fu as a way of making a living, where as now the arts risked becoming shallow and distorted in the hands of fair weather students.

Tsang, who studied kung fu at a young age, said historically martial arts were about making a living or even survival, but today they had become a hobby and viewed as fashionable.

“Master Li Tin-loi said, ‘in the past, people only asked you which school of kung fu you practised. But today, people ask you how many forms you can perform. It seems the more you know, the better’,” Tsang wrote.

The actual transition that he seems to be referring to was already complete by the 1920s, well before his time.  Statements like these may be an important reminder of how Kung Fu is idealized and understood in the public imagination.  This then leads to the odd phenomenon that Kung Fu has been “dying” since literally the day that these more modern approaches to the art came into being.  This fear of the disappearance of “tradition” appears to be baked into the very DNA of Kung Fu.  More immediately his remarks seem to have been in support of the upcoming Hong Kong Culture Festival discussed above.  So what better way to support a festival aimed at the preservation of “traditional culture” than to publicly question its ultimate viability?

It seems that even fans of the iconoclastic Bruce Lee are being forced to worry about historical preservation.  The Business Insider recently ran an update on the saga to determine the fate of the actor’s Hong Kong residence.  Fans want the site to be preserved and possibly turned into a museum, while real estate developers are much more interested in the land that the building sits on.  You can read more about the current state of the debate here.

Meg from Rocket News. Source: http://en.rocketnews24.com

Meg from Rocket News. Source: http://en.rocketnews24.com

 

Lastly, what sort of smart phones do Shaolin Monks really want?  One intrepid Japanese writer decided to find out.  (Hint: iPhones, but not for the reason you would suspect.)  Click to learn more!

 

The Assassin. Source: Toronto Film Festival

The Assassin. Source: Toronto Film Festival

 

 

The Martial Arts on Screen

 

The Vancouver Sun recently ran a short note reporting that the Birth of the Dragon (the much anticipated Bruce Lee biopic) is set to start shooting in their fair city next month.  Hopefully we will be seeing from pictures from the set soon.

Are you wondering what martial arts film to see next?  If so Slate would like to make a suggestion.  They recently ran a piece calling Assassins “a new martial arts masterpiece.” That certainly got my attention.  This film, set in the 9th century Tang Dynasty, is supposed to be beautifully shot.  It is about to make its North American debut at the New York Film Festival.  Hopefully it will start making the rounds of art house theaters after that.

 

 

Into the Badlands by AMC.

Into the Badlands by AMC.

 

If you prefer a more “classic” approach to your Kung Fu Films, AMC has some news that may inspire you to program your DVR.  To prepare the way for their new series “Into the Badlands” the networking is starting a “Kung Fu Fridays” in which some of your favorite films will be replayed on late night TV.  Click here to check out their schedule.

Kung Fu fans will also be happy to note that we have a new set of production photos for Ip Man 3.  These shots feature both Donnie Yen and Mike Tyson, but the promised CGI generated Bruce Lee is notably absent from the lineup.  This production has led to a legal dispute with the Lee estate which is contesting their rights to use the dead actors image.  However, the studio says they are going ahead with the project.  We will know how all of this turns out soon enough as the film is set to open on December 25th 2015.

 

Taiji Quan being practiced at Wudang. Source: Wikimedia.

Taiji Quan being practiced at Wudang. Source: Wikimedia.

 

Martial Arts Studies

Following the theory that the best new books are free ones, I am happy to announce that the Brennan Translation Blog has just released two new English language translations of classic Chinese martial arts training manuals.  This is exciting as these texts as they are literally the primary source documents of our field.  Even if a given manual does not speak directly to a style that you happen to be practicing (or researching) at the moment, thy often contain other information that makes them a critical resource for understanding the evolution of Chinese martial culture.

The first of these texts is DESCENDED FROM WUDANG – THE TAIJI BOXING ART by Li Shoujian (1944).  The second is titled SINGLE DEFENSE-SABER by Jin Yiming (1932).  As always, both of these books look fascinating.  Be sure to check them out.

Paul Bowman also released an important essay on his blog Martial Arts Studies.  In it he asks whether you know your lineage?  Take a look to figure out what is really at stake in this seemingly simple question.  While you are there you might also want to checkout the advance copy of his recent interview with Gene Ching of Kung Fu Tai Chi magazine on the development of Martial Arts Studies.

Luke White has also stepped up to offer us another free read.  He just posted a copy of his recent article article “A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots” to Academia.edu making it available to the public.  Obviously film studies students will be interested in this paper.  But his discussion of the background of the 1967 riots might be helpful to a much broader readership.  We often forget that this was a critical moment in Hong Kong’s modern history and it certainly had an impact on the development of the city’s various martial arts schools.

 

Globalizing Boxing by Kath Woodward. 2015 edition, Bloomsbury Academic.

Globalizing Boxing by Kath Woodward. 2015 edition, Bloomsbury Academic.

 

It looks like Kath Woodward’s book Globalizing Boxing (first released in 2014) is about to get another printing that should help to make it accessible to a wider audience.  The publisher’s blurb sounds fascinating:

Boxing is a traditional sport in many ways, characterized by continuities in the form of practices and regulations and heavy with legends and heroes reflecting its traditional/historical values. Associations with class, hegemonic masculinity and racialized inclusions/exclusions, however, sit alongside developments such as women’s boxing and involvement in Mixed Martial Arts.

This book will be the first to use boxing as a vehicle for exploring social, cultural and political change in a global context. It will consider to what degree and in what ways boxing reflects social transformations, and whether and how it contributes to those transformations. In exploring the relationship it will provide new ways of thinking critically about the everyday.

Kath Woodward is Professor of Sociology at the Open University.  This new edition began shipping a couple of weeks ago.

Finally, readers should also be on the look out for Lauren Miller Griffith’s upcoming volume Legitimacy: How Outsiders Become Part of the Afro-brazilian Capoeira TraditionThis volume is due out some time in January, but it sounds like it might be a little expensive….so start saving now.  Still, it tackles a set of questions are central to many ongoing research programs within martial arts:

Every year, countless young adults from affluent, Western nations travel to Brazil to train in capoeira, the dance/martial art form that is one of the most visible strands of the Afro-Brazilian cultural tradition. In Search of Legitimacy explores why “first world” men and women leave behind their jobs, families, and friends to pursue a strenuous training regimen in a historically disparaged and marginalized practice. Using the concept of apprenticeship pilgrimage-studying with a local master at a historical point of origin-the author examines how non-Brazilian capoeiristas learn their art and claim legitimacy while navigating the complexities of wealth disparity, racial discrimination, and cultural appropriation.

Personally I cannot wait to see how she treats the concept of pilgrimage in relation to martial arts tourism.  Unfortunately the cover art for this book is not yet available, but you can view her table of contents here.

 

 

A rare shot of Ip Man enjoying a cup of Kung Fu Tea. Few individuals in the west know that the venerable master was a big fan of cafe culture and often spent hours with his students in local restaurants after class.

A rare shot of Ip Man enjoying a cup of Kung Fu Tea. Few individuals in the west know that the venerable master was a big fan of cafe culture and often spent hours with his students in local restaurants after class.

 

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We looked at an antique Dao from the personal collection of a reader, discussed some vintage footage of a Chinese martial arts demonstrations and and asked what Martial Arts Studies owes the Kung Fu Community?   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.

 

 

 


Chinese Martial Arts in the News: October 12, 2015: Columbus Day Edition!

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Shaolin Masterclass. Photo by Jack Latham. Source: FT.com

Shaolin Masterclass. Photo by Jack Latham. Source: FT.com

 

 

Introduction

For readers in the United States, happy Columbus Day!  And what better way to enjoy your three day weekend than getting caught up on the latest martial arts news.  “Chinese Martial Arts in the News” is a regular series of posts here at Kung Fu Tea in which we take a look at both what is being said about the TCMA by the media and how they discuss it.  Of course there is always a lot going on, so if I have missed a major story feel free drop a link to it in the comments below.

Before delving into our main discussion there are a couple of quick items to consider.  On a personal note I would like to thank Mark Stoddard and Kathy Joe Connors of the North East Wing Chun Student Association for inviting me to visit their weekend training workshop with Kenneth Chung held recently in Rochester, NY.  Anyone interested in the spread of Wing Chun in North America will already be familiar with the important role that Chung played in promoting the art.  It was certainly an honor to have the opportunity to meet and briefly talk with him.

On a less happy note, Stanford Chiou recently brought it to my attention that Alexander Lim Co, an important teacher of the Chinese martial arts in the Philippines, is in need of heart bypass surgery.  Readers may recall that we discussed one of his books here.  A “go fund me” campaign has been set up to help with his expenses, but it is very much in need to your support.  Please consider donating to this cause.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

Hing Chao.SCMP

Chao and Lam Chun-fai at the launch of their book about kung fu, Hung Kuen Fundamentals: Fok Fu Kuen , in 2013. Source: SCMP.com

 

 

Chinese Martial Arts in the News

 

Our first set of stories hail from the always interesting pages of the South China Morning Post.  The paper recently ran a profile of the shipping scion and martial arts preservationist Hing Chao.  Anyone who follows the Hong Kong Kung Fu scene will probably be familiar with at least one of his various projects.  In 2013, Chao co-authored Hung Kuen Fundamentals: Fok Fu Kuen with Lam Chun-fai.  He also promoted the short lived (but very high quality) Journal of Chinese Martial Studies.  Most recently he has been in the news for his work with this the Hong Kong Culture Festival.

The piece in the SCMP is basically biographical in nature.  Chao discusses the origins of his interests in Chinese culture, his background in the martial arts, and a few of the projects that he has worked on.  Its a short piece but a nice introduction to one of the high profile personalities in the fight to promote and preserve southern Kung Fu.

For those of you interested in heading a little further south, the SCMP also ran an article on the growth of interest in Lethwei by Myanmese women.  Again, its a short piece but I found it to be an accessible introduction to a style that I did not know much about.  And the article also manages to touch on some of the issues of identity, gender and nationalism that will be of interest to students of martial arts studies.  Click here to read more.

 

Sarah Chang, five time US National Wushu team member and actress. Source: nbcnews.com

Sarah Chang, five time US National Wushu team member and actress. Source: nbcnews.com

NBC News recently ran a profile of Sarah Chang, a five time US National Wushu Team member and actress who currently trains and works in Beijing.  The article discusses Sarah’s introduction to Wushu as a child growing up in McLean Virginia, some questions regarding gender in Wushu training and her plans for the future.  Overall it is a nice discussion of one woman’s journey into the realm of the martial arts.

 

Eric Lee on the cover of Inside Kung Fu in 1980.

Eric Lee on the cover of Inside Kung Fu in 1980.

On October 10th the Martial Arts History Museum (in Burbank California) had a night of events dedicated to Eric Lee.  Lee was one of the first practitioners of the Chinese martial arts to compete in the Karate tournament circuit and later moved into film.  The museum offered the first screening of its new biographical film dedicated to Lee’s career, held a reception in his honor and finished up with a Q&A session with Eric Lee himself.  Its news releases like this that sometimes make me wish that I lived close to Burbank.

As one might expect, Eric was not the “Lee” to make the news in the last month.  As is typical there were a number of Bruce Lee stories.  Perhaps the most substantive was the reminder that the Wing Luke Museum has just mounted the new items for the second season of their three year “Bruce Lee Experience” exhibition.  In keeping with the mission of this museum the exhibit seeks to contextualize Lee’s career and examine some of his contributions to the evolution of the Chinese American identity and community in the US.  If you are in the area this sounds like something that you may want to visit.

Shaolin Masterclass, stick training. Photo by Jack Latham. Source: FT.com

Shaolin Masterclass, stick training. Photo by Jack Latham. Source: FT.com

 

As we reported last month, one of the Shaolin Temple’s performance teams is currently in the UK gearing up for a series of theatrical performances.  A reporter from the Financial Times decided to drop by their training space and join a class, with predictable results.  Still, the article is more detailed than most of these sorts of pieces and I particularly enjoyed the candid discussion of the young monks as to how much of their public performance reflected “real” martial arts training versus a more theatrical approach to movement and acting.  As always these kids make for a great photo essay.

There were also a number of Shaolin stories of a more contentious nature.  On October 4th the South China Morning Post reported that the embattled Abbot Shi Yongxin (dogged by accusations of both sexual and financial improprieties as well as rumors of an official investigation) reappeared at the Shaolin Monastery in Henan.  He is reported to have addressed a group of 30 pilgrims who were visiting the temple and instructed them “to focus more on spiritual development and less on physical indulgence because ‘human bodies are temporary but the spirit is immortal.'”  Not to be outdone the Want China Times reported on the 10th that a group of the Abbot’s main accusers, who had taken their case to Beijing but had since been forced into hiding, had also resurfaced to give interviews.  It was reported that they were still cooperating with authorities and that the graft probe against the Abbot was still ongoing.

Sascha Matuszak recently updated the Fightland Blog on a couple of highly anticipated matches pitting Chinese Mixed Martial Artists versus their Japanese counterparts.  Apparently things did not go well.  His title stated simply that “Chinese MMA Faceplants.” I assumed that this was a metaphorical exaggeration…until I watched the clips that were included with his report.  It turns that his choice of words was actually a straight forward description of how one of the fights ended.

 

The Assassin, directed by Hou Hsiao-Hsien. Source: nytimes.com

The Assassin, directed by Hou Hsiao-Hsien. Source: nytimes.com

 

 

Chinese Martial Arts in the Entertainment Industry

Without a doubt the martial arts film that is currently getting the most good press is Hou Hsiao-Hsien’s Tang dynasty drama The Assassin.  The New York Times dedicated a fair amount of space to a discussion of the visual style and impact of this film.  It sounds stunning.  It even looks like the director did some interesting things with his fight choreography to reach his particular vision of “realism.”  This film is definitely going onto my “list,” though there is no word yet on when it will be reaching an art house theater near you.

Ip-Man-3-Poster

If Kung Fu films are more your thing, or you are fan of the recent Ip Man franchise (and who isn’t), you will be happy to learn that the teaser trailer for Ip Man 3 has just been released.  It features both Donnie Yen, reprising his role as Ip Man and Mike Tyson.  But before you sit down for this film, Ip Man has a few helpful suggestions for a more enjoyable viewing experience.

Kim Bum, recently cast to play Bruce Lee in an upcoming Chinese drama. Source: http://www.kpopstarz.com

Kim Bum, recently cast to play Bruce Lee in an upcoming Chinese drama. Source: http://www.kpopstarz.com

A new dramatic series is about to begin filming in China titled “Yip Man and Bruce Lee.”  I haven’t heard a lot about this project yet.  But there was just an announcement that Kim Bum has been cast to play Bruce Lee.  Click here to read a little more about the project.

 

Exotic medical ingredients at a market stall for herbalists in Xian.

Exotic medical ingredients at a market stall for herbalists in Xian.

News From All Over

A lot of people were surprised when the 2015 Nobel Prize in medicine went to Tu Youyou, a researcher at the Academy of Traditional Chinese Medicine in Beijing who has spent her entire career researching traditional Chinese medicine.  She was honored for her research into non-traditional (and very successful) treatments for malaria.  But given that traditional medicine has never before been on the radar of the Nobel Prize Committee, does this recogonition signal a serious shift in the way that TCM is perceived around the globe?  Marta Hanson, an Associate Professor of the history of medicine at John Hopkins University tries to answer that question is an extended piece which ran in Fortune.

Karate.olympic.wsj

In preparation for the 2020 Olympic Games Japan (the host nation) is recommending a number of sports for inclusion.  Two of these are Japanese national pastimes, baseball and karate.  But what sort of Karate sparring system is best suited to international competition?  The Wall Street Journal tackled that question in a recent article.  It will be fascinating to see whether the IOC allows a third Asian martial art (along with Judo and Taekwondo) to enter the competition.  For a little background on the selection process (as well as the likely fate of Wushu’s bid) see this article in the New York Times.

 

Stephen Chan delivering the conferences opening keynote.  Source: http://martialartsstudies.blogspot.com/2015/06/conference-2015-and-2016.html

Stephen Chan delivering the conferences opening keynote. Source: http://martialartsstudies.blogspot.com/2015/06/conference-2015-and-2016.html

 

Martial Arts Studies

 

Advanced registration for the Second Annual Martial Arts Studies Conference to be held at the University of Cardiff (July of 2016) are now open.  Better yet, the organizer has just released the initial list of confirmed speakers including Phillip Zarrilli,  Ben Spatz, Adam Frank, Paul Bowman and myself among others.  Given the success of last year’s conference this is definitely one event that you will want to get on your calendar.  Don’t forget that this year you can also win free registration by entering the short film competition.  And if you are interested in the interdisciplinary study of the martial arts, be sure to join our new and improved email list!  Just click here to register.

Now With Kung Fu Grip! How Bodybuilders, Soldiers and a Hairdresser Reinvented Martial Arts for America.  By Jared Miracle.  McFarland & Company (March 31, 2016)

Now With Kung Fu Grip! How Bodybuilders, Soldiers and a Hairdresser Reinvented Martial Arts for America. By Jared Miracle. McFarland & Company (March 31, 2016)

 

Some of you may remember Dr. Jared Miracle from his guest posts here at Kung Fu Tea.  I was very pleased to discover that his new book Now With Kung Fu Grip! How Bodybuilders, Soldiers and a Hairdresser Reinvented Martial Arts for America (published McFarland & Company) is now available for pre-order on Amazon.com with a release date of March 2016.  This promises to be a vital work for anyone interested in the social history of the Asian martial arts in the West.  Here is the blurb from the publisher:

Why do so many Americans practice martial arts? How did kung fu get its own movie genre? What makes mixed martial arts so popular? This book answers these questions for the first time with historical research. At the turn of the 20th century, the United States enjoyed a time of prosperity but feared that men were becoming soft. At the same time, the Japanese government sponsored research to develop the best fighting techniques for its new empire. Before World War II, American men boxed and Japanese men practiced judo and karate. Postwar Americans began adopting Chinese, Brazilian, Filipino and other fighting styles, in the process establishing a masculine subculture based on physical and social power. The rise of Asian martial arts in America is a fascinating untold story of modern history, from the origin of karate uniforms to the first martial arts themed birthday party. The cast of characters includes circus strongmen, professional cage fighters, an award winning comic book artist, the inventors of judo, aikido and Cornflakes, and Count Juan Raphael Dante, a Chicago hairdresser and used car salesman with the “Deadliest Hands in the World.” Readers will never look at taekwondo class the same way again.

For me this is a long awaited book and I am really looking forward to seeing Jared’s discussion of a critically important subject for students of martial arts studies and the history of popular culture.

 

Bruce Lee Graffiti.  Source: Wikimedia.

Bruce Lee Graffiti. Source: Wikimedia.

 

Catherine S. Chan recently posted a paper to academia.edu that will also be relevant to anyone interested in Bruce Lee or the globalization of the Chinese martial arts.  It is titled “Smudging Economy and Culture: The Commodification of Bruce Lee.” The abstract is as follows:

Four decades after Bruce Lee’s untimely death, the image of the martial artist continues to strive in the realms of popular culture and international society. As an acknowledged martial artist, film star and sometime philosopher and writer, Bruce Lee is commonly credited for transforming the conventional Fu Manchu portrait of Chinese people in the eyes of Westerners to that of a respectable Kung Fu master.

Stripping Lee clean of the yellow tracksuit and nunchucks, one point remains unbeatable: the image of Bruce Lee sells. This paper seeks to explain and comprehend the influence and success of Bruce Lee through the concept of celebrity commodification, breaking down the barrier that separates economy and culture by identifying the components that serve to intertwine. From the existence of a myth to the norms of pseudo-individualization, Lee’s status as a celebrity-icon shall be analyzed to reveal how capitalist marketing rides on the coat-tail of socio-cultural developments in order to effectively produce a cultural ‘kudzu’ that in turn, aims to persist and cash in for as long as possible.

 

 

Alex Channon and Christopher R. Matthews have been kind enough to post the introductory chapter of their recent edited volume Global Perspectives on Women in Combat Sports: Women Warriors Around the World (Palgrave 2015), on-line for your perusal.  It is titled “Approaching the gendered phenomenon of Women Warriors” and you can read it here.

Bogu_do_-_kendo
Did you know that there is a “Budo-lab” at Chapman University (in California) hoping to advance the study of both Hoplology and Martial Arts Studies by becoming “the very first center in the United States to specifically focus on examining the role of both combative behavior and martial arts in modern societies”?  The center currently counts Andrea Molle (Political Science and IRES), Michael S. Wood (World Culture and Languages, Japanese) and Alexander Bay (History and Asian Studies) as permanent members.  Head on over to their homepage to read more of their mission statement and to check out their current research projects.

Not Affraid.bolelli

Lastly, I am sure that many readers of Kung Fu Tea are already familiar with Daniele Bolelli’s always thought provoking writings on a variety of topics related to the martial arts.  He has a new book coming out (just in time for Christmas) titled Not Afraid: On Fear, Heartbreak, Raising a Baby Girl and Cage Fighting  (Disinformation Books, December 1, 2015).  Here is the blurb:

This book is a meditation on facing fear, heartbreak, and mortality. In his own irreverent and inimitable style, Daniele Bolelli tells the story of his courtship and marriage, which would have been a sweet story had not all hell broken loose. Or as he puts it, “Hell was a ninja who entered my house without being seen. It all began in such an unremarkable way that it barely registered as anything meaningful. Little did I know that the experiences of the next five months would rip me apart and kill me. They would re-forge me into a different man. On that day, I became an unwilling traveler on a journey through the heart of fear. Every step along the way has forced me to face my fears time and time again.”

It is the story of a man who in rapid succession has his wife die in his arms, loses his house and his job, and is left to care for his 19-month old daughter. Oddly enough, the best tools for coping with all of this were those he learned in more than two decades of martial arts practice. Not Afraid tackles this extremely heavy subject matter in a light-hearted style and with an attitude that acknowledges pain and suffering but denies them dominion over one’s life.

 

An assortment of Chinese teas.  Source: Wikimedia.

An assortment of Chinese teas. Source: Wikimedia.

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We remembered the life of GM Chen Qingzhou, saw a great discussions of Ming era weapons and read a new translation of Jin Yiming’s 1932 manual on the single dao.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.


Chinese Martial Arts in the News: November 2, 2015: Sanda, Taijiquan and the Chinese Origins of Karate

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Taijiquan practitioners attempting to set a new record. Source: dailymail.co.uk

Taijiquan practitioners attempting to set a new record. Source: dailymail.co.uk

 

Introduction

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

 

Japanese and Chinese martial arts students meeting in Fujian. Source: SCMP

Japanese and Chinese martial arts students meeting in Fujian. Source: SCMP

 

News from All Over

Our first story comes from the (digital) pages of the South China Morning Post.  It recently carried a short article looking at Karate’s Chinese origins.  This discussion comes on the heels of Karate’s inclusion in the upcoming Tokyo Olympic games, while Wushu once again finds itself on the outside looking in.  However this particular piece focuses instead on the academic research of a Chinese scholar named  Lu Jiangwei (from Fujian) who recently completed a doctoral dissertation looking at the origins of “Karate culture” at the Okinawan Prefectural University of Arts.  This is an interesting project as it is clearly encouraging a fair bit of international cooperation among researchers.  At some point I will need to see if I can learn more about Lu’s research methods and findings.

A statue located in the Wong Fei Hung Temple in Foshan.

A statue located in the Wong Fei Hung Temple in Foshan.

 

Perhaps the most famous master of the traditional Chinese martial arts to make the news this week was the noted Hung Gar practitioner Wong Fei Hung.  While he ended his life as a recluse, Wong is perhaps the best known Kung Fu personality of his generation because of the many newspaper stories, novels, radio programs and movies that have embroidered his legacy.  A short note in The Star reports that Wong’s real life disciples and students were unsuccessful in their recent attempts to locate his historic grave.  Apparently the cemetery that he was laid to rest in was demolished to make room for a new high rise development.  While only a short note, this story reinforces the inherent challenges involved in preserving and understanding the physical and architectural history of the Chinese martial arts in a constantly shifting landscape.

Speaking of change, ECNS ran a story on the efforts of mixed martial artists (and the promoters behind the ONE Championship) to establish a foothold in China’s lucrative media and entertainment markets. This is a story that we have covered here before, but what I found most interesting about this article was the language that it used.  It situated MMA as an outgrowth of the traditional Chinese martial arts, and thus their “return” home was something “natural” rather than foreign.  Still, it ended the following note: “As the ancestry of modern mixed martial arts, Chinese kung fu enjoys popularity around the world and now it’s time for the time-honored martial art form to evolve by communicating with the world.”

 

Photo by Hotli Simanjuntak/EPA. Source: fightland.vice.com

Photo by Hotli Simanjuntak/EPA. Source: fightland.vice.com

This is not the first time that an MMA promoter has tried to break open the Chinese market and it probably won’t be the last.  One of the challenges inherent in getting a foothold is all of the other combat sports that are already popular with Chinese audiences, athletes, media outlets and bureaucrats.  By far the most important (and economically lucrative) of these is Sanda.  Sascha Matuszak recently wrote a quick introduction to the topic over at Vice’s Fightland blog.  It lays out the facts on the ground quite nicely.  And while you are there check out his other post on the place of the wooden dummy in modern (post-Ip Man) Chinese martial arts training.

The recent attempt to set a record for the largest martial arts demonstration, Photo: China News Service / CFP

The recent attempt to set a record for the largest taijiquan demonstration, Photo: China News Service / CFP

 

Where is the calmest place on Earth?  According to this photo-essay in the Daily Mail it would have to be in the middle of a massive recently staged (October 18th) Taijiquan demonstration held in Jiaozuo City of Henan province.  Some of the photos generated by this event are as breathtaking as one might suppose.  But another article in the GB Times does a better job of explaining the purpose of the event.  In addition to attempting to set a world record for the largest simultaneous taijiquan practice session, the event organizers were hoping to raise awareness for their bid to have the Chinese martial arts declared an element of “intangible cultural heritage” by UNESCO.

According to a recent study conducted by Yi-Wen Chen, from the University of British Columbia in Vancouver, there may be a number of other reasons for these individuals to continue with their Tajiquan practice.  After conducting a review of 33 separate studies (containing about 1,500 research subjects in total) her team found that the regular practice of Taiji can be beneficial for people suffering from a wide range of chronic illnesses ranging from arthritis to cancer.   Reuters ran a story (which was distributed by a large number of other outlets) detailing their specific research findings.

 

Female student studying Wushu in a scene from Inigo Westmeier's Dragon Girls.

Female student studying Wushu in a scene from Inigo Westmeier’s Dragon Girls.

 

 

National Geographic introduced readers of its blog to approximately “36,000 kids you don’t want to mess with.”  The children in question are students of the Shaolin Tagou Kung Fu academy, one of the largest residential wushu schools in China.  The occasion for the discussion was an interview with filmmaker Inigo Westmeier who directed the documentary “Dragon Girls.”  Recently she collaborated with DB Ben Surkin to turn some of that footage into a music video for Gener8ion featuring M.I.A.  The video is great, so if you have not seen it yet be sure to click on the link at the top of the post.  The rest of the article is dedicated to a discussion with Westmeier about the production of the documentary, its reception in China and her other projects.

Bruce Lee with his favorite onscreen weapon.

Bruce Lee with his favorite onscreen weapon.

While best known by practicing martial artists as a weapon associated with traditional Karate, the nunchuck exploded into popular consciousness in the west after the 1973 release of Enter the Dragon.  More recently a number of law enforcement personal are taking a second look at this simple weapon.  This is not the first time that police officers have trained with nunchucks.  It seems that their versatility (they can be used to restrain as well as to strike), and their shorter length are winning converts.

While on the subject of nunchucks, the Seattle Times recently ran a piece on the opening of the second installment of the new Bruce Lee exhibit at the Wing Luke museum.  The piece includes discussion of Lee’s life in the city as well as some more personal photographs included in the collection.  Head on over and check it out.

 

Into the Badlands by AMC.

Into the Badlands by AMC.

 

Chinese Martial Arts in the Entertainment Industry

 

AMC’s new series “Into the Badlands” (set to debut on Nov. 15) is continuing to pick up a lot of good press.  In keeping with what we have already seen much of this focuses on the series’ martial arts content.  Evidently the studio believes that this will separate the project both from their other products and competing programs on TV.  The New York Daily News ran a longer than expected piece on the upcoming series which you can take a look at here.  I thought that it was interesting to note that in the post-apocalyptic future imagined by the show there are no longer any firearms.  Obviously that decision gives the directors more freedom to showcase their martial arts assets, and its a common story telling trope in classic Chinese martial arts films (many of which are set in an imaginary past).  Still, its not a storytelling device I am very fond of as it ignores the fundamental fact that the Chinese martial arts, as they exist today, are very much the product of a world in which firearms were present.

Qi Shu plays the title role, a young girl who is kidnapped by a nun and trained to become a killer. Source: New York Times.

Qi Shu plays the title role, a young girl who is kidnapped by a nun and trained to become a killer. Source: New York Times.

When it comes to news stories about the Chinese martial arts, director Hou Hsiao-hsien’s recent film The Assassin is breaking the internet.  Up to one third of all of the stories that I ran across in the last week were about this film.  Readers may recall that the early discussions of this period drama, set in the Tang dynasty, were very positive.  Reviewers loved Hou’s visual aesthetic and he won an award at Cannes for his work.  Now that the film has actually hit theaters a muck larger batch of reviews are commenting, and unfortunately the results appear to be mixed.  While a few reviewers love the film, others are claiming that its falls flat.  Most seem to be somewhere in the middle, capable of appreciating the film’s beauty while claiming that it has some notable shortcoming.  This review at the Globe and Mail seems to be typical of the current discussion.  Everyone seems to agree that what Hou created pushes the boundaries of what you can do with a “normal” martial arts film, but there is less consensus as to whether that was ultimately a good thing.

Of course there is always a lot of classic Kung Fu cinema out there just waiting to be rediscovered by audiences.  Consider for instance the 1978 Shaw Brothers film “Heroes of the East” starring  Gordon Liu, Yuka Mizuno, Kurata Yasuaki and directed by Liu Chia Liang.  It would be an understatement to say that the film as has interesting political subtext, and given current events, it once again seems timely.  Check out this post over at Vice Sports which discusses the film as well as its historic and current geopolitical context.

 

 

 

Martial Arts Studies

 

There have been a number if important developments in the area of Martial Arts Studies.  First off, the publisher Rowman & Littlefield (who helped to sponsor our recent conference at the University of Cardiff) have announced the creation of a new book series dedicated to producing titles within the field of Martial Arts Studies.  Paul Bowman will be the series editor. In the interest of full disclosure I should state that I am also a member of the project’s editorial board.  Obviously this is an important step in developing Martial Arts Studies as it ensures a dedicated outlet for new monographs and will help to build visibility among readers.  To find out more about the book series click here.

Paul recently presented a paper titled “Making Martial Arts Studies: A Tale of Two Books.”  Follow the link to read a copy of the paper or to watch video of his presentation.  Also, researchers interested in publishing in the interdisciplinary journal Martial Arts Studies should check our recent Call for Papers regarding an upcoming special issue titled “The Invention of Martial Arts.”

Vintage French Postcard

Vintage French Postcard

 

Wendy Rouse, who teaches in the Department of Sociology and Interdisciplinary Studies at San Jose State University, recently uploaded a paper to Academia.edu titled “Jiu-Jitsuing Uncle Sam: The Unmanly Art of Jiu-Jitsu and the Yellow Peril Threat in the Progressive Era United States” (Pacific Historical Review, Vol. 84 No. 4.)  This looks like it will be an important article for anyone interested in the early history of the Asian martial arts in the West or those working on questions of masculinity, national identity and racial politics.  The abstract is as follows:

The emergence of Japan as a major world power in the early twentieth century generated anxiety over America’s place in the world. Fears of race suicide combined with a fear of the  feminizing effects of over-civilization further exacerbated these tensions. Japanese jiu-jitsu came to symbolize these debates. As a physical example of the yellow peril, Japanese martial arts posed a threat to western martial arts of boxing and wrestling. The efficiency and effectiveness of Japanese jiu-jitsu, as introduced to Americans in the early twentieth century, challenged preconceived notions of the superiority of western martial arts and therefore American constructions of race and masculinity. As Theodore Roosevelt and the U.S. nation wrestled with the Japanese and jiu-jitsu, they responded in various ways to this new menace. The jiu-jitsu threat was ultimately subjugated by simultaneously exo- ticizing, feminizing, and appropriating aspects of it in order to reassert the dominance of  western martial arts, the white race and American masculinity.

 

The Fighting Art of Pencak Silat and its Music (Brill 2015) by Uwe U. Paetzold and Paul H. Mason

The Fighting Art of Pencak Silat and its Music (Brill 2015) by Uwe U. Paetzold and Paul H. Mason

 

Brill has recently released a new volume titled The Fighting Art of Pencak Silat and its Music: From Southeast Asian Village to Global Movement edited by Uwe U. Paetzold of the Robert Schumann University of Music, Düsseldorf and Paul H. Mason from the University of Sydney.  Silat has generated a fairly good sized collection of academic studies in the past and that number seems to have accelerated in recent years.  This study appears to be unique in the degree to which it has been shaped by ethnomusicology in addition to other more typical fields including sociology and anthropology.  The publisher’s note is as follows:

Fighting arts have their own beauty, internal philosophy, and are connected to cultural worlds in meaningful and important ways. Combining approaches from ethnomusicology, ethnochoreology, performance theory and anthropology, the distinguishing feature of this book is that it highlights the centrality of the pluripotent art form of pencak silat among Southeast Asian arts and its importance to a network of traditional and modern performing arts in Southeast Asia and beyond.

By doing so, important layers of local concepts on performing arts, ethics, society, spirituality, and personal life conduct are de-mystified. With a distinct change in the way we view Southeast Asia, this book provides a wealth of information about a complex of performing arts related to
the so-called ‘world of silat‘.

Unfortunately you will probably need to head to your local university library to find a copy of this book.  At $175 a copy I doubt that it will end up on my shelf in the near future.  Fortunately Gisa Jähnichen has uploaded a copy of her chapter titled “Gendang Silat: Observations from Stong (Kelantan) and Kuala Penyu (Sabah).”  This will be especially interesting for students with a background in music or an interest in performance.

 

Redemption: A Street Fighter's Path to Peace by Michael Clarke

Redemption: A Street Fighter’s Path to Peace by Michael Clarke

 

Michael Clarke, a long time karate practitioner and Kyoshi eighth dan, will be releasing an autobiographical work titled Redemption: A Street Fighter’s Path to Peace (Ymaa Publication).  While not a scholarly work students of Martial Arts Studies may find this interesting more as a “primary text” due to its extensive discussion of the modern history of Karate and social observations on violence and martial arts.  It is due out in March of 2016.

Lastly, be sure to check out the first part of my recent interview at Kung Fu Tai Chi magazine where Jon Nielson and I sit down with Gene Ching to discuss our book on the social history of the southern martial arts, Wing Chun and the importance of recent development in martial arts studies.  Expect the second half of this detailed interview to posted sometime next week.

 

Chinese tea set. Source: Wikimedia.

Chinese tea set. Source: Wikimedia.

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group and this last month has been no exception.  We discussed modern Daoist meditation practices, the life of Ma Liang (both a warlord and martial arts reformer) and watched some new interviews with Adam Hsu.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.

 

 


China’s One Child Policy and Martial Arts Studies

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Three unidentified children practice Kung Fu near the Shaolin Temple. This photo was taken in 1982 and it captures the first moments of the "Golden Age" of Kung Fu in mainland China.

Three unidentified children practice Kung Fu near the Shaolin Temple. This press photo was taken in 1982 and it captures the first moments of the “Golden Age” of Kung Fu in mainland China.  Source: Author’s personal collection.

 

Introduction

 

Two weeks ago I moved to Ithaca NY and things have been a bit hectic. I have not been able to get as much reading and writing done as I would like. Yet there has been no corresponding decrease in the appearance of new ideas that I want to explore in blog posts. Now that I finally have a working office set up perhaps I can begin to work my way through this growing backlog.

One of the big topics to emerge in the news recently was the impending end of China’s “One Child Policy.” For readers who may be unfamiliar with the topic, this was an audacious experiment in social engineering conceived of by the Chinese government following the Cultural Revolution (1978) as a way of limiting the country’s burgeoning population growth. It was hoped that this would then result in a socially and economically optimal demographic balance that would lead to prosperity.

The following post has two slightly different, but ultimately related, goals. First I would like to think a little bit about the effects of this policy on the traditional martial arts in the PRC, as well as what its transformation into a “Two Child Policy” might portend for the future. Nor is this discussion as far-fetched as it might appear. Government officials, writers and social scientists have been aware of the link between demographics trends and patterns of social conflict in China (many of which have helped to promote the martial arts) since at least the 19th century. Often these discussions have focused on the issue of “bare sticks,” young men who for economic or social reasons cannot marry and have traditionally fed China’s many martial arts traditions.

Secondly, what does all of this suggest about the nature and possible uses of Martial Arts Studies as an academic research area. Scholars are quickly building an impressive database of information on the historical development of these fighting systems as well as better models of how they interact with society. But what is the ultimate point of this? How can we as researchers actually apply this knowledge? What is it good for?

Before delving into these twin discussions we might wish to begin with a quick overview of the One Child Policy. This set of directives is actually more complicated than its totalizing title might lead one to believe. The policy evolved over time, and its application has never been uniform. While much has been written on the subject, demographer and economists have never come to total agreement on its actual effectiveness or impact on Chinese society. A few of these debates may even be relevant to our discussion of how it may have interacted with the fate of the martial arts in the PRC.

Shaolin Students

A group in the same general area today.

 

A Quick Overview

 

Originally intended as a measure that would last only a single generation, the “One Child Policy” saw a number of important revisions over the course of its lifespan. Since enforcement of the policy was largely carried out at the provincial level there was a fair degree of variability in how it was enforced throughout the country. Still, estimates by demographers suggest that anywhere from 200 to 400 million births were prevented by this policy which is now slated to be substantially modified (basically into a “two child policy”) within the coming months.

In practice the subset of couples that were strictly restricted to a single birth in recent years was actually smaller than one might expect. Again, estimates vary, but it seems likely that only 35% of couples in the past decade were strictly restricted to a single birth. Exceptions to the policy were numerous. Individuals living in rural farming villages and ethnic minorities could apply for additional birth permits. And after 2013 all couples could apply to have a second child if either one was a single-child themselves.

Discussions of the One Child Policy are always complicated by a number of factors. Obviously it has been a politicized topic in the West where the enforcement of this directive has been tied to accusations of human rights abuses. And demographers have struggled to come to terms with the effects of what has been, in many ways, an unprecedented social experiment.

It is certainly true that China’s population growth curve bent down sharply after enforcement of this policy was instituted. Its advocates have noted that it seems to have cut the countries potential population by several hundred million (again, exact estimates differ). Yet critics of these policies note that China’s overall birth rate fell at exactly the same time that its economy entered its rapid growth phase, a large percentage of the population relocated from primarily agricultural to urban areas, and opportunities for female education and employment improved.

We know from studying population dynamics in other countries that these same variables are more than capable of explaining dramatic dips in population growth rates. For instance, the shift in China’s growth curve closely matches those also seen in the case of Vietnam. Yet its smaller southern neighbor never adopted a single child policy, and instead relied on public education and market forces. Likewise Hong Kong never considered anything akin to the PRC’s enforced social engineering strategy. Yet it currently has one of the lowest birthrates in the world.

When thinking about the effects of the One Child Policy we are first forced to ask ourselves whether it really had much of a substantive impact on Chinese society at all. Reporters working this story recently found that most of the individuals in urban areas who they interviewed (those most likely to be restricted to a single child under the old system) have said that, policy changes notwithstanding, they have no plans to seek a second birth. The costs of housing, raising and educating a second child in the current economic environment are just too onerous.

Indeed, it is hard to underestimate the importance of household economic calculations in explaining demographic trends. I doubt that even the most ardent economist would claim that people are actually mathematically rational in their decision making. Yet hard budget constraints are impossible to ignore. And the population declines that we have seen in recent decades in states like Vietnam and Russia indicate that economic factors may be more than capable of explaining most of the variance that we see in the Chinese case as well. Without the One Child Policy it is likely that China’s total population, while possibly a bit higher, would not be radically different from what we see today.

Yet even if the total population numbers did not change, it is still possible that this policy has had other consequences which need to be taken into account. Demographers have noted that how this policy was drafted, and the ways in which it interacted with traditional Chinese culture, reinforced a strong preference for male children. Sex selective abortions have resulted in a massive demographic skew. And as we have seen in previous posts, large numbers of unmarried males (or “bare sticks” in the Chinese vernacular) have not always been a force for social stability in China’s past. In fact, martial arts societies recruited quite successfully out of this demographic pool in the 19th and earlier 20th centuries.

The rapid decline in birth rate has also skewed the age distribution of China’s population, and these effects will continue to grow stronger over the coming decades. On the macro level there are simply fewer active workers to support the growing number of retired senior citizens who are living longer and healthier lives.

Within individual families these trends can be felt even more starkly. With a weak social safety net individuals continue to rely both on their personal savings and their children for financial support in their old age. Yet the rigid enforcement of the One Child Policy in some demographics has led to the “4-2-1 Problem,” where a single working child may be called on to support up to six elderly adults (two parents, and four grandparents).

The burdens placed on single children in this situation are stark and immediately evident. Yet if we return to the macro level it becomes apparent that this rapid decline in the size of the overall workforce could pose a serious problem for China’s economic prospects in the coming decades. It seems that these very real economic and social fears were largely responsible for the political decision to walk back the One Child Policy.

Nor do these issues exhaust the list of social ills that are often attributed to the One Child Policy. Some writers have referred to those living in China now as “the loneliest generation” as vast numbers of singletons grew up without the benefit of brothers, sisters, cousins or even many neighbors of their same age with which to share their childhood. Adults have attempted to compensate for this by lavishing attention and spending on the few children in their extended families leading to what some have termed the “Little Emperor” problem of spoiled and generally fragile children who then go on to struggle in an educational and social system that demands a high degree of discipline.

On the other hand these same supposedly “spoiled” children are often overwhelmed with the social responsibilities that they personally bear to multiple generations of their own families. Even if China’s total population might be roughly the same without the advent of the One Child Policy, this experiment still seems to have had an important effect on the contours of Chinese society.

 

Shaolin Masterclass. Photo by Jack Latham. Source: FT.com

Shaolin Masterclass. Photo by Jack Latham. Source: FT.com

 

Demographic Change and the Martial Arts

 

This brings us back to the martial arts. What impact did the One Child Policy have on the development of both official and folk Wushu after the close of the Cultural Revolution? What changes in the development of the martial arts might we expect to see in the wake of its departure? And what does all of this imply for the field of martial arts studies?

In a recent paper my colleague, Dr. Paul Bowman, asked what is the point of martial arts studies? Once we have accumulated this knowledge about the ways in which martial arts systems develop and interact with society, what do we do with it? What possible solutions to this more theoretical question might a quick consideration of the One Child Policy suggest?

Historical work on the traditional martial arts has demonstrated that these practices were not distributed evenly across Chinese society. Up through the early 20th century there was a distinct social stigma that accompanied the practice of these systems. Their spread was often associated with practical concerns such as village defense or making a living either as a guard, opera performer or bandit. As such the traditional hand combat arts were more commonly encountered in some areas of the country than others. Further, in my own research on the martial clans of Guangdong province I noticed that they tended to be practiced by second and third, rather than first, sons within a family.

Obviously there are a number of exceptions to this last point, particularly in cases where the martial arts were essential to the family business (guards, soldiers, pharmacists, bandits). Yet among those who might be said to have adopted these systems by choice, there does seem to be a bias towards second sons. For instance, it was Ip Man, and not his older and better established brother, who would go on to become a master of Wing Chun kung fu after Chan Wah Shun took up teaching in the Ip clan temple. Why might this be?

The answer seems to come down to questions of responsibility and the duties of filial piety. First sons were more senior, and in the case of the family businesses might well be expected to continue on in the enterprise. Often the family would invest substantial resources in their education in the hopes that they might win office through the civil service system and thus increase the prestige and fortunes of the clan.

In economic terms we might argue that it was more expensive for first sons (excluding those in certain specific industries and situations) to study the martial arts. They were often afforded other opportunities that were too valuable to lightly discard. And they also felt the greatest weight of social expectation to succeed. In short, the “opportunity cost” of the martial arts was simply too great to make if affordable in a good many cases.

The situation was slightly different for younger sons. While they would still expect to inherit something of the family estate, they do not seem to have born the same weight of parental expectations. Further, I have often suspected that a number of families decided that once the clan fortune was secure, having a couple of “security specialists” on hand to make sure that everything ran smoothly might be a great investment. Thus it could be rational for second sons to invest themselves in a martial education even though their older brothers were being encouraged in a more “civil” direction.

Nor can we forget the “bare sticks,” younger males from poor families that did not expect to inherit anything. Economic considerations combined with the problem of the “missing girls” meant that their marriage prospects were limited. These young men also tended to be more loosely tethered to their home communities and clans. Such individuals were often viewed as somewhat expendable and were the most likely to be caught up in clan warfare, smuggling, petty criminal groups and even martial arts societies. This last pursuit may have provided them with an alternate means of constructing a masculine identity within a predominately Confucian society.

As we can see, the distribution of the martial arts knowledge throughout Chinese society tended to be correlated with certain demographic and economic variables during the late imperial period. And the One Child Policy was consciously designed to reengineer those exact aspects of society. So how might it have affected the subsequent development of the Chinese martial arts on the mainland?

Ultimately these sorts of counterfactual questions are impossible to answer with precision, especially when we are looking at a vastly complicated social experiment with a sample size of one. Still, it may be possible to discern a few key patterns worthy of further consideration.

To begin with, we should recall that in urban areas any couple lucky enough to have a son on their first attempt was not likely to be allowed to have another child (unless they were a member of a minority group). Thus in these areas a very large percentage of all males would now find themselves in a situation where they alone bore the weight of their parents’ and grandparents’ expectations. This would seem to increase the social costs of martial arts training and make it likely that fewer parents would actively seek out these opportunities for their children.

Of course martial arts training did not vanish after the end of the Cultural Revolution. It actually went through a boom in the 1980s. Yet by in large the individuals who took up training early in this decade were still the product of a previous generation. As time went on fewer children enrolled in both official Wushu programs and folk martial arts classes. This trend became especially pronounced towards the end of the 1990s and beyond as China’s economy picked up steam and parents became increasingly anxious about forgoing the possibility of a lucrative career for their children.

In short, there is circumstantial evidence that economic considerations, made more acute by the One Child Policy, have probably inhibited the total number of martial arts students. It has likely also skewed which sorts of children will take up the martial arts and the sorts of practices that they will be introduced to.

Readers might recall that individuals living in more rural areas were generally allowed to have a greater number of children. One suspects that this was probably a good thing for the development of the martial arts in China as these practices have always been more popular in rural areas. Further, journalists and researchers who have interviewed individuals studying at China’s many fulltime Wushu based schools have noted that the students in these vocational programs tend to come disproportionately from poor rural backgrounds.

From the 1920s-1950s martial arts reformers on the mainland succeeded in an effort to re-brand their fighting systems as tools of public health, physical education and nationalism that were fit for urban middle class students. Such individuals were expected to already have full time occupations and thus approached the martial arts mostly as a recreational activity. The Jingwu and later Guoshu movements are the best known examples of this trend, but many schools and groups were working along similar lines.

Obviously the advent of the government’s new Wushu system in the 1950s (subsequently expanded after the end of the Cultural Revolution) meant that none of these Republic era approaches would be coming back. And while there was a sudden outpouring of interest in folk masters teaching in urban areas in the 1980s and early 1990s, I have wondered over the years if one of the effects of the One Child Policy was to generally suppress interest in the martial arts as a recreational activity in urban areas, and to once again re-center these practices in more rural areas where they would be seen as a fulltime course of study in preparation for a career in the military. Ironically, this is not all that different from how many families living in the same regions had viewed them in the 19th century.

What then might we see in the future with the relaxation of the One Child Policy? The most obvious (but also the most problematic) prediction might be that this change would lead to a notable increase in the birth rate. Clearly certain party officials hope to see some increase in the number of new workers being born. And as families have more children over which to spread the burden of social obligation, they might be more willing to let some of their sons (and increasingly daughters) participate in martial arts training. Observers have been noting the declining fortunes of the traditional arts within China for some time, and the lack of new students is often explicitly tied to parental objections. So it does not seem unreasonable to expect that an increase in the birth rate might be tied to an increase in the absolute number of martial arts students.

Unfortunately these exercises in forecasting are never so simple. A large number of reporters interviewing young couples in Chinese cities have noted that the people whom they interviewed in recent weeks are not actually anticipating having more than one child, despite the promised policy change. Their reasons are essentially economic in nature. Given the expense of raising a child, the difficulty in arranging for child care, and the soaring cost of real estate, few working class urban couples feel that they can afford to have more than one child. Thus a number of observers have speculated that the change in policy might not lead to the boom in births that government planners are hoping for.

Yet even these more cautious predictions may require their own set of caveats. The existence of a robust “birth tourism” industry indicates that at least some Chinese couples are interested in and planning for the possibility of multiple births. Further, many parents are very worried about the social and psychological effects of being a singleton.

Even the economic arguments about the costs of raising a child are more complicated than they first appear. Lacking a European style safety net, and facing the possible end to decades of rapid economic growth, it seems likely that a number of couples may decide that having a second child is the best insurance against poverty in their old age that they are likely to be able to afford. In short, it is not entirely clear how the long term value vs. short term costs of an additional child will look in the next five or ten years.

While not everyone will decide to increase their family size, and these measures may be too little too late to create the sort of population bump that the government is hoping for, it is likely that the relaxation of this policy will change some of the details of how births are distributed across Chinese society.

Female student studying Wushu in a scene from Inigo Westmeier's Dragon Girls.

Female student studying Wushu in a scene from Inigo Westmeier’s Dragon Girls.

 

 

What Do we do with Martial Arts Studies?

 

As I noted at the opening of this essay, students of martial arts studies must at some point begin to articulate the purpose of this new field. Our primary mission may be to better understand the origin of these fighting systems, how they have been discussed through time, and the various ways in which they have contributed to their host societies. But once we have accumulated this body of information, what do we do with it? What is it good for? Is understanding the martial arts the only goal, or a means to something bigger?

Personally I hope for the latter. I fully expect that many projects will take these fighting systems as their “dependent variable” (meaning the thing that is explained). Yet the most interesting thing about the martial arts is what they can reveal about the hidden nature of the communities around them. Societies often do a good job hiding certain types of conflict, friction and rupture. The martial arts, by exploring, amplifying, or seeking to ameliorate social conflict, can illuminate the details of cleavages that would otherwise remain invisible to the outside observer. This is especially true in periods of rapid social change.

As a thought experiment let us assume that the average Chinese birthrate does not change a great deal in the coming generation. Certain western observers might conclude from this that market forces (e.g., hard budget constraints) have more of an impact on family fertility decisions than government policy, especially in increasingly urban middle income countries. Thus they might say (and some already are) that the One Child Policy had very little impact on Chinese society. Would this view be correct?

Shifts in future patterns of social conflict and martial arts practice might well tell a different story. For instance, renewed interest in the folk martial arts centered in urban areas like Guangzhou, Shanghai or Beijing might point to the growing strength of an urban middle class that can afford both the luxury of additional children and investments in cultural pursuits. Such a finding would herald the coming of a certain sort of Chinese modernity.

Continued stagnation of the urban folk arts might signal something very different. Particularly if this were to be accompanied by renewed strength within the rural Wushu vocational schools as hard times inspired rural families to increase their birthrates as a hedge against the future. Renewed interest in these vocational institutions would also signal the emergence of a new, but very different, vision of Chinese modernity. Thus the sorts of martial arts that social groups choose to invest in may reveal critical information regarding their private beliefs about the future.  And as “costly signals” these opinions would be hard to ignore.

Every new macro-level development within a complex  social system creates groups of winners and losers. The art of politics often focuses on compensating, quieting or shoving aside one of these two groups. The sorts of conflicts that change brings about are not always readily apparent, especially in their early stages. Yet the martial arts have functioned as tools for addressing these tensions in the past, and they are likely to continue to do so in the future. The state has used them to promote its unifying vision of the nation, while local groups have looked to them as signs of identity and centers of cultural resistance.

I do not know what the end of the One Child Policy will bring. Yet even if birthrates remain unchanged the creation of a new demographic regime may still have an important impact on Chinese society. The value of Martial Arts Studies as an interdisciplinary pursuit goes far beyond its immediate object of study. Rather than simply being a body of facts relating to the origin and functioning of various hand combat systems, it may provide us with a lens to interpret and study aspects of social conflict that might remain invisible to more conventional modes of analysis. As we have already learned “the personal is political,” and nowhere is this more apparent than in the realm of the martial arts.

 

oOo

If you enjoyed this post you might also want to read: Government Subsidization of the Martial Arts and the Question of “Established Churches” 

oOo


Chinese Martial Arts in the News: November 23, 2015: Trouble in the Badlands, Bruce Lee’s 75th Birthday and the Dawn of Martial Arts in America

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Still shot of Bruce Lee in the opening scene of "Enter the Dragon."

Still shot of Bruce Lee in the opening scene of “Enter the Dragon.”

 

Introduction

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

A scene from the 13th World Wushu Championship in Jakarta. Source: AFP.

A scene from the 13th World Wushu Championship in Jakarta. Source: AFP.

News Stories

Wushu was once again a prominent story in the news cycle over the last few weeks.  A number of articles focused on the recent 13th annual World Wushu Championships held in Jakarta.  Teams from a large number of countries (including the United States) took part and the event received quite a bit of coverage in South East Asia.  The following article attempted to put Wushu in a historic perspective (I particularly like the note about a young Jet Li performing for Richard Nixon at the White House) while looking ahead to future expansion in the global sporting community.  As one would expect, this included a new round of speculation as to whether the Chinese fighting arts might finally find a home in the 2024 Olympic games.

The mixed martial arts have also continued to make news in China.  The country’s immense media market has proved to be a valuable prize for MMA fight promotion companies in a number of states, and not just the UFC.  This article looks at the South Korean based ROAD Fighting Championship and their plans to hold their first ever Chinese event in the Shanghai Oriental Sports Center.

 

Sunday morning Taiji practice at the Temple of Heaven in Beijing.

Sunday morning Taiji practice at the Temple of Heaven in Beijing.

 

A number of news outlets were reporting the results of a recent string of studies on the benefits of regular Taijiquan practice for individuals suffering from a wide range of chronic illnesses from congestive heart failure to cancer.  One of the most visible of these articles was published in the New York Times blog and looked at the potential of Taiji to treat sleep disorders.  Harvard Health Publications also ran a short article summarizing the findings of a recent study in the British Journal of Sports Medicine that had compiled data from 33 smaller studies encompassing nearly 16000 adult patients.  It showed statistically significant quality of life improvements for patients suffering from a broad range of serious chronic conditions after they began Taiji practice, even in comparison to other forms of exercise.

Of course not all martial arts practices are equally good for one’s health.  This fact was recently demonstrated by a martial arts enthusiast in Suzhou who, after one too many drinks, scaled a street light pole, balanced himself above a busy road, and decided to practice his forms (click for video).  Luckily he managed to climb down on his own, but one suspects that the Harvard Medical School would probably not endorse this particular style of practice.

 

A photo of female martial artists from the Jingwu Anniversary Book. The woman on the left is Chen Shichao, one of the most vocal campaigners for the equality of female martial artists within Jingwu. She toured China and south east Asia promoting female involvement in the martial arts.

A photo of female martial artists from the Jingwu Anniversary Book. The woman on the left is Chen Shichao, one of the most vocal campaigners for the equality of female martial artists within Jingwu. She toured China and south east Asia promoting female involvement in the martial arts.

The Stoneybrook Press blog recently ran an article titled “Anatomy and Gender in Martial Arts.” It is an introductory effort and I doubt that it will contain any revelations to those who follow the topic.  Still, I thought that it was interesting as a sign of the sorts of questions regarding the martial arts that popular readers are currently interested in.  At this moment gender seems to be high on that list.

 

Bruce Lee and James Lee

Bruce Lee is always a topic of interest for the media, but the last few weeks have seen a pronounced surge in the number of stories about this iconic film maker and martial arts reformer.  I strongly suspect that even more pieces will be making an appearance in the next week or so.  Friday the 27th is the 75th anniversary of his birth and a number of media outlets are expected to note the occasion.

A somewhat preparatory article recently appeared in the pages of the South China Morning Post.  Its title (“Bruce Lee, a global hero who epitomised Hong Kong’s strengths – it’s just a pity the city could not preserve his former home“) pretty much sums up the piece.  The article mixes an acknowledgement of Lee’s importance to his home city’s global image with open criticism of government officials who failed to preserve his former estate as some sort of museum to his legacy.  Interestingly this article was authored by none other than Lam Woon-kwong, the convenor of Hong Kong’s Executive Council.  The comments on this piece also reveal something of the current popular sentiments on the issue.

Bruce_Lee_cover_News Week

 

I am not sure that I could count the number of times that Bruce Lee has made the cover of Black Belt Magazine, but earlier this month I was surprised to find him gracing the front of the a special issue of Newsweek.  The commemorative magazine celebrates his 75th birthday with a number of articles on various aspects of his life and career.  These include a discussion of his “Flawless Technique,” an exploration of the Hong Kong cityscape that shaped his childhood and adolescence, and an overview of “Bruce Lee’s School of Hard Knocks.”  I noticed that the Newsweek webpage also had an extensive excerpt of an article titled “The Kato Show: Bruce Lee as the Green Hornet’s Sidekick.” Given the discussion that has broken out in the last week as to what is (and is not) “revolutionary” about the AMC series Into the Badlands portrayal of Chinese masculinity on western television, this discussion may be worth reviewing.

Southern Shaolin show

The traditional art of Fujian province have also been in the news this month.  Yibada.com ran a piece on the area’s White Crane tradition, how it planted roots abroad, and what needs to happen for the system to gain increased international attention.  The article also contains a brief discussion of some of the ways in which local governments have sought to promote White Crane.

Ecns.com also ran a piece looking at events in the same region.  It published a short (and uninspired) photo essay of the fifth Southern Shaolin Martial Arts and Culture Festival held in Putain city (Fijian) on November 8th.  In its words “The festival has brought together various schools and aims to promote Chinese Buddhist culture. Located in the east of the Qingyuan Mountain of Quanzhou, the Quanzhou Shaolin Temple, also called the South Shaolin Temple, is the birthplace of the South Shaolin martial art, which has spread to Taiwan, Hong Kong and Macao and even Southeast Asia.”  Unfortunately with the exception of this single contested historical assertion, the article did not offer much in the way of a substantive description of what could have been an interesting event.

 

A still from the trailer for AMC's Into the Badlands presented at the 2015 Comicon.

A still from AMC’s Into the Badlands.

Chinese Martial Arts in Popular Entertainment

The last month has seen quite a bit of entertainment news.  Perhaps the biggest event was the release of the first episode of AMC’s much anticipated (and heavily promoted) new series Into the Badlands, staring Daniel Wu and inspired by the classic Chinese fable “Journey to the West.”  The initial reviews of the series have been decidedly mixed, but they make for very interesting reading, particularly for anyone concerned with the place of the Asian martial arts in current popular culture.  Wired magazine kicked things off with a generally positive discussion that delved into some of the shows technical details.  One of the interesting points to emerge from this piece was the author’s observation that the current martial arts action available on the small screen has tended to favor close range in-fighting (Daredevil, Green Arrow) but Badlands quite consciously breaks with this pattern of fight choreography.  It will be interesting to see how subsequent action sequences in this series evolve (as well as if other choreographers begin to pick up on its more extensive style), but this observation plays into a previous conversation that I had with Paul Bowman here and here.

Other reviews were less kind.  Some noted problems in the coherence of the basic ideas behind the fantasy world that the drama is set in as well its visual design aesthetic.  A number of reviewers found the first episode to be too stiff and gory enough that it might have trouble moving beyond a dedicated martial arts fanbase.  The English language broadcast of CCTV (basically Chinese public television) had a different take on the series.  It instead viewed the project as a groundbreaking exercise in the way that Asian American were being portrayed on American television.  While listening to this I could not help but be struck with dejevu as so much of this conversation is identical to the sorts of assertions that are often made about Bruce Lee (see for instance the Newsweek special issue above).  In fact, by the end of the discussion I was starting to wonder if the promotional material for Badlands was engaging in some sort of subconscious erasure of the past.

USA Today published an interview with Daniel Wu that helped to address some of these points.  In it he discussed Bruce Lee, Jet Li and Jackie Chan as his favorite film stars and he began to explore some of the ways in which the portrayal of the martial arts in film and TV have traditionally differed.  Yet he remained largely silent on other martial arts based TV series (such as the Green Hornet, Kung Fu, Walker Texas Ranger, Daredevil etc…).

The New York Times engaged more directly with some of these points in its own, largely unfavorable, review of the series.  After characterizing the show as at best “perfectly average” (and probably the weakest of AMC’s various projects) it tackled the stylistic and aesthetic parallels between Badlands, set in a post-apocalyptic “old west,” and the original Kung Fu series, starring David Carradine, which introduced many of these same themes to American TV audiences in the 1970s.  In a revealing exchange Miles Millar (one of the creators of Badlands) directly attacked the earlier series and called the casting of Carradine (who was white) as a mixed-race monk “a travesty.”  He then pointed to Wu’s starring role in the current production as part of an effort to “redress that old injustice.”    Yet the Times critic goes on to note that the original Kung Fu series succeeded in large part because Carradine, whatever his race, was a better actor than Wu who has a limited emotional range and only really only shines in fight sequences.  While a fascinating exchange it should also be noted that much of this exchange seems to rest on unexamined assumptions (held by both sides) regarding Chinese vs. Western styles of acting and even what constitutes a proper, skillful or “realistic” martial arts story.  Still, if this final review by the Toronto Sun is any indication, it remains an open question as to whether the dramatic elements of this program will succeed in attracting and maintaining the diverse audience that AMC needs.

The Assassin. Source: Toronto Film Festival

The Assassin. Source: Toronto Film Festival

Taiwanese Director Hou Hsiao-hsien’s much lauded film The Assassin (discussed in our last news update) was the big winner at this years Golden Horse Awards presentation.  Huo’s film earned a total of 11 nominations and by the end of the evening it had walked away with five winning statues.  These included the Golden Horse for Best Director and (in a turn that surprised no one) Best Cinematography.

Ip-Man-3-New-Image

 

Fans of the “Ip Man” franchise have greeted the increasing flow of images, interviews and information about the upcoming film (Ip Man 3) with enthusiasm.  A new trailer was even released in which you can see Donnie Yen and Mike Tyson trading blows.  I personally am even more interested to see how they handle the long poles and butterfly swords in this one.  Click here to see more.

Lastly, for anyone dreading the prospects of a Kung Fu free Thanksgiving, El Rey has your back.  It will be celebrating the great American tradition of feuding families this Thanksgiving with a 72 hour Kung Fu movie marathon.  I ran through the list of titles and it seems that all of the classics are there.   Shannon Lee and Dario Cueto will host this buffet of classic martial arts cinema.

 

Martial Arts Studies.cover.issue 1


Martial Arts Studies

There have been some very exciting developments in the academic field of Martial Arts Studies over the last month.  First, the new peer-reviewed interdisciplinary journal Martial Arts Studies released its Fall issue.  It is free to read or share on-line and offers a number of original articles, book and literature reviews.  Anyone who has been following this field (or Kung Fu Tea) will be sure to recognize a number of the names of contributing authors.  Head on over to check out the journal’s crisp new homepage, or go straight to the articles.  And while you are there be sure to check out the following book review by Douglas Wile!

Paul Bowman has recently traveled to South Korea to participate in an academic conference held at the Seoul National University on Martial Arts Studies.  There he presented a paper titled “Everything you know about Taekwondo.”  We have been promised a full report on the event after his return.

striking distance.russo

I am very excited about the next announcement.  My friend Charles Russo has spent the last few years working on a book on the early history of the Chinese martial arts on the West Coast for the University of Nebraska Press titled Striking Distance: Bruce Lee and the Dawn of Martial Arts in America.  It looks like his hard work has paid off and the volume is now available for pre-order on Amazon (for the very reasonable price of $25).  Unfortunately we will still need to wait until June of 2016 for this volume to ship, but its never too early to mark your calendar.  I expect that this book will make a big splash when it finally lands.  In the mean time here is the publishers blurb:

In the spring of 1959, eighteen-year-old Bruce Lee returned to San Francisco, the city of his birth, and quickly inserted himself into the West Coast’s fledgling martial arts culture. Even though Asian fighting styles were widely unknown to mainstream America, Bruce encountered a robust fight culture in a San Francisco Bay area that was populated with talented and trailblazing practitioners such as Lau Bun, Chinatown’s aging kung fu patriarch; Wally Jay, the innovative Hawaiian jujitsu master; and James Lee, the no-nonsense Oakland street fighter. Regarded by some as a brash loudmouth and by others as a dynamic visionary, Bruce spent his first few years back in America advocating for a more modern approach to the martial arts and showing little regard for the damaged egos left in his wake.

On the Chinese calendar, 1964 was the Year of the Green Dragon. It would be a challenging and eventful year for Bruce. He would broadcast his dissenting view before the first great international martial arts gathering and then defend it by facing down Chinatown’s young ace kung fu practitioner in a legendary behind-closed-doors high noon showdown. The Year of the Green Dragon saw the dawn of martial arts in America and the rise of an icon.

Drawing on more than one hundred original interviews and an eclectic array of sources, Striking Distance is an engrossing narrative that chronicles San Francisco Bay’s pioneering martial arts scene that thrived in the early 1960s and offers an in-depth look at a widely unknown chapter of Bruce Lee’s iconic life.

 

If you are looking for something to read over the holiday weekend you might want to consider the following chapter from the 2012 Routledge Handbook of Heritage in Asia (eds. by Daily and Winter) titled “Fighting modernity: traditional Chinese martial arts and the transmission of intangible cultural heritage.” Patrick Daily, the author, recently posted a PDF of this piece to his Academia.edu webpage, which is a great resource as I am constantly scouring the academic journal literature on the Chinese martial arts and had never run across this paper before.  I suspect that I am not the only person who missed it, but it is now available to a much broader audience. Daily is a faculty member of Nanyang Technological University, Earth Observatory of Singapore.

The Creation of Wing Chun by Judkins and Nielson.

The Creation of Wing Chun by Judkins and Nielson.

If you are in the mood for something a little lighter, Kung Fu Tai Chi magazine has now released the second half of my interview discussing both my recent book on the history of Wing Chun and the Southern Chinese martial arts (with Jon Nielson) and the future of martial arts studies as an academic field.  You can read it here.

 

Its facebook time!

Its facebook time!

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group.  We discussed Daoism in Western Taijiquan manuals, the connection between the English Suffragettes and Jujitsu and some of the ways in which China’s “One Child Policy” impacted the traditional martial arts.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.



2015 Christmas Shopping List: Martial Arts Equipment and Long Reads to Get You Through the Winter Months

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Bernard the Kung Fu Elf, training for a spot on the elite North Pole Alpine Search and Rescue team. (Source: late 1940s Swedish Postcard, Authors personal collection.)

Bernard the Kung Fu Elf, training for a spot on the elite North Pole Alpine Search and Rescue team. (Source: late 1940s Swedish Postcard, Authors personal collection.)

 

 

“In business, be competent.
In action, watch the timing.
No fight: No blame.”

 

Introduction

I bet you didn’t know that the Dao De Jing was full of Christmas shopping advice. It turns out that it is, and this is the perfect time to start thinking hard about what you are going to get that hard to please martial artist on your list. Or if you are the one looking for some martial arts books and gear to help you pass those long winter nights, this is the post for you.

This year’s shopping list is split into four categories: books, weapons (mostly sharp), training equipment, and items of cultural interest. I have tried to select items at a variety of price points for each category. Some of the gift ideas are quite reasonable while others are admittedly aspirational. After all, Christmas is a time for dreams, so why not dream big!

Given the emphasis of this blog, most of these ideas pertain to the Chinese martial arts, but I do try to branch out in places. I have also put at least one Wing Chun item in each category. Nevertheless, with a little work many of these ideas could be adapted to fit the interests of just about any martial artists.

As a disclaimer I should point out that I have no financial relationship with any of the firms listed below (except for the part where I plug my own book). This is simply a list of gift ideas that I thought were interesting. It is not an endorsement or a formal product review. Lastly, I would like to thank my friend Bernard the “Kung Fu Elf” (see above) for helping me to brainstorm this list.

hungkuenbook


Books: Feed your Head

 

For a supposedly oral branch of popular culture the Chinese martial arts sure do produce a lot of books. In fact, books make the ideal gift as they cater to a wide variety of interests, are never the wrong size and (unlike a number of items slightly further down) will not slow you down in the airport security line.  My first pick for this year would have to be Kung Kuen Fundamentals and Hung Kuen Training by Lam Chun Fai (and Hing Chao).   You can think of these as volumes one and two of the same project.  At about $50 they will be the most interesting to students of Hung Gar in all of its many incarnations.  But the historical discussions in these volumes will also make them of interest to any student of the Southern Chinese martial arts.  The quality of these volumes is excellent and you can find a description of the contents of both books here.

Staff.kung fu Weapon of skill

Of course one of the challenge that Bernard and I face every year is coming up with gift ideas that might appeal to a wide range of readers, and not just those from a single style .  That is why I like this next suggestion.  As some of you already know Ted Mancuso has been working on a short series of books looking at the basic weapons that appear in the Chinese (and Asian) martial arts.  Probably no weapon is more commonly encountered than the staff or pole.  In this volume this often overlooked weapon and training tool gets the detailed discussion and focus that it so richly deserves.  If you have been thinking of taking another look at your pole form, you may find the discussion in this book to be interesting and helpful.  While you are at it you might also want to check out his discussion of the spear.

Not Affraid.Bolelli

The sorts of literature that we see engaging with the martial arts has now expanded well beyond the “how to” manual.  Those whose tastes run towards the philosophical and autobiographical may want to check out Not Afraid: On Fear, Heartbreak, Raising a Baby Girl, and Cage Fighting by Daniele Bolelli.  This book tackles some pretty intense subject matter but Bolelli is always an engaging writer with a flair to discussing the martial life.  Better yet it just started to ship a few days ago, making it the perfect gift for the martial artist on your list.

kendo.cover

Readers interested in exploring beyond the standard literature on the Chinese martial arts may be interested in Alexander C. Bennett’s recent historical, cultural and political account of the development of Kendo.   Kendo: Culture of the Sword (published by the University of California Press) is a nice example of the sort of work that we are seeing in this new generation of martial arts studies research.  Obviously many of the individual events that Bennett discusses are grounded in Japanese history, yet the more general themes that arise in an investigation of the origins of Kendo can be seen in the evolution of a number of arts throughout Asia.  Hopefully the next couple of years will see the publication of some serious comparative studies which will allow us to better leverage our growing understanding of these individual arts to tackle more basic theoretical questions.

 

What gift list would be complete without an author plugging their own book?  Obviously students of Wing Chun (and those interested in the lives of Ip Man or Bruce Lee) will find this work to be very interesting.  In addition to providing a detailed case study of the development of Wing Chun in and around Foshan, this book outlines a social history of the broader hand combat community of the Pearl River Delta region.  Thus readers from a variety of Chinese styles may find this discussion quite helpful.  While I realize this book maybe in the “aspirational” category at $90 for some, it is a very good example of how an  interdisplinary approach (economic, political, and historical) can lead to a better understanding of what factors influence the development of martial arts styles.  For those who may not be familiar with the specifics of these systems, don’t worry, it has been written in a very accessible way.  No prior experience in Wing Chun is necessary.   I should also mention that I have seen copies of this book on-line going for about $75 if you shop around.

Kris cutlery hudiedao

Weapons: The Cutting Edge


The Christmas Gift Guide is always one of the most popular end of the year features here at Kung Fu Tea, and I know from prior reader feedback the “weapons” category seems to demand the lion’s share of that attention.  The big news this year is that Kris cutlery had brought their line of hand crafted hudiedao back!  I have always really liked these swords as they are in many ways the closest copies that you will see to the sorts of swords that were actually carried for combat purposes in the middle and later parts of the 19th century.  As this post reminds us, we do need to be careful about making broad generalizations as there was always a huge amount of variation in the styles, dimensions and even construction techniques seen in this class of weapon.  Nevertheless, most of the antique hudoiedao that one will encounter today will look a lot more like this than what you typically see hanging on the walls of the average Wing Chun school.

I have always been particularly fond of this blade profile as well as the steel handguards.  The form feels different when performed with knives like these and they force you to reprioritize your approach.  And if you ever wanted to do any cutting exercises, these blades (rather than very expensive period antiques) would be the way to go.  (It goes without saying however that either forms practice or cutting with live blades can be very dangerous and these exercises should be supervised by someone who knows what they are doing).  The last time I I talked with Kris about these swords they had dropped them from their lineup as they were too expensive to make, so I am thrilled to see them back and comparably priced ($265) to what they were.

 

Those looking to get a feel for this older style of blade without making the big investment necessary to purchase a set of vintage swords (or the more moderate investment necessary to get a set of decent reproductions) might want to consider these plastic training swords from Everything Wing Chun.  The blade profile is close to correct and long enough (14 inches) to get you into the sorts of sizes that were commonly encountered in historic weapons.  Better yet, you can practice your forms or train at the school without having to worry about getting cut or destroying your $1200 antiques!  For $35 these are a great training tool.  And if the “stabbers” are not your style you can get very similar practice swords with a wide range of blade shapes and lengths from the same source.  The Wing Chun practitioner on your list would get a lot of use out of these training knives.

Chu shing Tin demonstrating the pole form. Source: www.wingchun.edu.au

Chu shing Tin demonstrating the pole form. Source: http://www.wingchun.edu.au

Of course the Butterfly Swords are only half of the Wing Chun weapons equation.  Even more critical in the training of basic skills in the long pole.  I love the pole because of its versatility.  In skilled hands its a fearsome weapon, yet it is also a simple piece of equipment for strength training and conditioning.  Really nice poles made from exotic hardwoods can set you back a $200-$300, but for basic daily training its hard to go wrong with these red oak poles, also from everything Wing Chun.  At $70 they are priced to sell.

seven-section-whip-chains-29.gif

Of course there is no reason to stick with the tried and true.  Why not consider giving yourself the gift of a new set of weapons skills (and possibly a trip to the emergency room) over the holidays.  Various sorts of chain whips have been a part of southern Kung Fu culture for a long time.  I have always been interested in learning more about them, but never had the time.  But if you decide that this if your project Tiger Claw had both seven and nine section whips as well as instructional DVDs and books.  Just remember what I said about the emergency room.

Qing Damascus Lamellar Zhibeidao. Source: http://armsandantiques.com

Qing Damascus Lamellar Zhibeidao. Source: http://armsandantiques.com

 

Our last selection is strictly for the seasoned weapons collector looking for something really unique.  This late 19th or early 20th century sword appears to be Jian but in fact is slightly different.  The blade has only been sharpened on one edge and had a different cross-section than what you might be expecting.  This style of sword (called a Zhibeidao) shows up from time to time but is not very common.  I have always wanted to handle one of these but have yet to get the chance.  But that chance could be yours for the (not totally unreasonable) price of $1500.

Feiyue-Martial-Arts-Shoes

Training Gear

 

Do you want to train like a Shaolin monk?  No, I don’t either.  But at least you can wear their now iconic foot gear as you train in the (relative) comfort of your local school.  These are inexpensive, no frills, shoes that won’t break the bank.  But they are also instantly recognizable in the world of the Chinese martial arts and sure to bring a smile when unwrapped.  These shoes are available in white and black.  Personally I like the black better, but white is definitely the classic look.

Photo of Wallbag. Source: Everything Wing Chun.

Photo of Wallbag. Source: Everything Wing Chun.

 

If there is a Wing Chun stylist in your life, why not help them to upgrade their wall bag?  As I tell my own students, a wall bag is both the most important, and the least expensive, piece of training equipment you will ever use.  It does everything from training the basic punch to conditioning the hands and more.  Lots of places on the internet carry decent wall bags, though I have always appreciated the little bit of extra quality that you get when you splurge for the leather lining or embroidery.  For Christmas this year why not give the gift of chain punches?

 

 

free standing Heavy Bag

Speaking of bags, here is something else to consider.   We certainly used the heavy bag in my Wing Chun school, but I didn’t come to appreciate how important a training tool it was until I started with a group of kickboxers as part of an ongoing research project.  Now I am a convert.  Rounds on the heavy bag are always going to be a part of my basic boxing and conditioning workout.  I like this particular model for a couple of reasons.  First, its free standing so you don’t have to worry about hanging it.  Secondly at 72 inches its tall enough to be “realistic.”  At the same time padding goes all the way down to the base allowing you to train the low kicks and knees that are critical for self defense drills.  At $250 its not cheap, but its still a great investment if you have the space.

Everlast glovesIf you are going to start using the heavy bag for serious training routines you will probably want to invest in a set of gloves at some point.  Either the lighter MMA or the more traditional Boxing models will do.  For bag work I prefer the heavier traditional boxing gloves.  There is no need to spend a fortune on these and you can generally get a pair of decent gloves for between $30 and $70 dollars.  The two most common makers are Title and Everlast.  Between the two I always feel more comfortable with the slightly squarer fist shape of the Everlast gloves.  Your millage may vary.  Its also nice to have some gel in the gloves, especially if you plan on using traditional wrist wraps.  These gloves will only set you back about $60.  And if you ask around at your local gym or YMCA you will probably discover that they already have a heavy bag in a closet or back room.  Add a round timer and an mouth guard and you are ready to add a new dimension to your workout.

 Buick Yip - Mui Fa Jong. Source: Everything Wing Chun

Buick Yip – Mui Fa Jong. Source: Everything Wing Chun

No Christmas gift list would be complete without a nod to the traditional wooden dummy (particularly where Wing Chun students are concerned).  But this year I thought I would feature something a little different.  The hanging dummies made famous by Ip Man and Bruce Lee get most of the press, but the Chinese martial arts have generated a lot of other sorts of training devices that are technically “wooden dummies” as well.  Perhaps the best known of these are Plum Blossom Poles.  Wooden pillars are typically sunk into the ground and are supposed to help students with their balance, stepping and shifting.  Some Wing Chun schools (including mine) even practice Chi Sao on the Plum Blossom Poles.  Recently Buick Yip, who makes some of the very nicest wooden dummies out there, has started to produce his own line of portable Plum Blossom poles.  Each pole is seven inches across and six inches high.  They are made of camphor wood and could be attached to a board, though they are meant to be portable.  I think this last feature is great as I have worked in a couple of training spaces that are small enough that it would certainly have been nice to be able to pack up the plum blossom poles when not is use.  Like everything Buick Yip does, this footwork dummy is a thing of beauty, and at $300 you will pay for it.

The black kung fu experience

 

Artistic and Cultural Objects


Our final set of suggestions is less specific to any given tradition or training method, and instead focuses on the artistic or cultural aspect of the Asian martial arts.  Everyone loves a good martial arts documentary, and one of the best ones to come out in the last couple of years was “The Black Kung Fu Experience” directed by Martha Burr and Mei-Juin Chen.   One of the reasons why I personally like this documentary is that touches on a number of sorts of themes that we often discuss in martial arts studies, but it does so in very concrete and personal ways.  All in all, its a nice introduction to what is too often an overlooked chapter in the history of the martial arts in the west.

 

Woodblock print of Chinese warrior holding a sword. All of the illustrations in today's post come from Scott M. Rodell's excellent Tumblr "Steel & Cotton."

Woodblock print of Chinese warrior holding a sword.

Or perhaps you would like to spend a few of the upcoming cold and dark winter evenings exploring the origins of Chinese martial arts culture?  In such case it might be worth investing in a good translation of Outlaws of the Marsh (also sometimes called Water Margin).  This sprawling novel has had a profound impact on the way that the martial arts have been imagined and understood within many successive generations of Chinese popular culture.  Some researchers have gone so far as to call it the “Old Testament” of the Chinese martial art world.  That assessment seems about right to me, and I have always been a bit surprised that we have not seen more discussions of it in the recent literature.  Certainly for those interested in how the Martial Arts may have been imagined in the Song, Yuan and Ming dynasties, this is a critical resource.  But the 108 Heroes of the marsh are also living and vital figures in modern popular culture traditions.

 

monk-at-the-shaolin-temple-carries-a-burger-king-bag-as-he-walks

tai-chi-on-the-bund-in-the-morning-with-pudong-in-the-background

Or how about a little art for the wall?  The Chinese martial arts have always generated great visual images, but these days I find that I am more interested in photographs that manage to escape the stereotyped misty mountains and show these traditions in a more vital, modern and urban context.  While quickly perusing the offerings of allposters.com I found a couple of great images that could grace the wall of either your home or school and are available in wide variety of sizes and framing options.  The first of these is the now iconic image of a Shaolin monk walking onto the grounds of the temple in Henan while carrying an Burger King bag.  This image became somewhat famous after it graced the cover of Matthew Polly’s book American Shaolin (which might also make nice Christmas gift for someone).  Now it can hang on your walls as well.  The second image captures a slice of modern Taiji culture, as well as the Shanghai city skyline.  Both are great pictures.

Mini buick yip dummy. Source: Everything Wing Chun

Mini buick yip dummy. Source: Everything Wing Chun

 

Miniature wooden dummies are apparently now a thing.  This actually makes me glad as I am always looking for sculptural expressions of Chinese martial arts culture, and I have always felt that the strong lines of the traditional Mook Yan Jong make a great architectural statement.  Now you can put that same statement on your desk.  Buick Yip (the maker of the Plum Blossom Poles that we discussed above) has released his own line of miniature dummies made to the same exacting standards as his full size models.  And like the originals these too are available in a variety of exotic hardwoods including Lychee and Tiger Marble.  The dummy stands about a foot tall and the body has a diameter of one and half inches.  Its the perfect size to use either as a gift or award.  At $130 I suspect that it is as close as I will get to owning a Buick Yip dummy for the next couple of years.

 

A home silhouetted by the moon on Christmas eve. These architectural cards were some of the most commonly given and are a valuable remainder of the material lives that Americans at the turn of the century aspired to. Note the art nouveau influenced gate. (Source: Vintage American Postcard, authors personal collection.)

A home silhouetted by the moon on Christmas eve. These architectural cards were some of the most commonly given and are a valuable remainder of the material lives that Americans at the turn of the century aspired to. Note the art nouveau influenced gate. (Source: Vintage American Postcard, authors personal collection.)

 

Conclusion: The Best Things in Life are Free

 

Its important to remember that many of the best things about the holidays come free of charge.   These include the chance to spend time with our friends and families, to get caught up with old training partners or teachers, and to reflect on what the new year might hold.  But now you can also add a subscription to the new interdisciplinary journal Martial Arts Studies to that list.  Published twice yearly this journal is available for free to anyone with an internet connection.  It features research and discussion by some of the top names in the field and it will look great on your tablet, desktop or phone.  So as you get caught up with your “Kung Fu Family” over the holidays please consider passing the link along.

And if you still need help shopping for all of the martial artists on your list consider checking out the 2012, 2013 and 2014 gift guides.


Chinese Martial Arts in the News: December 28th 2015: Wing Chun, Taiji and Sanda goes Pro

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Robert Downey Jr.gloves

 

 

Introduction

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

 

Robert Downey Jr. and Eric Orem working on the wooden dummy.

Robert Downey Jr. and Eric Oram working on the wooden dummy.

 


Chinese Martial Arts in the News

As you can tell from this blog’s subtitle, I write about Wing Chun in addition to the history of the Chinese martial arts as a whole.  As such I am always on the lookout for a good Wing Chun story when putting these news updates together.  But needless to say, very few of the leading stories have much to do with my personal style.  The closest we usually get is something about Bruce Lee.  This month, it seems, is the exception to the rule.  Wing Chun was in the news a lot.

Perhaps the mostly widely read story discussing these Chinese martial arts this month actually came out on Christmas Day.  Shortly after Robert Downey Jr. received a pardon for some prior offenses related to his personal struggles with substance abuse a slew of stories emerged about the role of Wing Chun in helping to motivate him to both seek and find sobriety.  As is often the case most of them seem to have been based on the same source material.  I personally liked TMZ’s piece, which included interview material with his Sifu Eric Oram as well as a link to a nice video.

As a side note I should mention that people always ask me about the impact of the recent Ip Man films on popular interest in Wing Chun.  It is true that those projects have given the art some great exposure.  But after Sherlock Holmes came out I was seeing just as many people coming into my Sifu’s school because of Downey as Ip Man.  I think it would be unwise to underestimate the publicity that he, and his story of overcoming serious challenges in his life, has brought the art.  And for at least a few days this was probably the most widely read story dealing with the TCMA in the mainstream press.

 

Nima King.Wing Chun School

Wing chun is the essence of correct and efficient movement, says Nima King at his school in the Central District of HK. Photo: Bruce Yan, SCMP.  Also note the very expensive looking dummy in the background.

This was not the only Wing Chun related story to find its way into the news over the last few weeks.  The South China Morning Post recently ran a feature on Sifu Nima King’s Central District school titled “The Ip Man in all of us: classes teach kung fu for Hong Kong office workers.”  This is a more detailed profile than what you normally get and we even hear a little bit about Nima’s teacher, the late (and highly respected) Chu Shong Tin.  As with any martial art there are different types of emphasis that can be brought to the fore when teaching or discussing Wing Chun.  In this case what might be thought of as lifestyles issues (rather than fitness or self defense) dominate the discussion.  But in that sense this fits nicely with the somewhat similar emphasis that arises out of the Robert Downey Jr. narrative that also seems to have gained traction over the last few years.

 

Taijiquan practitioners in a park. Source: http://english.cntv.cn

Taijiquan practitioners in a park. Source: http://english.cntv.cn

Wing Chun is not the only traditional art to be in the news.  As usual there were a number of stories about the health benefits of Taijiquan.  One of the more interesting of these was run on the English language webpage of CCTV and was titled “Tai Chi Groups Taking Over the Parks.”  This will not come as much of a surprise to anyone who has spent time in a major city in China where martial artists have long staked out their claim to a great deal of real estate in that countries public spaces.  But, as the article notes, we are starting to see the same thing in other areas as well.  The article hints at the “Americanization” of Taijiquan as it moves abroad, but aside from some vague hints at the “Orientalization” of the art in the Western imagination, this aspect of the article is not as extensively developed as one might like.

 

 

Representatives of Chinese Sanda fighters participate Wednesday's news conference. [Photo provided for chinadaiy.com.cn]

Representatives of Chinese Sanda fighters participate Wednesday’s news conference. Source: chinadaiy.com.cn

I am not sure that I would personally classify modern competitive Sanda as a “traditional martial art” (honestly, on some days I doubt whether Wing Chun as taught by Ip Man would really qualify) but the good folks over at the China Daily seem to have a degree of clarity on that issue.  They recently ran an announcement that the national Wushu administrative bodies have given the go ahead to create the first competitive professional Sanda league next year.  Named the Wushu Sanda Pro League, this organization will sponsor various types of competitive fights between a relatively small, hand picked, group of high profile fighters.  It seems that the hope is to use some of the institutional mechanics that are driving the various MMA organizations competing for a share of China’s media market to raise the profile of Sanda among China’s viewers.  In fact, I rather suspect that defining Sanda as a “traditional” art in this context is simply to claim it as Chinese and thus create some dynamic tension with the more international MMA movement.  You can read more about this project here.

Yang Jian Bing. Source: SCMP.com

RIP Yang Jian Bing. Source: SCMP.com

Earlier this month Yang Jian Bing, only 21, died the day of his scheduled ONE Championship 35 fight in Manila.  It was later determined that Yang died of complications of severe dehydration as he attempted to cut weight for the upcoming fight.  This story received a lot of coverage and sparked renewed debate about the dangers of weight cutting in combat sports.  The ONE Championship has since announced a series of changes to their weigh in procedures in an attempt to prevent the use of dangerous practices to achieve drastic short term weight loss in the future.

While on the subject of death in combat sports, be sure to check out this short article in the New Yorker.  It follows the fate of an early research collection on deaths in boxing.  This may not be considered of much interest for many readers, except that these files ended up in the hands of first R. W. Smith, an important writer on the Chinese martial arts in the post-WWII period, and then Joseph Svinth, one of the more frequently cited authors on Martial Arts Studies in our current era.  It even includes some nice interview material with Svinth in which he discusses his research and writing.  Of course Smith, while initially trained as a boxer, turned against the sport as he became aware of its problem with repetitive brain injury.  This then factored into his promotion of the TCMA.  All in all its a fascinating read that includes some of the more important names in the development of Martial Arts Studies.

Bruce Lee inforgraphic. Source: SCMP.

Bruce Lee inforgraphic. Source: SCMP.

 

Over the last few months there has been much discussion of Jack Ma’s purchase of the South China Morning Post.  Various media critics (who were already concerned with what they saw as the paper’s softening editorial independence) have worried about what this means for the long term independence of the paper.  While I can’t speak to larger trends in editorial policy, the last month seems to indicate that the paper’s long standing interest in the martial arts of southern China remains fully intact.  The SCMP actually put out more features mentioning the martial arts than I can list here.  As such I have chosen the two that I personally found to be the most interesting.  The first is an “infographic” on the life and career of Bruce Lee.

I do not count myself as an expert on the life of the Little Dragon, though I am called upon to write about him from time to time.  As such I am going to be saving a copy of this timeline as a handy reference to keep on my desktop.

 

The home of Wing Chun as we like to imagine it. The Cantonese Opera stage on the grounds of Foshan's Ancestral Temple.

The home of Wing Chun as we like to imagine it. The Cantonese Opera stage on the grounds of Foshan’s Ancestral Temple.  Photo: Author’s Personal Collection.

 

The other piece that I really enjoyed was a feature titled “How to Spend 48 Hours in Foshan, City of Ceramics and Kung Fu Legends Bruce Lee and Ip Man.”  As the article correctly points out, the sights in Foshan are an easy daytrip for anyone who is going to be in Guangzhou, and this much smaller city has a lot going on, if you know where to look.  Foshan is also the home of some great martial arts history.  But if you decide to go, don’t limit yourself to just Wing Chun.  The city also saw important innovations in Choy Li Fut, Hung Gar, White Eyebrow and even Jingwu!  And if you want to know where to eat or what other cultural sites to hit while you are there, this article will help you out.

A still from the trailer for AMC's Into the Badlands presented at the 2015 Comicon.

A still from the trailer for AMC’s Into the Badlands presented at the 2015 Comicon.

 

Chinese Martial Arts in the Entertainment Industry

I have been discussing the press coverage surrounding AMC’s new martial arts series Into the Badlands for a few months now.  Just when I thought that there would be nothing new to say, I ran across this Wall Street Journal blog article.  Its interesting precisely because it focuses on what goes into filming the massive “50 vs. 1” fight scenes that are a staple of so many movies, and this series in particular.  It turns out that this sort of choreography presents directors with its own challenges, not least of which is where to find 50 extras who already know Chinese martial arts?  Check it out.

Probably not going to happen anytime soon. Source: http://www.nothinguncut.com

Probably not going to happen anytime soon. Source: http://www.nothinguncut.com

 

Donnie Yen has been back in the news.  Martial Arts fans are excited to see Ip Man 3, while Star Wars fans want to know more about his upcoming role in that iconic franchise.  You can see Yen discussing these topics, and others, in this interview that he did with the South China Morning Post.  Or if you want to cut right to the can read an early review of Ip Man 3.  It appears that the directors have deliberately moved away from sweeping nationalist themes and “fights to the death” in this last film and have instead decided to provide a much more nuanced exploration of Ip Man as a martial artist and family man.  As someone who just wrote a detailed biography of Ip Man I can vouch for the general lack of “fights to the death” in his martial arts career.  I for one am very interested to see how Yen’s portrayal of Ip Man will evolve in this film.

 

Michelle Yeoh. Source: http://english.cntv.cn

Michelle Yeoh. Source: http://english.cntv.cn

 

The Ip Man franchise is not the only one getting an new edition.  There has also been a fair amount of press coverage of the sequel to “Crouching Tiger Hidden Dragon.”  You can find one such discussion here.  All of the advance footage of the film that I have seen has been just as beautiful as one might hope.

Alex staff form.cranes

One image from Ameena Rojee’s project “Hard Work.” http://www.ameenarojee.co.uk/hardwork

News From All Over

Our next item come from a somewhat unusual (if beautifully illustrated) source.  It seems that the British Journal of Photography maintains a blog.  One of their recent features profiled Ameena Rojee’s project “Hard Work.”  This collection of photographs documented life at the School of Shaolin Kung Fu in Qufu, China.  The entire shoot lasted one month and Ameena captured some striking images.  But rather than the lush, highly polished images that we are used to seeing on the tourist material, her work often emphasized the bleak nature of the landscape, the ugliness of the local pollution and construction, and the “smallness” of her subjects against the immense backdrop of the local environment  Its a different take on a subject that a lot of us feel that we are already familiar with, and its worth checking out.

 

The "internal" martial arts and other Qigong practices tend to be especially popular among senior citizens and others who are seeking relief from chronic conditions.

While we often discuss Chinese martial artists, less thought is typically devoted to the physical structures and spaces that organize their activities.  This is an problem as the nature of the space that one works within has a profound impact on the types of training that can occur.  We are all familiar with the images of Chinese martial artists training in public parks, but what are these spaces like, and what is their place in the local community?  The Economist recently decided to tackle this conversation in an article titled “Park life: A day in the life of one of the capital’s few green spaces.”  It mentions martial artists, but the entire article is well worth reading so that we can think a little more deeply about the spaces that these martial artists inhabit.

Martial Arts Studies by Paul Bowman (2015)

Martial Arts Studies by Paul Bowman (2015)

 

Martial Arts Studies

There have been some interesting developments in the interdisciplinary realm of Martial Arts Studies over the last month.  Gene Ching, the Editor of Kung Fu Tai Chi magazine, ran a detailed two part interview with Paul Bowman on Martial Arts Studies on the journal’s webpage.  Its well worth reading and a great example of substantive engagement between the scholarly and practicing community.  Click here for Part 1 and Part 2.  While exploring this intersection between popular and scholarly discussion, be sure to also check out this short essay that Paul wrote on the theoretical implications of how we discuss and think about the now legendary fight between Wong Jack Man and Bruce Lee.

 

Illustration from Meyer's Longsword. Source: Bloody Elbow, MMA History Blog.

Illustration from Meyer’s Longsword. Source: Bloody Elbow, MMA History Blog.

Daniel Jaquet (a Post Doc Visiting Fellow at the Max Planck Institute for the History of Science, Art and Knowledge) has posted an article on Academia.edu (free to download and read) titled “Historical European Martial Art: A crossroad between academic research, martial heritage re-creation and martial sport practices.”  This is coming out of the German Martial Arts Studies literature that we have touched on a few times here at Kung Fu Tea.  While his article addresses issues in the relationship between historians and practitioners of the traditional European Martial Arts, it seems to me that many of these same issues could also be discussed with regards to Asian traditions.  As such his paper might make an interesting launching point for a comparative discussion.

The abstract is as follows:

Historical European martial arts (HEMA) have to be considered an important part of our common European cultural heritage. Studies within this field of research have the potential to enlighten the puzzle posed by past societies, for example in the field of history, history of science and technology, or fields related to material culture. The military aspects of history are still to be considered among the most popular themes of modern times, generating huge public interest. In the last few decades, serious HEMA study groups have started appearing all over the world – focusing on re-creating a lost martial art. The terminology “Historical European Martial Arts” therefore also refers to modern-day practices of ancient martial arts. Many of these groups focus on a “hands-on” approach, thus bringing practical experience and observation to enlighten their interpretation of the source material. However, most of the time, they do not establish inquiries based on scientific research, nor do they follow methodologies that allow for a critical analysis of the findings or observations. This paper will therefore propose and discuss, ideas on how to bridge the gap between enthusiasts and scholars; since their embodied knowledge, acquired by practice, is of tremendous value for scientific inquiries and scientific experimentation. It will also address HEMA practices in the context of modern day acceptance of experimental (or experiential) processes and their value for research purposes and restoration of an historical praxis. The goal is therefore to sketch relevant methodological and theoretical elements, suitable for a multidisciplinary approach, to HEMA, where the “H” for “historical” matters.

Warrior Women.Lisa Funnell.suny

It is the season for book awards, and I noticed that at least one of the titles that I discussed here earlier this year has done rather well for itself.  Lisa Funnell’s volume Warrior Women: Gender, Race, and the Transnational Chinese Action Star (SUNY Press) considers “the significance of Chinese female action stars in national and transnational contexts.”  It was recently named a Bronze Medalist in the 2015 Independent Publisher Book Awards in the Women’s Issues category; it grabbed the 2015 Emily Toth Award, and it was a finalist for the 2014 ForeWord IndieFab Book of the Year in Women’s Studies.  This is great news as the more recognition that titles like this earn, the more scholars will be exposed to the importance of Martial Arts Studies.

Lisa Funnell is an Assistant Professor in the Women’s and Gender Studies Program at the University of Oklahoma, where she is also an affiliated faculty member of the Film and Media Studies Program and the Center for Social Justice.

Tel Aviv University.Religion violence and the Asian Martial Arts.nov 2015

On November 23rd the Department of East Asian Studies at Tel Aviv University held a one day conference titled “Religion, Violence and the Asian Martial Arts.”  It featured a number of well known researchers as well as papers by some up and coming graduate students.  See here for a full report on this event.  This may be particularly important for anyone who is curious about the debate surrounding the possible existence of the Southern Shaolin temple in the Chinese language academic literature.

We also have some upcoming events to look forward to.  The Martial Arts Studies Research Network will be hosting a conference looking at questions of gender in the martial arts in February.  And the Second Annual Martial Arts Studies conference will be held this July at the Cardiff University.  That event has already locked in a number of confirmed speakers (including Adam Frank, Daniel Mroz, Benjamin Spatz,  Phillip Zarrilli, Paul Bowman and myself)  but if you are interested in going there is still time to submit a proposal to the organizers.  Check out this link for more information on both of these events.

 

Hing Kee shop in Wan Chai Road, Hong Kong.   Source: Wikimedia.

Hing Kee shop in Wan Chai Road, Hong Kong. Source: Wikimedia.

 

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group.  We discussed spirit possession in the traditional Chinese martial arts, Star Wars, female friendly training spaces and why academics need to take blogging more seriously.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.

 


A Year in the Chinese Martial Arts: The Stories and Events that Shaped 2015

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Seattle_New_Years_Eve_Fireworks_2011

 

Happy New Year!

New Years is a good time to sit back and reflect on recent accomplishments and events.  2015 has been a huge year for the field of martial arts studies.  Things had been picking up for a while, but in the last year we saw a veritable explosion of new books, articles, conferences and even a journal launch.  Likewise we have seen quite a bit of reporting on the Chinese martial arts in the popular press, including the emergence of some important trends.

Below is my personal countdown of the top 10 news stories that had the greatest impact in the world of the Chinese martial arts in 2015.  While some of these stories made a big splash during the year, others were less well reported.  A few are general patterns that appeared over the course of many months and one or two are just for fun.  Collectively they remind us of where we have been and point to a few places that we might be headed towards in the coming year.

 

Japanese and Chinese martial arts students meeting in Fujian. Source: SCMP

Japanese and Chinese martial arts students meeting in Fujian. Source: SCMP

 

10. Increased Exposure for the Southern (and other Regional) Folk Martial Arts

As part of my ongoing research I spend a fair amount of time looking at how the mainstream and more specialized media discusses the Chinese martial arts.  Some trends are more subtle than others, but there are a few things that you can always count on.  In terms of subject matter there are some clear winners.  When a new story comes out there is a decent chance that it will focus on one of a handful of topics.  Bruce Lee and Taijiquan are both very popular, as is coverage of the latest martial arts movies.  More rarely you might get a feature on some aspect of Wushu, or the promotion and practice of the Mixed Martial Arts in China.  A lot of the coverage of the traditional folk arts tends to focus on the better known “internal” styles of the North.

One of the more interesting developments of 2015 was a pronounced undercurrent of stories that bucked this general trend.  The Southern arts of Fujian and Guangdong prefectures in particular received more recognition this year than in the past.  There does not seem to have been a single driver behind this trend.  Rather what we saw in 2015 was an interesting confluence of forces.  On the one hand there was an increased awareness of global exchange and influence in the history of the development of various fighting systems, such as this series of stories on Kung Fu’s influence on Karate.  Given Southern China’s importance in Asia’s historic trade networks, it was only natural that its martial arts should be featured in some of these discussions.

Other trends also directed the media’s attention to these styles.  The interest in global exchange seems to have been accompanied by an increase of discussion in the role of certain martial arts in maintaining regional identities, or the promotion of these more local identities abroad.  At times some of these discussions even took on a political tone as local governments debated whether their resources should be used to preserve or promote various aspects of martial heritage.  A number of these strains came together in the reporting on Hing Chao’s efforts both to preserve the historic architecture of Hong Kong’s martial past, as well as his current efforts to promote the various Hakka fighting systems as a critical element of the region’s intangible cultural heritage.  Thus while Bruce Lee and the health benefits of Taiji continued to dominate headlines in 2015, the more subtle emergence of discussions of China’s many regional martial arts styles seems to point to important future trends, including a loosening of the links between the “traditional” martial arts and entho-nationalist paradigms that so dominated the 20th century.

 

International Students Fall in Love With Wushu. Source: ECNS.CN

International Students Fall in Love With Wushu. Source: ECNS.CN

 

9. Wushu

While 2015 has been a good year for the regional folk arts (at least in terms of increased media exposure), the situation for Wushu has been more mixed.  After a flurry of discussion (some of which involved direct comparisons to a newly energized movement promoting competitive Karate) it was decided that Wushu would once again be locked out of Olympic competition in the 2020 Tokyo games.  At the same time a number of stories noted that Wushu has succeeded in building a broader base of popular support among martial artists outside of China. And some of the press coverage that the sport received was quite positive.

Perhaps the most interesting development that I encountered in the Wushu story over the last year was not something that was reported in the press.  While I did not talk with anyone important in China’s sports bureaucracy, in my discussions with the various Chinese scholars and martial arts observers there seemed to be a shift in how the Wushu problem was being understood.  Increasingly these individuals were willing to step back and ask some deeper questions about whether Olympic competition would actually be good for the development of their sport (which is already very popular at the regional level).  And if not the Olympics, where should Wushu go next?  I have no idea what, if anything, will come from these sorts of more fundamental questions, but its something that I will be following in the coming year.

 

A still from the trailer for AMC's Into the Badlands presented at the 2015 Comicon.

A still from the trailer for AMC’s Into the Badlands presented at the 2015 Comicon.

 

8.  Into the Badlands – With heavy promotion

AMC, the home of such hits as The Walking Dead and Breaking Bad, recently aired their new martial arts themed series Into the Badlands.  Ostensibly inspired by the Chinese classic “Into the West,” the show has billed itself as the long awaited return of authentic martial arts to the small screen.  In fact, some of the show’s promotional material has gone so far as to suggest that it is bringing “authentic” Chinese martial arts to American television for the first time (which then leads to really interesting questions about what Bruce Lee was doing back in the 1960s).

In some ways the story here is not the series itself, which has been judged rather harshly by the critics.  While everyone agrees that the fight scenes are well done, even fans of the genera have been left to wonder whether there just might not be too many of them, and to ask more serious questions about the quality of the writing, acting and world creation that have gone into the project.

The far more interesting thing from the perspective of martial arts studies is the way in which this series has been promoted.  To begin with, this is clearly the most heavily advertised and hyped martial arts project to ever grace the western TV screen.  As I reviewed the various news updates for the year in preparation for this post I was surprised to encounter extensive promotion of this series almost a full year before the project was ever available to audiences.  So whatever the show may lack in its production values, it has more than compensated in the advertising and social media departments.  Secondly, the ways in which the series is being promoted as groundbreaking in the portrayal of Asian leading characters is fascinating.  While it is true that the story has romantic elements that would never have made it into a Bruce Lee project, its also critical to note that much of the discussion of its “revolutionary” nature sounds like it was lifted directly out of a Bruce Lee biography.  We are left with the paradox of something that claims to be “new,” but the type of “revolution” that it represents is one that will already feel very familiar to audiences.  You can read more about these questions here.

A close up of Donnie Yen in a cast photo for Rogue One. Source: Starwars.com

A close up of Donnie Yen in a cast photo for Rogue One. Source: Starwars.com

 

 

7. A Good Year for Donnie Yen

Into the Badlands is not the only entertainment story to make our top 10 list.  At times it felt like 2015 was the year of Donnie Yen.  Ip Man 3, just released, continued what can only be called one of the most successful martial arts film franchises of recent memory.  Controversies surrounding the possible role of Bruce Lee and and the Boxing Champion Mike Tyson helped to whip up even more interest in the project than might otherwise be expected.

Nor was this the only blockbuster that Yen found himself associated with.  After beating out a number of competitors (including reportedly Jet Li) it was announced that Yen had been cast in the upcoming Star Wars film, Rouge One.  While Yen has developed a substantial following among western fans of martial arts films, this new role is sure to boost his name recognition among a much wider audience.  It is also the most brilliant plan to avoid being typecast as Ip Man that I could possibly imagine.  And by accepting this role Yen has automatically endeared himself to both fans of the series who were critical of its lack of Asian characters (despite borrowing heavily from Asian martial arts lore and swordsmanship) as well as those who wanted to see established martial artists in what is been billed as a “gritty” and “more realistic” Star Wars film.

These two projects also given Donnie Yen a windfall of earned media exposure, much of which came in the way “will he, won’t he” interviews pontificating on his future within the martial arts genera, the Star Wars universe and the state of both Hollywood and Hong Kong film.  It was a good year for Donnie Yen, and one that set him up for even greater media exposure in 2016 and beyond.  And did I mention that he still found time to record the best PSA ever?

 

A "Kung Fu" nun demonstrates a pole form at a Tibetan Temple in Nepal. Nuns from this order recently traveled to CERN Switzerland where they displayed their skills and discussed "energy" with a set of confused particle physicists.

A “Kung Fu” nun demonstrates a pole form at a Tibetan Temple in Nepal. Nuns from this order recently traveled to CERN Switzerland where they displayed their skills and discussed “energy” with a set of confused particle physicists.

 

6. Gender Takes Center Stage in the Discussion of the (Chinese) Martial Arts

Scholars have been interested in the intersection of gender and the martial arts/combat sports for some time.  The area is a rich one for anyone who writes on identity formation or a number of other topics.  But 2016 was a year in which some of these discussions seemed to capture the interest of a more general readership.

Readers may recall that a devastating earthquake hit Nepal earlier in the spring.  A number of “human interest” stories on the aftermath of tragedy focused on a local order of Buddhist nuns who practice the Chinese martial arts.  In the wake of the earth quake they put both their labor and more specialized skills at the disposal of their neighbors, and a number of western media outlets detected a gendered aspect to the story.  And throughout the year media outlets such as the South China Morning Post ran features looking at the practice of the martial arts among women around the world.  Often these stories also intersected with the previously noted trend of an increased interest in regional fighting practices.  And the Assassin, perhaps the most discussed martial arts film of 2015, put forth a compelling and complex vision of a martial heroine.

Within the realm of martial arts studies we saw a number of publications on gender within the martial arts and combat sport.  The most important of these was the edited volume titled Global Perspectives on Women in Combat Sports: Women Warriors Around the World by Alex Channon and Christopher Matthews.  Other works dealing with gender in context of Martial Arts Studies gained important recognition from their peers, such as this award winning title from SUNY Press.

Other works, including this project by two sociologists at Indiana University of Pennsylvania, focused instead on the construction of masculinity in the Mixed Martial Arts and combat sports.  While not without its faults, Jonathan Gottschall’s highly engaging work, the Professor in the Cage, asked many of these same questions, while also bringing the academic study of the martial arts to a truly mass readership.

 

Taiji Boxer. Source: Burkhardt, 1953.

Taiji Boxer. Source: Burkhardt, 1953.

5. Quantifying the Health Benefits of Taijiquan

A host of factors, including greater sociological acceptance, rising health care costs, an aging population and increased skepticism of opiate based strategies for chronic pain management, have motivated the western medical community to take a more systematic look at “alternative” Asian medical practices including herbalism, qigong mediation, acupuncture and Taijiquan practice.  Indeed, the medical benefits of practices like Taijiquan have been discussed from time to time in the West for more than a century.  Yet only recently have medical professionals dedicated the attention and resources necessary to systematically test and describe the benefits of Taiji for a wide number of (most chronic) conditions.

A recent review article in the British Journal of Sports Medicine, which examined, correlated and interrogated the results of a large number of smaller studies conducted in recent years, attempted to do just that.  The results were surprisingly positive for people suffering from a very wide range of chronic conditions (including insomnia, diabetes and arthritis among others).  These findings were widely reported in a number of outlets and ended up working their way down in the mainstream media.  Hopefully this will clear the way for more individuals to discover the benefits of the traditional Chinese martial arts for themselves in the upcoming year.

 

Shi Yongxin (L), current abbot of the Shaolin Temple, presents a sculpture of Bodhidharma to Professor Charles Mattera of United Studios of Self Defense (USSD) from the United States.

Shi Yongxin (L), current abbot of the Shaolin Temple, presents a sculpture of Bodhidharma to Professor Charles Mattera of United Studios of Self Defense (USSD) from the United States.

 

4.  Abbot Shi Yongxin shows off his defensive skills

Back in 2014 there was a story about the Shaolin Temple in Henan Province advertising job openings for public relations and media specialists.  Indeed, the Temple has a knack for keeping its name in the news, and given its vital importance to Henan’s tourist industry, that is probably a good thing.  Much of its success in this area in recent years has been attributed to (or, depending on who you ask, blamed on) its current Abbot, Shi Yongxin.  Sometimes called the “CEO Monk,” the Abbot has brought modern business and promotional methods to the Temple.  He has been especially aggressive in his attempts to build his institution’s market share in both China and abroad.

Still, there complexities to Shi Yongxin’s reputation.  On the one hand he has proved to be a lightening rod for controversy (ranging from past claims that he has commercialized Chan Buddhism to consorted with prostitutes), yet he has also shown himself to be exceptionally adroit in the realm of survival.  Few of the charges thrown at him seem to stick for long.  2015, however, put even his prodigious defensive skills to the test.

Earlier this year readers of Chinese social media seem to have discovered the plans, long in the works, for the Shaolin monastery to build a combined daughter temple/kung fu complex/luxury hotel/golf course in the tourist mecca that is Australia’s Gold Coast.  This led to renewed questions as to whether the construction of costly tourist attractions and luxury hotels in foreign countries is really the sort of business that Buddhist monks are supposed to be heading up.  Luckily environmental impact concerns halted construction of the golf course and luxury condo development, blunting at least some of the more controversial optics associated with the project.

The wider Shaolin brand may also have taken another hit with the trial of Juan Carlos Aguilar, the self-styled “Shaolin Monk” responsible for torturing and killing two women in Spain.  Aguilar studied at one of the many local Kung Fu schools surrounding the Temple, but did not have any relationship with the actual Shaolin organization.  While they quickly moved to distance themselves from Aguilar, its not the sort of press that any organization wants.

Still, the worst was yet to come.  After Shi Yongxin missed a public appearance in Thailand it was suggested that the Abbot had been prohibited from leaving the country due to an investigation of a new set of charges by an anonymous insider accusing the Abbot of, among other things, having both a secret family outside of the walls of the temple and financial improprieties.  The timing of these accusations were especially dire as they coincided both with a highly publicized (and feared) crack down on corruption among public figures on the one hand, and a renewed set of investigations into wrongdoings by various religious groups on the other.  Thus Shaolin, always a favorite topic on Chinese social media, found itself at the confluence of a number of dangerous currents.

As the summer firestorm subsided Shi Yongxin reemerged in public and began to once more lead events at the temple.  His supporters have claimed that the charges against him are trumped up, and that he has laid the claims to rest (or at least proved the excellence of his bureaucratic kung fu).  However, as late as this fall his attackers were reiterating the charges and pointed to other ongoing investigations.  At the moment Shaolin appears to be taking a well deserved break from the headlines, but while reviewing the events of this summer I was once again struck by how widespread coverage of controversies at the temple have become.  While the debate may have been fueled in its early stages by micro-bloggers on Chinese social media platforms, by the summer its seems that most of the major western media platforms were talking about the story.  Hopefully the Temple will find a return to tranquility in 2016.

Martial Arts Studies.cover.issue 1

For the complete issue (including a number of review articles not listed here) go to martialartsstudies.org

 

3.  The Year that Martial Arts Studies Took Flight

Over the last few years a number of us have been tentatively discussing the creation (or renewal) of “martial arts studies” as an interdisciplinary research area dedicated to the academic investigation of the history, practice, meaning and theoretical significance of the traditional fighting systems and combat sports.  The last decade had seen a fair amount of movement in that direction, and the pace of developments had been accelerating in recent years.  Yet it is now clear that the way in which we discuss this project must change in the post-2015 environment.  Martial Arts Studies is no longer an aspiration.  2015 was the year that many long planned projects burst into full flower.  Martial Arts Studies has arrived.

The number of accomplishments over the last year is almost too great to list.  Respected university presses and academic publishers put forth a number of important titles that will help to shape both the empirical and theoretical discussion for years to come.  A sample of these include Martial Arts and the Body Politic in Indonesia by Lee Wilson (Brill, 2015), Global Perspectives on Women in Combat Sports edited by Alex Channon and Christopher Matthews (Palgrave, 2015), Kendo: Culture of the Sword by Alexander C. Bennett (University of California Press, 2015),  Taekwondo: From Martial Art to Martial Sport by Udo Moenig (Routledge, 2015), Martial Arts Studies: Disrupting Disciplinary Boundaries by Paul Bowman (Rowman & Littlefield, 2015), and my own book The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts (State University of New York Press, 2015).

While such publications are critical to the growth and acceptance of any field they are far from 2015’s only accomplishment.  A number of interdisciplinary conferences have been held over the last year seeking to engage a diverse body of scholars from around the world.  Discussions of the progress made in these meetings can be seen in the reports on the following events in Israel, Korea and at the First Annual Martial Arts Studies held in the UK.  Obviously a number of other events and conferences (some more theoretically specialized) are also scheduled, and we hope to hear more on them later.

At least two research institutes have been founded in the last year to advance the promoting of Martial Arts Studies.  The first of these in the Martial Arts Studies Research Network (headed by Paul Bowman) in the UK, and the other is the BUDO-Lab at Chapman University (under the guidance of Andrea Molle).  Rowman & Littlefield Press has also announced the creation of a new book series of Martial Arts Studies (edited by Paul Bowman) which will also be vital to supporting the ongoing growth of the research area.

Nor could we neglect to mention the release of the first issue of the new journal Martial Arts Studies (co-edited by Paul Bowman and myself).  While recent years have seen the publication of a number book length studies of the martial arts, there was no single journal dedicated to establishing and interdisciplinary conversation on this topic.  In fact, after conducting an extensive literature review for my own book on the history of Wing Chun, I decided that this was the probably the single greatest obstacle facing the development of the academic literature on the martial arts.  Now, in partnership with Cardiff University Press, there is a freely available, open source journal devoted to promoting this previously neglected area of the literature.

Nor should we neglect to mention the headway that martial arts studies has made in the classroom, especially at the undergraduate level.  This is a topic that we will be hearing more about in the coming year in a special series to be hosted here at Kung Fu Tea.  While 2015 has been a banner year for Martial Arts Studies perhaps its most impressive accomplishment has been the establishment of a firmer foundation for promoting future research.

 

Bruce_Lee_cover_News Week

2.  Bruce Lee at 75

As I mentioned at the top of this post, Lee is always a popular subject.  This last year saw an additional surge of interest in the the life of the Little Dragon, and its ongoing cultural relevance, as he reached what would have been his 75th birthday.  Signs of these festivities were hard to miss.  While it is no surprise to see Lee gracing the cover of Black Belt magazine, it was slightly more interesting to see him on the cover of his own special issue of Time.  South China Morning Post was not to be outdone.  They also ran a number of features on Hong Kong’s favorite son.  You can see a summary of much of this discussion (as well as links to specific pieces) here.

Of course birthdays are also a good time for introspection, meditation and long-form blog posts.  For instance, with all of the discussion of the “revolutionary” nature of Into the Badlands, does Western popular culture still need Bruce Lee?  And if so, why?  Will we still be talking about him at his 100th birthday?  You can find my own reflections on these questions here:  Bruce Lee: Memory, Philosophy and the Tao of Gung Fu.

 

A group of African disciples study the traditional arts at Shaolin.

A group of African disciples study the traditional arts at Shaolin.

 

The Top News Story of 2015: Kung Fu Diplomacy

This brings us to my pick for the top news story of 2015.  It is the ever growing importance in China’s public diplomacy (or possibly “national branding”) strategy within press and media discussions of the martial arts.

As one looks back over the history of the traditional Chinese martial arts you quickly get the sense that there are really two separate, yet interconnected, stories at play.  On the one hand there is the question of what actual martial artists do at any given point in time.  This is what a lot of academic and lineage history focuses on.  Then there is the question of what people (usually non-martial artists) are saying about these hand combat systems at that same moment in time.

How does this popular discourse impact the cultural meaning of martial arts practice within society?  Are these messages absorbed, resisted or co-opted by actual practitioners?  And who “controls the messaging?”

Is it martial arts teachers and reformers with their voluntary associations?  Novelist, reporters, TV actors and film producers who promote the martial arts for their cultural and economic value?  Or local and state governments that see in them either a source of tourist dollars or a means of strengthening nationalism and state penetration of society?  In actual fact all three of these actors tend to be active at the same time, and their vision of what the martial arts are, or should be, can harmonize or clash in fascinating and complicated ways.  Much of my writing here at Kung Fu Tea has been dedicated to teasing out these competing influences.

At various points in its modern history the enthusiasm of China’s government for the martial arts has waxed and waned.  The KMT sought to use the Central Guoshu Institute to strengthen its statist aims and better resist Japanese aggression in the 1930s.   After 1949 the Communist government saw Wushu as a way of implementing a vision of China’s martial and athletic culture firmly based in Maoist collectivist and non-competitive values.

A survey of press coverage over the last year indicates that the Chinese government is once again taking a renewed interest in the martial arts.  Yet this time their focus is different.  Rather than simply influencing their own society, they have realized that the positive association that foreign peoples already have with the Chinese martial arts make them a powerful tool of public diplomacy.  By promoting both the practice and discussion of the martial arts abroad, Chinese diplomats hope to educate the global community about their culture, values and to create a greater sense of “good will” and trust towards China.  This is all the more important in an era when China is actively beginning to flex its muscles as it tries to discover its proper place on a global stage.  A healthy store of political trust could be the key to weathering the sorts of mishaps, misunderstandings and conflicts that are sure to happen along the way.

Of course Kung Fu is not the only (or even the most important) tool in China’s public diplomacy arsenal.  Currently the Chinese state is expanding its network of Confucius Institutes at Universities around the globe where language training and other university level course work is provided.  Nor can we neglect the role of TV and radio stations owned by the Chinese government in crafting a certain image.  And Chinese cooking is even more popular globally than the martial arts.

Still, it is interesting to note how often efforts to promote the martial arts intersect with these other tools and strategies.  CCTV regularly runs stories on the growing popularity of Wushu, while Confucians Institutes have often taken the lead in providing Taijiquan classes for local communities.  The government has gone to some lengths to promote the teaching of the martial arts in areas like Africa and Nepal where Chinese financial interests are becoming ever more pronounced.  Often the source of these stories is fairly transparent, such as when they are directed by a government agency or CCTV.  In other cases it is less clear when a press office simply puts out a news release that is picked up by one of the many tabloid news services or webpages.

A lot of positive good will and social capital was created around the Chinese martial arts in the West between the 1970s and the 1990s.  During these decades it was overwhelmingly private actors, both martial artists and media figures, who controlled the narrative that determined how the public would view the martial arts.  Yet in almost every news update that I reviewed over the course of the last year there was at least one story that focused on “Kung Fu diplomacy.

Public diplomacy is not necessarily a bad thing.  Indeed, America, and pretty much every other country in the world, has its own public diplomacy strategy.  The world is always a better place when states can peacefully discuss their values and competing visions of the future.  That is the very essence of diplomacy.

As a political scientist with a background in International Relations, public diplomacy is one of the topics that I have a professional interest in.  The important development in the current case is that we are seeing number of governmental and NGO (but politically active) actors stepping up their discussion of, and engagement with, the martial arts precisely because they think that it might help with these “national branding” efforts.  While interesting on a number of counts, one must also wonder how it will change the existing narrative around these traditional fighting systems.

On one level none of this is new.  Actors in the Nationalist Chinese government sent a martial arts demonstration team to the 1936 Olympics for a reason. And who could forget a young Jet Li performing a Wushu routine for President Nixon on the White House lawn in the middle of the Cold War?  Yet the sheer volume of Kung Fu diplomacy stories that we have seen reported in 2015 indicate that there may be some trends here that deserve further considerations in 2016.

 

 

 

 


Kung Fu Tea Selects the Top Chinese Martial Arts Webpage of 2015

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A Guoshu school located in Tianjin, 1927. Source: The Taiping Institute.

A Guoshu school located in Tianjin, 1927. Source: The Taiping Institute.

 

 

Introduction

 

Welcome to our fourth annual discussion of the top webpages in Chinese martial studies. The purpose of this series is to acknowledge some of the individuals who have made great contributions to our understanding of the traditional martial arts in the last year. We also hope that visitors who are not familiar with these authors will be inspired to go out and discover some of these resources for themselves. Anyone interested in going back and reviewing our previous selection for 2013 or 2014 should click here.

After considering the questions we are ready to announce Kung Fu Tea’s selection’s for “Top Chinese Martial Arts Webpage of 2015.” To be eligible a webpage must have posted regularly in the last year and to have shown excellence in the study and understanding of some aspect of Chinese martial culture. It is also expected to have made a substantial original contribution in its research, journalism, analysis, art or creative writing. Finally, the webpage must be searchable and available on the open internet.

Beyond that everything can (and does) get quite subjective. “Chinese martial culture” is a huge research area with lots of different branches. Better still, there are a great many individuals devoting their time and resources to researching and spreading this information. The pace and quality of this work has grown markedly in the last year. Collectively our community turned out some great work in 2015. Narrowing the field down to a single “winner” was a challenge. There were a number of strong contenders that I looked at, each advancing their own understanding of the arts and unique style of writing.

The winner was the webpage that best responded to both the challenges and opportunities that 2015 presented. Specifically, how can we bring practitioners, students of Chinese popular culture and historians together into a single conversation that advance our understanding of the development and the practice of the traditional fighting styles? How can we best preserve the unique fighting systems of southern China? Is it possible to present a meaningful conversation on these topics that cross regional, cultural and linguistic boundaries?

 

International Guoshu Association

 

The Winner!

 

I am very happy to announce that this years winner is the “International Guoshu Association” Facebook group.  This community, run by Hing Chao, has become a critical source for updates, information and news on both the various conservation and awareness projects that the group is undertaking, as well as martial arts related events in Hong Kong more generally.  Hing Chao himself will be no stranger to regular readers of Kung Fu Tea.  He also made our list of Top News Stories of 2015.  Readers will remember his recent work documenting Hung Gar traditions, as well as organizing festivals and promoting awareness of the traditional Hakka martial arts.  Those with a slightly longer memory will also remember him as the driving force behind the short lived, but very high quality, English language Journal of Chinese Martial Studies.  (If you have not read the back issues of this publication I highly suggest checking it out).

Even within this distinguished lineup, the International Guoshu Association Facebook group continues to stand out.  Over the last year it has published a fantastic mix of event reviews, vintage photos, community awareness notes and media reports.  Its one of the few webpages that I find myself checking daily.  The mixture of Chinese and English language posts is great and the “micro-blogging” format of the Facebook group is well suited to the community’s essential mission at this moment in history.  If you have yet to check this group out, please consider doing so.

 

MAS masthead

 

 

The Runner Up

 

At this point I would also like to highlight one more webpage that was launched in 2015 which I expect will have a huge impact on future conversations.  It is the new interdisciplinary journal Martial Arts Studies.  By way of full disclosure, since I am closely involved with this project (as a founding co-editor) I preemptively disqualified it from consideration for this years prize.  “Conflict of interest” and all of that.

Still, as an imprint of Cardiff University Press, and with the backing of an impressive editorial advisory committee of respected academic researchers from around the world, this journal will provide a critical outlet for new scholarly research on the martial arts.  Better yet, anyone can read this peer reviewed journal for free on its shiny new webpage.  The first issue, released earlier this Fall is available here.  This new project had a great first year and we are looking forward to big things in future issues.


Chinese Martial Arts in the News: January 24th, 2016: Ip Man 3, An Exhibit of Antique Swords and Costco Moves into the Wooden Dummy Market

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Wooden Dummies for sale at a Costco store in Japan. Source:

A Pallet of Wooden Dummies for sale at a Costco store in Japan. Source: goodall factory on Instagram.

 

 

Introduction

 

Welcome to “Chinese Martial Arts in the News.”  This is a semi-regular feature here at Kung Fu Tea in which we review media stories that mention or affect the traditional fighting arts.  In addition to discussing important events, this column also considers how the Asian hand combat systems are portrayed in the mainstream media.

While we try to summarize the major stories over the last month, there is always a chance that we have missed something.  If you are aware of an important news event relating to the TCMA, drop a link in the comments section below.  If you know of a developing story that should be covered in the future feel free to send me an email.

Its been a while (almost a month) since our last update so there is a lot to be covered in today’s post.  Let’s get to the news!

 

Ming era armor currently on display in Shanghai. Source: Shanghai Daily Post.

Ming era armor currently on display in Shanghai. Source: Shanghai Daily Post.

News from all Over

 

This week’s report starts with three items from the Shanghai Daily.  The first article details the opening of a new exhibit of ancient and traditional Chinese weapons at the Han Tianheng Art Museum in Shanghai.  Much of the article focuses on an interview with the individual who collected these artifacts and loaned them to the exhibit.  It certainly sounds as though there will be some important early pieces there and if anyone is in the area it would be great to see a report.  The exhibit is currently expected to run through February.

That article was followed up by another titled “The Finest Swords Becomes Legends.”  It focuses on the mythology surrounding some of the amazing bronze swords produced in ancient China.  Dedicated students of the history of China’s weapons will already be familiar with these accounts, but its always fascinating to see them working their way into the more general press.

Jiang Hanlong.wing chun instructor.shanghai daily

Jiang Hanlong, Wing Chun Instructor. Shanghai Daily.

 

Next we turn to something a little more current.  As part of its Hangzhou Special series the Shanghai Daily also ran a profile of Jiang Hanlong, a cartoonist who, after being introduced to Wing Chun, went on to become an professional martial arts instructor and to open his own school.  A student of Lun Jia (who in turn studied with Ip Man), Jiang went on to open a school with a friend and Taijiquan practitioner hoping to help students find peace within the routines of a hectic modern life.  In addition to Wing Chun and Taijiquan they also offer courses in Chinese archery, meditation and traditional music.

A pallet of Wing Chun dummies at a Costco store in Japan. Source: Apple Daily.

A Pallet of Wing Chun dummies at a Costco store in Japan. Source: Apple Daily.

This next story is by far my favorite in the current news roundup.

How do  you know that Wing Chun is officially “big in Japan”?  There are reports (such as this one at inverse.com) that some Costco locations have begun to sell wooden dummies (mook yan jongs).  Photos on Instagram appear to back this up.  I have attempted to contact Costco’s corporate media people in Japan to find out more about this product but have yet to receive a reply.  All of the photos seem to show stand-alone (rather than wall mounted) units and feature the “Jeet Kune Do” style head.  One assumes  that the release of these dummies just prior to Ip Man 3 may not have been a coincidence.  Still, the packaging doesn’t make any direct reference to either Ip Man or Bruce Lee.  I don’t really need a new dummy at the moment, but I would still love to see these show up at my local Costco!  You can read the original Apple Daily story here.

Shi Yongxin (L), current abbot of the Shaolin Temple, presents a sculpture of Bodhidharma to Professor Charles Mattera of United Studios of Self Defense (USSD) from the United States.

Shi Yongxin (L), current abbot of the Shaolin Temple, presents a sculpture of Bodhidharma to Professor Charles Mattera of United Studios of Self Defense (USSD) from the United States.

One of the surprises to arise out of the last news cycle was this detailed article published by Bloomberg Business reviewing the current controversies and financial history of the Shaolin Temple.  Titled the “Rise and Fall of Shaolin’s CEO Monk” this is probably the best discussion of the current state of the Shaolin Temple that I have seen produced by anyone in the mainstream press.  Over the last few years Shaolin has appeared in more and more articles, but very few of them take the time to review the modern history of Shaolin in quite as much detail as you will find here.  Definitely a recommended read.

Yang Style Taiji Students In Shanghai, 2005.

Yang Style Taiji Students In Shanghai, 2005.

The Chinese Martial Arts also made a recent appearance in the New York Times “Wellness” blog.  The topic of the conversation was Taijiquan and whether it had therapeutic value with regards to heart disease.  Spoiler alert….the answer is yes, for a couple of reasons.  You can read the full discussion here.  (No word on how practicing Taiji against Shanghai’s smoggy skyline might impact your health).

Jack Wong.web comic

The character Jack Wong (based on Wong Jack Man) and co-star (along with Bruce Lee) of “A Challenge,” a webcomic by Jeremy Arambulo.  Source: NPR

As always Bruce Lee’s legacy continued to be discussed.  Anyone interested in either Lee’s fight with Wong Jack Man, or the portrayal of the martial arts in comic books more generally, will want to check out this interview on NPR (national public radio).  In it Jeremy Arambulo talks about growing up as an Asian-American, Bruce Lee and his current webcomic, “A Challenge.”  This work is loosely based on Lee’s well known confrontation with Wong Jack man and also provides some extended meditations on subjects that may be of interest to readers of Kung Fu Tea.  Or click here to go directly to the comic.

If you are in the Northwest you might instead want to check out a new walking tour of Bruce Lee’s Seattle which ties into the current exhibit on his life at the Wing Luke Museum.  It appears that they are trying to get some good social history into their program.

Pui Chan.New York.1969

A few other pioneers of Kung Fu in North America have been in the news. I particularly liked this discussion of Grandmaster Pui Chan as it had some good biographical material about his life in southern China and his early teaching career in the USA.  The discussion is well worth checking out if you are interested in the more modern history of the Chinese martial arts.

Also fascinating is the recent feature titled “The Legend of the 52 Blocks” published by the Vice Sports blog.  Written by Benjamin Nadler this article provides a fairly comprehensive introduction to the history, legend and mystery of this predominantly African-American vernacular martial arts style.  Students of Martial Arts Studies may have been introduced to this unique style through the writings of the anthropologist Thomas Green.  I have it on good authority that Prof. Green is getting ready to publish more of his ethnographic research on the topic.  As such Nadler’s blog post may be a good way to get yourself up to speed for prior to its release.

 

A still from Ip Man 3. Source: The Hollywood Reporter.

A still from Ip Man 3. Source: The Hollywood Reporter.

 

Chinese Martial Arts Films

Ip Man 3 has now officially made its way into theaters and the reviews are starting to roll in.  I have yet to see  it, but the initial signals seem to be encouraging.  First off, the Hollywood Reporter has a quick list of five things to expect if you are planning on seeing the film.  The San Francisco Chronicle gave the film an overall decent review and thought that it was a fitting end to Ip Man’s martial arts saga.  And while a number of reviewers lampooned Mike Tyson’s appearance in the film, the Vancouver Weekly had some surprisingly positive things to say about his performance, starting with the fact that he basically stole every scene that he was in.  And what could we do to make the Ip Man franchise even bigger?  How about a little cross-promotion with Star Wars?  That was another trend that has been evident in a lot of the discussions of Donnie Yen’s recent work.

 

Kung Fu Panda 3. Grab destiny by the dumplings.

Kung Fu Panda 3. Grab destiny by the dumplings.

 

Possibly the only thing bigger than Donnie Yen right now is a Panda named Po.  All of the early discussion of this film has been great.  But what has really been turning heads among Hollywood insiders is the business mechanics behind this project.  As a joint production between an American studio and a set of our Chinese companies, this film is able to skirt a number of the regulations that are normally imposed on foreign films in China (limiting the amount of time that they can run and the total numbers of screens that they can show on, as well as the distribution of ticket sales).  Given the popularity of the franchise in China, its clear that this film is going to be very profitable.  Forbes dives into the number here, and The Street offers its own commentary on the Panda’s success.

 

stormtrooper-riot-gear

Lastly, a Star Wars story has emerged for fans of the Chinese martial arts.  As I have discussed elsewhere, the internet has been clamoring for an Asian Jedi for some time now.  This is not an unreasonable request given the importance of Kung Fu mythology and Samurai films to the genesis of Star Wars.  Simply put, no katanaa, no lighsabers.  Well, it appears that Disney heard these prayers and responded by giving the fans a Storm Trooper.  And not just any white bucket wearing thug.  Nope, Kung Fu brought you the internet’s favorite Storm Trooper.  You can read more about him here.

 

Students at a Japanese Archery Club. Source: http://faculty.washington.edu/kendo/budo.html

Students at a Japanese Archery Club. Source: http://faculty.washington.edu/kendo/budo.html

 

Martial Arts Studies

There are a number of forthcoming books on martial arts studies that readers should be aware of.  Yet before we launch into these, Paul Bowman recently posted an article on Academia.edu asking the prior question of how we go about making martial arts history matter.  It is an interesting paper on an important subject.  Be sure to check it out.  And while you do, get your registrations in for the 2016 Martial Arts Studies conference to be held in July at the University of Cardiff.  Last years event was a great success, and the list of speakers and guests for this year’s event is even stronger.  Click here to find out who is coming and how to register.

 

In Search of Legitimacy by

In Search of Legitimacy by Lauren Miller Griffith (Berghahn Books, January 2016)

Lauren Miller Griffith’s volume In Search of Legitimacy: How Outsiders Become Part of the Afro-brazilian Capoeira Tradition (Berghahn Books (January 31, 2016) is about to be released.  I have been looking forward to reading this book for a while and am currently in the process of ordering a review copy for the journal Martial Arts Studies.  It certainly tackles a topic of central importance to students of many martial art traditions.  The publisher’s synopsis is as follows:

Every year, countless young adults from affluent, Western nations travel to Brazil to train in capoeira, the dance/martial art form that is one of the most visible strands of the Afro-Brazilian cultural tradition. In Search of Legitimacy explores why “first world” men and women leave behind their jobs, families, and friends to pursue a strenuous training regimen in a historically disparaged and marginalized practice. Using the concept of apprenticeship pilgrimage-studying with a local master at a historical point of origin-the author examines how non-Brazilian capoeiristas learn their art and claim legitimacy while navigating the complexities of wealth disparity, racial discrimination, and cultural appropriation.

Lauren Miller Griffith is an Assistant Professor of Anthropology at Hanover College who studies performance, tourism, and education in Latin America.

Later in the spring readers can expect another volume focusing on Capoeria.  Sara Delamont (Cardiff University), Neil Stephens (Cardiff University), Claudio Campos will be releasing Dreaming Brazil, Embodying Brazil: An Ethnography of Diaspora Capoeira through Routledge (May 15, 2016).

Capoeira, the Brazilian dance-fight-game, has spread across the world since the 1970s. It has become a popular leisure activity for many people, and a career for many Brazilians in countries as diverse as China and Spain, and as geographically distant from Brazil as New Zealand and Finland. This ethnographic research conducted on capoeira in the UK is not only an in-depth investigation of one martial art, but also provides rich data on masculinity, performativity, embodiment, globalization, rites of passage and tournaments of value, as well as an enhanced discussion of methods and methodology.

 

This April Lionel Loh Loong will be releasing The Body and Senses in Martial Culture by Lionel Loh Han Loong through Palgrave.  While still a few months out, this work will focus on the booming martial arts tourism industry in Thailand.

This ethnographic study of a mixed martial arts gym in Thailand describes the everyday practices and lived experiences of martial art practitioners. Through the lived realities and everyday experiences of these fighters, this book seeks to examine why foreigners invest their time and money to train in martial arts in Thailand; the linkages between the embodiment of martial arts and masculinity; how foreign bodies consume martial arts and what they get out of it; the sensory reconfiguration required of a fighter; and the impact of transnational flows on bodily dispositions and knowledge. The author argues that being a successful fighter entails not only sensitized awareness and knowledge of one’s body, but also a reconfiguration of the senses.

Manga

Lastly, students of cultural and film studies may want to take a look at Manga and Anime Go to Hollywood by Northrop Davis (A professor of Media Arts at the University of South Carolina).  Various types of comics have had an important impact on film in recent years, and they are also important vectors by which media discourses on the martial arts are spread throughout society (consider the impact of a single title like Scott Pilgrim in promoting a specific image of the martial arts).  The publisher’s blurb is as follows:

The media industries in the United States and Japan are similar in much the same way different animal species are: while a horse and a kangaroo share maybe 95% of their DNA, they’re nonetheless very different animals-and so it is with manga and anime in Japanese and Hollywood animation, movies, and television. Though they share some key common elements, they developed mostly separately while still influencing each other significantly along the way. That confluence is now accelerating into new forms of hybridization that will drive much of future storytelling entertainment. Packed with original interviews with top creators in these fields and illuminating case studies, Manga and Anime Go to Hollywood helps to parse out these these shared and diverging genetic codes, revealing the cross-influences and independent traits of Japanese and American animation.

Dandaofa Xuan
Readers looking for study material of a more “practical” nature may want to check out Scott Rodell’s latest project.  Dandaofa Xuan – Chinese Long Saber Techniques Anthology is a translation of a 400 year old manual describing techniques for a the long two handed saber called the dandao.  Apparently this was also the first Chinese martial arts manual to be published with accompanying illustrations.  As such it is an interesting bit of martial arts history.

 

An assortment of Chinese teas. Source: Wikimedia.

An assortment of Chinese teas. Source: Wikimedia.

 

Kung Fu Tea on Facebook

 

As always there is a lot going on at the Kung Fu Tea Facebook group.  We discussed the logic of Taijiquan’s forms, African-American martial arts history and hand combat as intangible cultural heritage.   Joining the Facebook group is also a great way of keeping up with everything that is happening here at Kung Fu Tea.

If its been a while since your last visit, head on over and see what you have been missing.

 


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